Grouping Mechanisms in Music

The Psychology of Music

Volumn , Issue , 2013, Pages 183-248

  Deutsch, Diana ^a  

^a UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84871201642     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1016/B978-0-12-381460-9.00006-7     Document Type: Chapter

References (229)

1. Ahveninen J., Jääskeläinen I.P., Raij T., Bonmassar G., Devore S., Hamalainen M., et al. Task-modulated "what'' and ''where'' pathways in human auditory cortex. Proceedings of the National Academy of Sciences 2006, 103:14608-14613.
2. Allik J., Dzhafarov E.N., Houtsma A.J.M., Ross J., Versfeld N.J. Pitch motion with random chord sequences. Perception & Psychophysics 1989, 46:513-527.
3. Altmann C.F., Bledowski C., Wibral M., Kaiser J. Processing of location and pattern changes of natural sounds in the human auditory cortex. NeuroImage 2007, 35:1192-1200.
4. Anstis S.M., Saida S. Adaptation to auditory streaming of frequency-modulated tones. Journal of Experimental Psychology: Human Perception and Performance 1985, 11:257-271.
5. Arnott S.R., Binns M.A., Grady C.L., Alain C. Assessing the auditory dual-pathway model in humans. NeuroImage 2004, 22:401-408.
6. Assmann P.F., Summerfeld A.Q. Modeling the perception of concurrent vowels: Vowels with different fundamental frequencies. Journal of the Acoustical Society of America 1990, 88:680-697.
7. Beauvois M.W., Meddis R. Time decay of auditory stream biasing. Perception & Psychophysics 1997, 59:81-86.
8. Beerends J.G., Houtsma A.J.M. Pitch identification of simultaneous dichotic two-tone complexes. Journal of the Acoustical Society of America 1989, 85:813-819.
9. Benade A.H. Fundamentals of musical acoustics 1976, Oxford University Press, Oxford, UK.
10. Berlioz H. Treatise on instrumentation 1948, Kalmus, New York, NY. R. Strauss (Ed.).
11. Bey C., McAdams S. Postrecognition of interleaved melodies as an indirect measure of auditory stream formation. Journal of Experimental Psychology: Human Perception and Performance 2003, 29:267-279.
12. Braaten R.F., Leary J.C. Temporal induction of missing birdsong segments in European starlings. Psychological Science 1999, 10:162-166.
13. Brancucci A., Lugli V., Santucci A., Tommasi L. Ear and pitch segregation in Deutsch's octave illusion persist following switch from stimulus alternation to repetition. Journal of the Acoustical Society of America 2011, 130:2179-2185.
14. Brancucci A., Padulo C., Tommasi L. "Octave illusion" or "Deutsch's illusion"?. Psychological Research 2009, 73:303-307.
15. Brannstrom K.J., Nilsson P. Octave illusion elicited by overlapping narrowband noises. Journal of the Acoustical Society of America 2011, 129:3213-3220.
16. Braus I. Retracing one's steps: An overview of pitch circularity and Shepard tones in European music, 1550-1990. Music Perception 1995, 12:323-351.
17. Bregman A.S. The formation of auditory streams. Attention and performance 1978, Vol. VII:63-76. Erlbaum, Hillsdale, NJ.
18. Bregman A.S. Auditory scene analysis: The perceptual organization of sound 1990, MIT Press, Cambridge, MA.
19. Bregman A.S., Abramson J., Doehring P., Darwin C.J. Spectral integration based on common amplitude modulation. Perception & Psychophysics 1985, 37:483-493.
20. Bregman A.S., Campbell J. Primary auditory stream segregation and perception of order in rapid sequences of tones. Journal of Experimental Psychology 1971, 89:244-249.
21. Bregman A.S., Dannenbring G.L. Auditory continuity and amplitude edges. Canadian Journal of Psychology 1977, 31:151-159.
22. Bregman A.S., Liao C., Levitan R. Auditory grouping based on fundamental frequency and formant peak frequency. Canadian Journal of Psychology 1990, 44:400-413.
23. Bregman A.S., Pinker S. Auditory streaming and the building of timbre. Canadian Journal of Psychology 1978, 32:20-31.
24. Broadbent D.E., Ladefoged P. On the fusion of sounds reaching different sense organs. Journal of the Acoustical Society of America 1957, 29:708-710.
25. Burns E. Circularity in relative pitch judgments for inharmonic complex tones: the Shepard demonstration revisited, again. Perception & Psychophysics 1981, 30:467-472.
