Mechanical Witness: A History of Motion Picture Evidence in U.S. Courts

Mechanical Witness: A History of Motion Picture Evidence in U.S. Courts

Volumn , Issue , 2009, Pages 1-176

  Schwartz, Louis Georges ^a  

^a UNIVERSITY OF IOWA   (United States)

Author keywords

Evidence; Film studies; Law; Motion pictures

Indexed keywords

EID: 84875245339     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1093/acprof:oso/9780195315059.001.0001     Document Type: Book

References (91)

1. A. L. Harmon v. San Joaquin Light & Power Corporation. Reports of Cases Determined in the District Courts of Appeal of the State of California. San Francisco: Bancroft-Whitney, 1940. 169-175. Vol. 37.
2. Andelman, David A. "Videotape to Be Used in Bronx in U.S. Pilot Program." New York Times December 9, 1974: 29.
3. Andrew, Dudley. André Bazin. New York: Columbia University Press, 1978.
4. Arnheim, Rudolf. Film As Art. Berkeley. Univeristy of California Press.
5. Associated Press. "Videotape Trial Held in Vermont." New York Times June 23 1973: 32.
6. Aumont, Jacques, et al. Aesthetics of Film. Trans. Richard Neopert. Austin: University of Texas Press, 1983.
7. Bazin, André. "Ontologie de l'image photgraphique." Qu'est-ce que le cinema. Ed. André Bazin. Paris: Les Édition Du Cerf, 1990. 9-17.
8. Bazin, André. "The Ontology of the Photographic Image." What Is Cinema? Trans. Hugh Gray. Berkeley: University of California, 1967. Vol. 1.
9. Bazin, André. "Theater and Cinema." What Is Cinema. Ed. Hugh Grey. Trans. Hugh Grey. Berkeley: University of California Press, 1967. Vol. 1.
10. Borch-Jacobsen, Mikkel. Lacan: The Absolute Master. Trans. Douglas Brick. Stanford, Calif.: Stanford University Press, 1991.
11. Bordwell, David, and Kristin Thompson. Film Art. Fifth Edition ed. New York: McGraw-Hill, 1997.
12. Bordwell, David; Janet Staiger, and Kristin Thompson. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960, by New York. Columbia University Press, 1985.
13. Boyarsky v. G. A. Zimmerman Corporation et al. New York Supplement. St Paul: West Publishing. 1934. 134-241.
14. Brunette, Peter, and David Wills. "The Spatial Arts: An Interview With Jacques Derrida." Deconstruction and the Visual Arts: Art, Media, Architecture. Eds. Peter Brunette and David Wills. Cambridge: Cambridge University Press, 1994. 9-33.
15. Butler, Judith. "Endangered, Endangering: Schematic Racism and White Paranoia." Reading Rodney King, Reading Urban Uprising. Ed. Robert Gooding-Williams. New York: Routledge, 1993.
16. Cartwright, Lisa. Screening The Body. Minneapolis: University of Minnesota Press, 1995.
17. Coady, C. A. J. Testimony: A Philosophical Study. Oxford: Oxford University Press, 1992.
18. Commonwealth v. Harold Roller. Pennsylvania Superior Court Reports. Harrisburg: The Telegraph, 1931. 125-131. Vol. 100.
19. Conley, Tom. Film Hieroglyphics: Ruptures in Classical Cinema. Minneapolis: University of Minnesota Press, 1991.
20. DeBattiste v. Anthony Laudadio & Son et al. Pennsylvania Superior Court Reports. Sayre, Pa.: Murrelle, 1950. 38-44. Vol. 167.
21. DeCamp v. United States. Federal Reporter. St. Paul: West Publishing, 1926. Vol. 10.
22. DeGuy, Michel, ed. Au Sujet de Shoah: le film de Claude Lanzmann. Paris: Belin, 1990.
23. Deleuze, Gilles. Cinema 1: The Movement Image. Trans. Hugh Tomlinson and Barbara Habberjam. Minneapolis: University of Minnesota Press, 1986.
24. Derrida, Jacques. The Post Card: From Socrates to Freud and Beyond. Trans. Allan Bass. Chicago: University of Chicago Press, 1987.
25. Derrida, Jacques. The Truth In Painting. Trans. Geoff Bennington and Ian McLeod. Chicago: University of Chicago Press, 1987.
26. Derrida, Jacques. La Vérité En Peinture. Paris: Flammarion, 1978.
27. Derrida, Jacques. Writing and Difference. Trans. Alan Bass. Chicago: University of Chicago Press, 1978.
