Resolving overlapping harmonics for monaural musical sound separation using pitch and common amplitude modulation

ISMIR 2008 - 9th International Conference on Music Information Retrieval

Volumn , Issue , 2008, Pages 538-543

  Woodruff, John ^a   Li, Yipeng ^a   Wang, DeLiang ^a  

^a The Ohio State University   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

AMPLITUDE ENVELOPE; LEAST-SQUARES ESTIMATION; MUSICAL SOUNDS; PHASE CHANGE; QUANTITATIVE EVALUATION; SEPARATION SYSTEMS; SINUSOIDAL PARAMETERS;

ALGORITHMS; INFORMATION RETRIEVAL; INSTRUMENTS; PARAMETER ESTIMATION; SEPARATION;

HARMONIC ANALYSIS;

EID: 84873415211     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (16)

1. T. Virtanen, "Sound source separation in monaural music signals," Ph.D. dissertation, Tampere University of Technology, 2006.
2. E. M. Burns, "Intervals, scales, and tuning," in The Psychology of Music, D. Deutsch, Ed. San Diego: Academic Press, 1999.
3. A. Klapuri, "Multiple fundamental frequency estimation based on harmonicity and spectral smoothness," IEEE Transactions on Speech and Audio Processing, Vol. 11, no. 6, pp. 804-816, 2003.
4. T. Virtanen and A. Klapuri, "Separation of harmonic sounds using multipitch analysis and iterative parameter estimation," in IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, 2001, pp. 83-86.
5. M. R. Every and J. E. Szymanski, "Separation of synchronous pitched notes by spectral filtering of harmonics," IEEE Transactions on Audio, Speech, and Language Processing, Vol. 14, pp. 1845-1856, 2006.
6. M. Bay and J. W. Beauchamp, "Harmonic source separation using prestored spectra," in Independent Component Analysis and Blind Signal Separation, 2006, pp. 561-568.
7. A. S. Bregman, Auditory Scene Analysis. Cambridge, MA: MIT Press, 1990.
8. D. L. Wang and G. J. Brown, Eds., Computational Auditory Scene Analysis: Principles, Algorithms, and Applications. Hoboken, NJ: Wiley/IEEE Press, 2006.
9. H. Viste and G. Evangelista, "Separation of harmonic instruments with overlapping partials in multi-channel mixtures," in IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, 2003, pp. 25-28.
10. J. Woodruff and B. Pardo, "Using pitch, amplitude modulation and spatial cues for separation of harmonic instruments from stereo music recordings," EURASIP Journal on Advances in Signal Processing, Vol. 2007, 2007.
11. S. A. Abdallah and M. D. Plumbley, "Unsupervised analysis of polyphonic music by sparse coding," IEEE Transactions on Neural Networks, Vol. 17, no. 1, pp. 179-196, 2006.
12. T. Virtanen, "Monaural sound source separation by nonnegative matrix factorization with temporal continuity and sparseness criteria," IEEE Transactions on Audio, Speech, and Language Processing, Vol. 15, no. 3, pp. 1066-1074, 2007.
13. R. McAulay and T. Quatieri, "Speech analysis/synthesis based on a sinusoidal representation," IEEE Transactions on Acoustics, Speech, and Signal Processing, Vol. 34, no. 4, pp. 744-754, 1986.
14. X. Serra, "Musical sound modeling with sinusoids plus noise," in Musical Signal Processing, C. Roads, S. Pope, A. Picialli, and G. Poli, Eds. Lisse, The Netherlands: Swets & Zeitlinger, 1997.
15. M. Goto, H. Hashiguchi, T. Nishimura, and R. Oka, "RWC music database: Music genre database and musical instrument sound database," in International Conference on Music Information Retrieval, 2003.
16. Y. Li and D. L. Wang, "Pitch detection in polyphonic music using instrument tone models," in IEEE International Conference on Acoustics, Speech, and Signal Processing, 2007, pp. II.481-484.