26. Butler D. A further study of melodic channeling. Perception & Psychophysics 1979, 25:264-268.
27. Butler, D. (1979b). Melodic channeling in a musical environment. Paper presented at the Research Symposium on the Psychology and Acoustics of Music, Kansas.
28. Carlson S. Dissecting the brain with sound. Scientific American 1996, 275:112-115.
29. Carlyon R.P. Discriminating between coherent and incoherent frequency modulation of complex tones. Journal of the Acoustical Society of America 1991, 89:329-340.
30. Carlyon R.P. The psychophysics of concurrent sound segregation. Philosophical Transactions of the Royal Society of London, Series B 1992, 336:347-355.
31. Carlyon R.P. How the brain separates sounds. Trends in Cognitive Sciences 2004, 8:465-471.
32. Carlyon R.P., Cusack R., Foxton J.M., Robertson I.H. Effects of attention and unilateral neglect on auditory stream segregation. Journal of Experimental Psychology: Human Perception and Performance 2001, 27:115-127.
33. Carlyon R.P., Gockel H. Effects of harmonicity and regularity on the perception of sound sources. Auditory perception of sound sources 2007, 191-213. Springer, New York, NY. W.A. Yost, A.N. Popper, R.R. Fay (Eds.).
34. Carlyon R.P., Plack C.J., Fantini D.A., Cusack R. Cross-modal and non-sensory influences on auditory streaming. Perception 2003, 32:1393-1402.
35. Charbonneau G., Risset J.C. Circularité de jugements de hauteur sonore. Comptes Rendus de l'Academie des Sciences, Serie B 1973, 277:623.
36. Chowning J.M. Computer synthesis of the singing voice. Sound generation in winds, strings, and computers 1980, 4-13. Royal Swedish Academy of Music, Stockholm, Sweden. J. Sundberg (Ed.).
37. Ciocca V., Bregman A.S. Perceived continuity of gliding and steady-state tones through interrupting noise. Perception & Psychophysics 1987, 42:476-484.
38. Ciocca V., Darwin C.J. The integration of nonsimultaneous frequency components into a single virtual pitch. Journal of the Acoustical Society of America 1999, 105:2421-2430.
39. Clarke E.F., Krumhansl C.L. Perceiving musical time. Music Perception 1990, 7:213-251.
40. Cusack R. The intraparietal sulcus and perceptual organization. Journal of Cognitive Neuroscience 2005, 17:641-651.
41. Cusack R., Deeks J., Aikman G., Carlyon R.P. Effects of location, frequency region, and time course of selective attention on auditory stream analysis. Journal of Experimental Psychology: Human Perception and Performance 2004, 30:643-656.
42. Cusack R., Roberts B. Effects of differences in timbre on sequential grouping. Perception & Psychophysics 2000, 62:1112-1120.
43. Cusack R., Roberts B. Effects of differences in the pattern of amplitude envelopes across harmonics on auditory stream segregation. Hearing Research 2004, 193:95-104.
44. Dannenbring G.L. Perceived auditory continuity with alternately rising and falling frequency transitions. Canadian Journal of Psychology 1976, 30:99-114.
45. Dannenbring G.L., Bregman A.S. Stream segregation and the illusion of overlap. Journal of Experimental Psychology: Human Perception and Performance 1976, 2:544-555.
46. Darwin C.J. Perceptual grouping of speech components differing in fundamental frequency and onset-time. Quarterly Journal of Experimental Psychology 1981, 33A:185-207.
47. Darwin C.J. Perceiving vowels in the presence of another sound: constraints on formant perception. Journal of the Acoustical Society of America 1984, 76:1636-1647.
48. Darwin C.J. Pitch and auditory grouping. Springer handbook of auditory research: Pitch neural coding and perception 2005, 278-305. Springer, New York. C.J. Plack, A.J. Oxenham, R.R. Fay, A.N. Popper (Eds.).
49. Darwin C.J. Simultaneous grouping and auditory continuity. Perception & Psychophysics 2005, 67:1384-1390.
50. Darwin C.J., Carlyon R.P. Auditory grouping. Hearing 1995, 387-424. Academic Press, San Diego, CA. B.C.J. Moore (Ed.).
51. Darwin C.J., Ciocca V. Grouping in pitch perception: Effects of onset asynchrony and ear of presentation of a mistuned component. Journal of the Acoustical Society of America 1992, 91:3381-3390.