28. Derrida, Jacques. Of Grammatology. Trans. Gayatri Spivak. Baltimore: Johns Hopkins University Press, 1974.
29. Federal Rules of Evidence For United States Courts and Magistrates. St. Paul: West Publishing, 1992.
30. Feeny v. Young. The New York Supplement. St. Paul: West Publishing, 1920. Vol. 181.
31. Felman, Shoshana, and Dori Laub. Testimony: The Crisis of Witnessing in Literature, Psychoanalysis, and History. New York: Routledge, 1992.
32. Foster, Hal. "Obscene, Abject, Traumatic." October 78 (1996). 107-124.
33. Friedman, Lawrence. Crime And Punishment in American History. New York: Basic Books, 1993.
34. Gibson v. Gunn. The New York Supplement with Key Number Annotations. St. Paul: West Publishing, 1923. Vol. 202.
35. Gooding-Williams, Robert, ed. Reading Rodney King/Reading Urban Uprising. New York: Routledge, 1993.
36. Guidelines For Pre-Recording Testimony on Videotape Prior to Trial. Washington: The Federal Judicial Center, 1976.
37. Gulf Research Development Co. v. Linder. Cases Argued and Decided in the Supreme Court of Mississippi. Colombia, Mo.: E. W. Stephens, 1936. 123-134. Vol. 177.
38. Harris v. St. Louis Public Service Company. South Western Reporter Second Series. St. Paul: West Publishing, 1954. 850-857. Vol. 270.
39. Heiman et al. v. Market St. Railroad. Co. Pacific Court Reports 2nd Series. St. Paul Minn.: West Publishing, 1937. 179-181. Vol. 69.
40. Heller, Fred I., ed. Advanced Litigation Skills Using Video. New York: Practicing Law Institute, 1987.
41. Heller, Fred I., ed. Video Techniques in Trial and Pretrial. New York: Practicing Law Institute, 1983.
42. International Union, United Automobile, Aircraft and Agricultural Implement Workers of America, C. I. O. et al. v. Paul S. Russell, Report of Cases Argued and Determined in the Supreme Court of Alabama. St. Paul: West Publishing, 1956. 456-473. Vol. 264.
43. Joseph, Gregory P. Modern Visual Evidence. New York: Law Journal Seminars-Press, 1990.
44. Joseph, Gregory P. "Demonstrative Videotape Evidence." Trial June 1986.
45. "Judge at Murder Trial Bars Films Depicting Story of the Defendant." The Moving Picture World, February 21, 1920: 1257.
46. Kennedy, Herbert H. "Motion Pictures in Evidence." Illinois Law Review 27: 424-427. 1933.
47. Lacan, Jacques. Le Séminaire de Jacques Lacan livre XVII: L'Envers de la psychanalyse, 1969-70. Eds. Jacques-Alain Miller and Judith Miller. Paris: Éditions du Seuil, 1991.
48. Lacan, Jacques. The Four Fundamental Concepts of Psychoanalysis. Trans. Alan Sheridan. New York: Norton, 1973.
49. LaCapra, Dominick. "Lanzmann's Shoah: 'Here There Is No Why.' Critical Inquiry 23.2 (1997): 231-269.
50. Lanzmann, Claude. "Seminar With Claude Lanzmann, 11 April 1990." Yale French Studies 79 (1991): 82-99.
51. Lanzmann, Claude. "Le Lieu et La Parole." Au Sujet de Shoah: le film de Claude Lanzmann. Paris: Belin, 1990.
52. Lanzmann, Claude. Shoah. Paris: Fayard, 1985.
53. Laplanche, J., and J. B. Pontalis. The Language of Psychoanalysis. Trans. Donald Nicholson-Smith. New York: W. W. Norton & Company, 1973.
54. Lastra, James. "Standards And Practices: Technology and Representation in the American Cinema." Ph.D. Dissertation. University of Iowa, 1992.
55. "Law School Opens Model Courtroom." New York Times. October 7, 1973: 76.
56. Levinas, Emmanuel. Existence and Existents. Trans. Alphonso Lingus. Dordrecht: Kluwer Academic Publishers, 1978.
57. Lindsay, Vachel. The Art Of The Moving Picture. New York: Macmillan Co., 1915.
58. MacEvoy, J. P. "Tricked into Acting." Reader's Digest. February, 1940. pp. 70-73.
59. Mary B. Williamson v. St Louis Public Service Company. Reports of Cases Determined by the Supreme Court of the State of Missouri. Columbia, Mo.: E. W. Stephens, 1952. 508-521. Vol. 363.
60. Maryland Casualty Company v. Coker. Federal Reporter Second Series. St. Paul: West Publishing, 1941. 43-44. Vol. 118.
