Learning harmonic relationships in digital audio with dirichlet-based hidden Markov models

ISMIR 2005 - 6th International Conference on Music Information Retrieval

Volumn , Issue , 2005, Pages 438-443

  Burgoyne, J Ashley ^a   Saul, Lawrence K ^a  

^a UNIVERSITY OF PENNSYLVANIA   (United States)

Author keywords

Dirichlet; Harmony; HMM; Mozart; PCP

Indexed keywords

DIRICHLET; HARMONY; HMM; MOZART; PCP;

INFORMATION RETRIEVAL; REAL TIME CONTROL;

HIDDEN MARKOV MODELS;

EID: 84873542451     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (19)

1. H. Christopher Longuet-Higgins and Mark J. Steedman. On interpreting Bach. Machine Intelligence, 6:221-41, 1971.
2. Robert Rowe. Machine Musicianship. MIT Press, Cambridge, MA, 2001.
3. Christopher Raphael. Harmonic analysis with probabilistic graphical models. In Proceedings of the International Symposium on Music Information Retrieval, Baltimore, MD, 2003.
4. David Temperley. The Cognition of Basic Musical Structures. MIT Press, Cambridge, MA, 2001.
5. Piet G. Vos and E. W. van Geenen. A parallelprocessing key-finding model. Music Perception, 14:185-224, 1996.
6. Christopher Raphael. Automatic transcription of piano music. In Proceedings of the International Symposium on Music Information Retrieval, Paris, France, 2002.
7. Alexander Sheh and Daniel P. W. Ellis. Chord segmentation and recognition using EM-trained hidden Markov models. In Proceedings of the International Symposium on Music Information Retrieval, Baltimore, MD, 2003.
8. Hendrik Purwins, Benjamin Blankertz, and Klaus Obermayer. A new method for tracking modulations in tonal music in audio data format. In C. L. Giles, M. Gori, and V. Piuri, editors, Proceedings of the International Joint Conference on Neural Networks, volume 6, 2000.
9. Steffen Pauws. Musical key extraction from audio. In Proceedings of the International Conference on Music Information Retrieval, Barcelona, Spain, 2004.
10. Carol L. Krumhansl. Cognitive Foundations of Musical Pitch. Oxford University Press, New York, 1990.
11. Ching-Hua Chan and Elaine Chew. Polyphonic audio key-finding using the spiral array CEG algorithm. In Proceedings of the International Conference on Multimedia and Expo, Amsterdam, Netherlands, 2004.
12. Samer A. Abdallah. Towards Music Perception by Redundancy Reduction and Unsupervised Learning in Probabilistic Models. Doctoral thesis, Department of Electronic Engineering, King's College London, 2002.
13. Edward Aldwell and Carl Schachter. Harmony and Voice Leading. Harcourt Brace Javanovich, New York, 1978.
14. Takuya Fujishama. Real-time chord recognition of musical sound: A system using Common Lisp Music. In Proceedings of the International Computer Music Conference, Beijing, 1999.
15. George Tzanetakis, Andrey Ermolinskyi, and Perry Cook. Pitch histograms in symbolic and audio music information retrieval. Journal of New Music Research, 32(2):143-52, 2003.
16. S. Hamid Nawab, Salma Abu Ayyash, and Robert Wotiz. Identification of musical chords using constant-Q spectra. In Proceedings of the International Conference on Acoustics, Speech, and Signal Processing, Salt Lake City, UT, 2001.
17. Ozgur Izmirli. A hierarchical constant Q transform for partial tracking in musical signals. In Proceedings of the 2nd COST G-6 Workshop on Digital Audio Effects, Trondheim, Norway, 1999.
18. Fred Lerdahl. Tonal Pitch Space. Oxford University Press, New York, 2001.
19. Neville Marriner and the Academy of St. Martin-inthe Fields. Mozart: Early symphonies. Compact disc recording, 1990. Philips 4225012.