52. Darwin C.J., Ciocca V., Sandell G.R. Effects of frequency and amplitude modulation on the pitch of a complex tone with a mistuned harmonic. Journal of the Acoustical Society of America 1994, 95:2631-2636.
53. Deike S., Gaschler-Markefski B., Brechmann A., Scheich H. Auditory stream segregation relying on timbre involves left auditory cortex. Neuroreport 2004, 15:1511-1514.
54. Deike S., Scheich H., Brechmann A. Active stream segregation specifically involves the left human auditory cortex. Hearing Research 2010, 265:30-37.
55. Deliège I. Grouping conditions in listening to music: an approach to Lerdahl & Jackendoff's grouping preference rules. Music Perception 1987, 4:325-360.
56. Demany L. Auditory stream segregation in infancy. Infant Behavior & Development 1982, 5:261-276.
57. Deouell L.Y., Deutsch D., Scabini D., Soroker N., Knight R.T. No disillusions in auditory extinction: perceiving a melody comprised of unperceived notes. Frontiers of Human Neuroscience 2008, 1:1-6.
58. Deutsch D. An auditory illusion. Nature 1974, 251:307-309.
59. Deutsch D. Musical illusions. Scientific American 1975, 233:92-104.
60. Deutsch D. Two-channel listening to musical scales. Journal of the Acoustical Society of America 1975, 57:1156-1160.
61. Deutsch D. Delayed pitch comparisons and the principle of proximity. Perception & Psychophysics 1978, 23:227-230.
62. Deutsch D. Binaural integration of melodic patterns. Perception & Psychophysics 1979, 25:399-405.
63. Deutsch D. The processing of structured and unstructured tonal sequences. Perception & Psychophysics 1980, 28:381-389.
64. Deutsch D. The octave illusion and auditory perceptual integration. Hearing research and theory 1981, Vol. I:99-142. Academic Press, New York, NY.
65. Deutsch D. Auditory illusions, handedness, and the spatial environment. Journal of the Audio Engineering Society 1983, 31:607-620.
66. Deutsch D. The octave illusion in relation to handedness and familial handedness background. Neuropsychologia 1983, 21:289-293.
67. Deutsch D. Dichotic listening to melodic patterns, and its relationship to hemispheric specialization of function. Music Perception 1985, 3:1-28.
68. Deutsch D. Illusions for stereo headphones. Audio Magazine 1987, 71:36-48.
69. Deutsch D. Lateralization and sequential relationships in the octave illusion. Journal of the Acoustical Society of America 1988, 83:365-368.
70. Deutsch D. Pitch proximity in the grouping of simultaneous tones. Music Perception 1991, 9:185-198.
71. Deutsch D. Musical illusions and paradoxes [CD] 1995, Philomel Records, La Jolla, CA.
72. Deutsch D. The perception of auditory patterns. Handbook of perception and action 1996, Vol. 1:253-296. Academic Press, San Diego, CA.
73. Deutsch D. Phantom words, and other curiosities [CD] 2003, Philomel Records, La Jolla, CA.
74. Deutsch D. The octave illusion revisited again. Journal of Experimental Psychology: Human Perception and Performance 2004, 30:355-364.
75. Deutsch D. The paradox of pitch circularity. Acoustics Today, July Issue 2010, 8-15.
76. Deutsch D., Dooley K., Henthorn T. Pitch circularity from tones comprising full harmonic series. Journal of the Acoustical Society of America 2008, 124:589-597.
77. Deutsch D., Feroe J. The internal representation of pitch sequences in tonal music. Psychological Review 1981, 88:503-522.
78. Deutsch D., Hamaoui K., Henthorn T. The glissando illusion and handedness. Neuropsychologia 2007, 45:2981-2988.
79. Deutsch D., Roll P.L. Separate 'what' and 'where' decision mechanisms in processing a dichotic tonal sequence. Journal of Experimental Psychology: Human Perception and Performance 1976, 2:23-29.
80. Deutsch J.A., Deutsch D. Attention: some theoretical considerations. Psychological Review 1963, 70:80-90.
81. Dowling W.J. Rhythmic groups and subjective chunks in memory for melodies. Perception & Psychophysics 1973, 4:37-40.
82. Dowling W.J. The perception of interleaved melodies. Cognitive Psychology 1973, 5:322-337.
83. Dowling W.J., Lung K.M., Herrbold S. Aiming attention in pitch and time in the perception of interleaved melodies. Perception & Psychophysics 1987, 41:642-656.
