메뉴 건너뛰기




Volumn , Issue , 2011, Pages 56-59

The medium is the message: Composing instruments and performing mappings

Author keywords

Composed instrument; Constraint; Performance; Transparency

Indexed keywords

MUSIC; MUSICAL INSTRUMENTS;

EID: 84873694025     PISSN: 22204792     EISSN: 22204806     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper
Times cited : (25)

References (18)
  • 1
    • 70449672583 scopus 로고    scopus 로고
    • Information dynamics: patterns of expectation and surprise in the perception of music
    • S. Abdallah and M. D. Plumbley. Information dynamics: patterns of expectation and surprise in the perception of music. Connection Science, 21(2):89–117, 2009.
    • (2009) Connection Science , vol.21 , Issue.2 , pp. 89-117
    • Abdallah, S.1    Plumbley, M. D.2
  • 2
    • 0040318024 scopus 로고
    • Interactive composing: an overview
    • J. Chadabe. Interactive composing: an overview. Computer Music Journal, 8(1):22–27, 1984.
    • (1984) Computer Music Journal , vol.8 , Issue.1 , pp. 22-27
    • Chadabe, J.1
  • 3
    • 85160295655 scopus 로고    scopus 로고
    • Principles for designing computer music controllers
    • P. Cook. Principles for designing computer music controllers. In Proc. NIME’01, 2001.
    • (2001) Proc. NIME’01
    • Cook, P.1
  • 5
    • 21244433891 scopus 로고    scopus 로고
    • Designing for intimacy: Creating new interfaces for musical expression
    • S. Fels. Designing for intimacy: Creating new interfaces for musical expression. Proc. IEEE, 92(4):672–685, 2004.
    • (2004) Proc. IEEE , vol.92 , Issue.4 , pp. 672-685
    • Fels, S.1
  • 6
    • 85003508542 scopus 로고    scopus 로고
    • Mapping transparency through metaphor: towards more expressive musical instruments
    • S. Fels, A. Gadd, and A. Mulder. Mapping transparency through metaphor: towards more expressive musical instruments. Organised Sound, 7(2):109–126, 2002.
    • (2002) Organised Sound , vol.7 , Issue.2 , pp. 109-126
    • Fels, S.1    Gadd, A.2    Mulder, A.3
  • 10
    • 85066227333 scopus 로고    scopus 로고
    • Instruments and players: Some thoughts on digital lutherie
    • S. Jordà. Instruments and players: Some thoughts on digital lutherie. JNMR, 33(3):321–341, 2004.
    • (2004) JNMR , vol.33 , Issue.3 , pp. 321-341
    • Jordà, S.1
  • 11
    • 84873595654 scopus 로고    scopus 로고
    • Instruments, interactivity, and inevitability
    • T. Machover. Instruments, interactivity, and inevitability. In Proc. NIME’02, 2002.
    • (2002) Proc. NIME’02
    • Machover, T.1
  • 12
    • 78650084122 scopus 로고    scopus 로고
    • Designing constraints: Composing and performing with digital musical systems
    • T. Magnusson. Designing constraints: Composing and performing with digital musical systems. Computer Music Journal, 34(4):62–73, 2010.
    • (2010) Computer Music Journal , vol.34 , Issue.4 , pp. 62-73
    • Magnusson, T.1
  • 15
    • 78650087822 scopus 로고    scopus 로고
    • Seeking out the spaces between: Using improvisation in collaborative composition with interactive technology
    • S. Nicolls. Seeking out the spaces between: Using improvisation in collaborative composition with interactive technology. Leonardo Music Journal, 20:47–55, 2010.
    • (2010) Leonardo Music Journal , vol.20 , pp. 47-55
    • Nicolls, S.1
  • 16
    • 10244234045 scopus 로고    scopus 로고
    • Flow and media enjoyment
    • J. L. Sherry. Flow and media enjoyment. Communication Theory, 14(4):328–347, 2004.
    • (2004) Communication Theory , vol.14 , Issue.4 , pp. 328-347
    • Sherry, J. L.1
  • 18
    • 18644376831 scopus 로고    scopus 로고
    • Problems and prospects for intimate musical control of computers
    • D. Wessel and M. Wright. Problems and prospects for intimate musical control of computers. Computer Music Journal, 26(3):11–22, 2002.
    • (2002) Computer Music Journal , vol.26 , Issue.3 , pp. 11-22
    • Wessel, D.1    Wright, M.2


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.