61. Massachusetts Bonding & Ins. Co. v. Worthy. South Western Reports Second Series. St. Paul: West Publishing, 1928. 388-394. Vol. 9.
62. McCrystal, James L. "Videotaped Trials: A Primer." Juridicature 61.6 (1978).
63. McGoorty v. Benhart. North Eastern Reports 2nd series. St. Paul: West Publishing, 1940. 289-296. Vol. 27.
64. Metz, Christian. The Imaginary Signifier: Psychoanalysis and the Cinema. Trans. Celia Barton, Annwyl Williams, Ben Brewster, and Alfred Guzzeti. Bloomington: Indiana University Press, 1975.
65. Metz, Christian. Film Language. Trans. Michael Taylor. Oxford: Oxford University Press, 1974.
66. Miller, Ellen J. Video: A Guide for Lawyers. Santa Monica, Calif.: Law-Arts Publisher, 1983.
67. Miller, Gerald R., and Norman E. Fontes. Videotape on Trial: A View from the Jury Box. London: Sage Publications, 1979.
68. "Movies As Evidence." The New York Times. February 22, 1920: 8.
69. Münsterberg, Hugo. Hugo Munsterberg on Film: The Photoplay: A Psychological Study and Other Writings. New York, Routledge. 2001.
70. Nichols, Bill. Blurred Bounderies: Questions of Meaning in Contemporary Culture. Bloomington: Indiana, 1994.
71. Odin, Roger. "La Semio-Pragmatic du Cinema Sans Crise." Hores Cadre 7 (1989).
72. Partridge. Origins: A Short Etymological Dictionary of Modern English. New York: Macmillan Publishing Co. Inc., 1966.
73. Peirce, Charles S. Philosophical Writings of Peirce. New York: Dover Publications, 1955.
74. Powell v. Superior Court. California Appellate Reporter Third Series. St. Paul: West Law, 1991. Vol. 232.
75. Rodwick, D. N. The Virtual After Life Of Film: Cambridge, Mass.: Harvard University Press, 2007.
76. Rogers, L. S. Annotation: Use of Motion Pictures as Evidence. American Law Reports Annotated. Vol. 62. Rochester N.Y.: The Lawyers Co-Operative Publishing Company, 1958.
77. Ronell, Avital. "Trauma TV: Twelve Steps Beyond the Pleasure Principle." Finitude's Score: Essays for the End of the Millennium. Lincoln: University of Nebraska Press, 1994. 305-328.
78. Rosen, Philip. "History of Image: Image of History: Subject and Ontology in Bazin." In Rites of Realism: Essays on Corporeal Cinema. Ivone Margulies, ed. Durham, Duke University Pess, 2003.
79. Saussure, Ferdinand de. Course in General Linguistics. New York: McGraw-Hill Book Company, 1959.
80. Silverman, Kaja. The Acoustic Mirror. Bloomington: University of Indiana Press, 1988.
81. Sobchack, Vivian. The Address of the Eye. Princeton, New Jersey: Princeton University Press, 1992.
82. "Society For Cinema Studies Resolution." Jump Cut. 37 (1992): 2.
83. State for use of Anna Chima v. United Railways & Electric Co. Reports of Cases Argued and Adjudged in the Court of Appeals of Maryland. Baltimore: King Brothers, 1932. 404-418. Vol. 162.
84. Strong, John W, ed. McCormick on Evidence. St. Paul: West Publishing Co., 1992.
85. Thomas v. C.G. Tate Construction Co. Inc. Federal Supplement. St. Paul: West Publishing Co., 1979. 566-571. Vol. 465.
86. Wigmore, John Henry. A Treatise on the Anglo-American System of Evidence in Trials at Common Law Including the Statutes and Judicial Decisions of All Juridical Jurisdictions of The United States and Canada. Second ed. Vol. II. Boston: Little, Brown, and Company, 1923. IV vols.
87. Williams, Linda. "Mirrors Without Memories: Truth, History, and The New Documentary." Film Quarterly 46.3 (1993): 9-21.
88. United States of America v. Guerrero. Federal Reporter 2nd Series. St. Paul: West Publishing, 1981. 862-870. Vol. 667.
89. United States of America v. Weisz and Cuizio. Federal Reporter 2nd Series. St. Paul: West Publishing, 1983. 412-441. Vol. 178.
90. Usai, Paolo Cherchi. The Death of Cinema: History, Cultural Memory, and the Digital Dark Age. London: The British Film Institute, 2001.
91. Wilson, George M. Narration in Light: Studies in Cinematic Point of View. Baltimore: The Johns Hopkins University Press, 1986.