84. Elhalali M., Xiang J., Shamma S.A., Simon J.Z. Interaction between attention and bottom-up saliency mediates the representation of foreground and background in an auditory scene. Public Library of Science: Biology 2009, 7:1-14.
85. Erickson R. Sound structure in music 1975, University of California Press, Berkeley, CA.
86. Ettlinger G., Jackson C.V., Zangwill O.L. Cerebral dominance in sinistrals. Brain 1956, 79:569-588.
87. Fay R.R. Auditory stream segregation in goldfish (Carassius auratus). Hearing Research 1998, 120:69-76.
88. Ferrier, C. H., Huiskamp, G. J. M., Alpherts, W. C. P., Henthorn, T., & Deutsch, D. (in preparation). The octave illusion: A noninvasive tool for presurgical assessment of language lateralization.
89. Fishman Y.I., Arezzo J.C., Steinschneider M. Auditory stream segregation in monkey auditory cortex: effects of frequency separation, presentation rate, and tone duration. Journal of the Acoustical Society of America 2004, 116:1656-1670.
90. Fishman Y.I., Reser D.H., Arezzo J.C., Steinschneider M. Neural correlates of auditory stream segregation in primary auditory cortex of the awake monkey. Hearing Research 2001, 151:167-187.
91. Frankland B.W., Cohen A.J. Parsing of melody: quantification and testing of the local grouping rules of Lerdahl and Jackendoff's 'A Generative Theory of Tonal Music'. Music Perception 2004, 21:499-543.
92. Gardner R.B., Gaskill S.A., Darwin C.J. Perceptual grouping of formants with static and dynamic differences in fundamental frequency. Journal of the Acoustical Society of America 1989, 85:1329-1337.
93. Gomes H., Bernstein R., Ritter W., Vaughan H.G., Miller J. Storage of feature conjunctions in transient auditory memory. Psychophysiology 1997, 34:712-716.
94. Gregory A.H. Timbre and auditory streaming. Music Perception 1994, 12:161-174.
95. Grimault N., Bacon S.P., Micheyl C. Auditory stream segregation on the basis amplitude-modulation rate. Journal of the Acoustical Society of America 2002, 111:1340-1348.
96. Grimault N., Micheyl C., Carlyon R.P., Arthaud P., Collett L. Influence of peripheral resolvability on the perceptual segregation of harmonic complex tones differing in fundamental frequency. Journal of the Acoustical Society of America 2000, 108:263-271.
97. Gutschalk A., Micheyl C., Melcher J.R., Rupp A., Scherg M., Oxenham A.J. Neuromagnetic correlates of streaming in human auditory cortex. Journal of Neuroscience 2005, 25:5382-5388.
98. Gutschalk A., Oxenham A.J., Micheyl C., Wilson E.C., Melcher J.R. Human cortical activity during streaming without spectral cues suggest a general neural substrate for auditory stream segregation. Journal of Neuroscience 2007, 27:13074-13081.
99. Hall M.D., Pastore R.E., Acker B.E., Huang W. Evidence for auditory feature integration with spatially distributed items. Perception & Psychophysics 2000, 62:1243-1257.
100. Hamaoui, K., & Deutsch, D. (2010). The perceptual grouping of musical sequences: Pitch and timing as competing cues. In S. M. Demorest, S. J. Morrison, & P. S. Campbell (Eds.), Proceedings of the 11th International Conference on Music Perception and Cognition, Seattle, Washington (pp. 81-87).
101. Handel S. Temporal segmentation of repeating auditory patterns. Journal of Experimental Psychology 1973, 101:46-54.
102. Hari R. The neuromagnetic method in the study of the human auditory cortex. Auditory evoked magnetic fields and electric potentials: Advances in audiology 1990, 222-282. S. Karger, Basel, Switzerland. F. Grandori, M. Hoke, G.L. Romani (Eds.).
103. Hartmann W.M., Goupell M.J. Enhancing and unmasking the harmonics of a complex tone. Journal of the Acoustical Society of America 2006, 120:2142-2157.
104. Heise G.A., Miller G.A. An experimental study of auditory patterns. American Journal of Psychology 1951, 64:68-77.
105. Helmholtz H.von Helmholtz's physiological optics 1925, Optical Society of America, Rochester, NY, Translated from the 3rd German ed., 1909-1911 by J. P. C. Southall, Ed.
106. Helmholtz H.von On the sensations of tone as a physiological basis for the theory of music 1954, Dover, New York, NY. 2nd English ed.
107. Hill N.J., Darwin C.J. Effects of onset asynchrony and of mistuning on the lateralization of a pure tone embedded in a harmonic complex. Journal of the Acoustical Society of America 1993, 93:2307-2308.
108. Houtgast T. Psychophysical evidence for lateral inhibition in hearing. Journal of the Acoustical Society of America 1972, 51:1885-1894.
109. Houtsma A.J.M., Rossing T.D., Wagenaars W.M. Auditory demonstrations 1987, Acoustical Society of America, Eindhoven, The Netherlands, and the.
110. Hukin R.W., Darwin C.J. Comparison of the effect of onset asynchrony on auditory grouping in pitch matching and vowel identification. Perception & Psychophysics 1995, 57:191-196.
111. Hukin R.W., Darwin C.J. Effects of contralateral presentation and of interaural time differences in segregating a harmonic from a vowel. Journal of the Acoustical Society of America 1995, 98:1380-1386.
112. Huron D. The avoidance of part-crossing in polyphonic music: perceptual evidence and musical practice. Music Perception 1991, 9:93-104.
113. Huron D. Tonal consonance versus tonal fusion in polyphonic sonorities. Music Perception 1991, 9:135-154.
114. Huron D. Note-onset asynchrony in J. S. Bach's two-part inventions. Music Perception 1993, 10:435-444.
115. Huron D. Tone and voice: A derivation of the rules of voice-leading from perceptual principles. Music Perception 2001, 19:1-64.
116. Huron D. Sweet anticipation: Music and the psychology of expectation 2006, MIT Press, Cambridge, MA.
117. Isaacs K.L., Barr W.B., Nelson P.K., Devinsky O. Degree of handedness and cerebral dominance. Neurology 2006, 66:1855-1858.
118. Iverson P. Auditory stream segregation by musical timbre: effects of static and dynamic acoustic attributes. Journal of Experimental Psychology: Human Perception and Performance 1995, 21:751-763.
119. Izumi A. Auditory stream segregation in Japanese monkeys. Cognition 2002, 82:B113-B122.
120. Jacobs L., Feldman M., Diamond S.P., Bender M.B. Palinacousis: persistent or recurring auditory sensations. Cortex 1973, 9:275-287.
121. Judd T. Comments on Deutsch's musical scale illusion. Perception & Psychophysics 1979, 26:85-92.
122. Kaas J.H., Hackett T.A. Subdivisions of auditory cortex and processing streams in primates. Proceedings of the National Academy of Sciences USA 2000, 97:11793-11799.
123. Knecht S., Drager B., Deppe M., Bobe L., Lohmann H., Floel A., et al. Handedness and hemispheric language dominance in healthy humans. Brain 2000, 123:2512-2518.
124. Kondo H.M., Kashino M. Involvement of the thalamocortical loop in the spontaneous switching of percepts in auditory streaming. Journal of Neuroscience 2009, 29:12695-12701.
125. Kubovy M. Concurrent pitch segregation and the theory of indispensable attributes. Perceptual organization 1981, 55-98. Erlbaum, Hillsdale, NJ. M. Kubovy, J. Pomerantz (Eds.).
126. Kubovy M., Cutting J.E., McGuire R.M. Hearing with the third ear: dichotic perception of a melody without monaural familiarity cues. Science 1974, 186:272-274.
127. Lamminmaki S., Hari R. Auditory cortex activation associated with octave illusion. Neuroreport 2000, 11:1469-1472.
128. Lamminmaki, S., Mandel, A., Parkkonen, L., & Hari, R. (in press). Binaural interaction and pitch perception as contributors to the octave illusion. Journal of the Acoustical Society of America.
129. Lerdahl F., Jackendoff R. A generative theory of tonal music 1983, MIT Press, Cambridge, MA.
130. Luria A.B. Traumatic aphasia 1969, Mouton, The Hague, The Netherlands.
131. MacDougall-Shackleton S.A., Hulse S.H., Gentner T.Q., White W. Auditory scene analysis by European starlings (Sturnus vulgaris): perceptual segregation of tone sequences. Journal of the Acoustical Society of America 1998, 103:3581-3587.
132. Machlis J. The enjoyment of music 1977, Norton, New York, NY. 4th ed.
133. Marin C.M.H., McAdams S. Segregation of concurrent sounds: II. effects of spectral envelope tracing, frequency modulation coherence, and frequency modulation width. Journal of the Acoustical Society of America 1991, 89:341-351.
134. McAdams S. The auditory image: A metaphor for musical and psychological research on auditory organization. Cognitive processes in the perception of art 1984, 298-324. North-Holland, Amsterdam, The Netherlands. W.R. Crozier, A.J. Chapman (Eds.).
135. McAdams S. Segregation of concurrent sounds: I. effects of frequency modulation coherence. Journal of the Acoustical Society of America 1989, 86:2148-2159.
136. McAdams S., Bertoncini J. Organization and discrimination of repeating sound sequences by newborn infants. Journal of the Acoustical Society of America 1997, 102:2945-2953.
137. McClurkin H., Hall J.W. Pitch and timbre in a two-tone dichotic auditory illusion. Journal of the Acoustical Society of America 1981, 69:592-594.
138. McDermott J.H., Oxenham A.J. Spectral completion of partially masked sounds. Proceedings of the National Academy of Sciences USA 2008, 105:5939-5955.
139. McDermott J.H., Wrobleski D., Oxenham A.J. Recovering sound sources from embedded repetition. Proceedings of the National Academy of Sciences USA 2011, 108:1188-1193.
140. McNabb M.M. Dreamsong: The composition. Computer Music Journal 1981, 5:36-53.
141. Meyer L.B. Emotion and meaning in music 1956, University of Chicago Press, Chicago, IL.
142. Meyer L.B. Explaining music: Essays and explorations 1973, University of California Press, Berkeley, CA.
143. Micheyl C., Tian B., Carlyon R.P., Rauschecker J.P. Perceptual organization of tone sequences in the auditory cortex of awake macaques. Neuron 2005, 48:139-148.
144. Miller G.A., Heise G.A. The trill threshold. Journal of the Acoustical Society of America 1950, 22:637-638.
145. Miller G.A., Licklider J.C.R. The intelligibility of interrupted speech. Journal of the Acoustical Society of America 1950, 22:167-173.
146. Milner B., Branch C., Rasmussen T. Evidence for bilateral speech representation in some nonrighthanders. Transactions of the American Neurological Association 1966, 91:306-308.
147. Moore B.C.J., Glasberg B.R., Peters R.W. Relative dominance of individual partials in determining the pitch of complex tones. Journal of the Acoustical Society of America 1985, 77:1853-1860.
148. Moore B.C.J., Glasberg B.R., Peters R.W. Thresholds for hearing mistuned partials as separate tones in harmonic complexes. Journal of the Acoustical Society of America 1986, 80:479-483.
149. Narmour E. The analysis and cognition of basic melodic structures: The implication-realization model 1990, University of Chicago Press, Chicago, IL.
150. Narmour E. Hierarchical expectation and musical style. The psychology of music 1999, 441-472. Academic Press, San Diego, CA. 2nd ed. D. Deutsch (Ed.).
151. Nakajima Y., Minami H., Tsumura T., Kunisaki H., Ohnishi S., Teranishi R. Dynamic pitch perception for complex tones of periodic spectral patterns. Music Perception 1991, 8:291-314.
152. Nakajima Y., Tsumura T., Matsuura S., Minami H., Teranishi R. Dynamic pitch perception for complex tones derived from major triads. Music Perception 1988, 6:1-20.
153. Patterson R.D., Milroy R., Allerhand M. What is the octave of a harmonically rich note?. Contemporary Music Review 1993, 9:69-81.
154. Penfield W., Perot P. The brain's record of auditory and visual experience. Brain 1963, 86:595-696.
155. Petkov C.I., O'Connor K.N., Sutter M.L. Illusory sound perception in macaque monkeys. Journal of Neuroscience 2003, 23:9155-9161.
156. Petkov C.I., O'Connor K.N., Sutter M.L. Encoding of illusory continuity in primary auditory cortex. Neuron 2007, 54:153-165.
157. Petkov C.I., Sutter M.L. Evolutionary conservation and neuronal mechanisms of auditory perceptual restoration. Hearing Research 2011, 271:54-65.
158. Pollack I. Decoupling of auditory pitch and stimulus frequency: the Shepard demonstration revisited. Journal of the Acoustical Society of America 1978, 63:202-206.
159. Pressnitzer D., Sayles M., Micheyl C., Winter I.M. Perceptual organization of sound begins in the auditory periphery. Current Biology 2008, 18:1124-1128.
160. Pujol J., Deus J., Losilla J.M., Capdevila A. Cerebral lateralization of language in normal left-handed people studied by functional MRI. Neurology 1999, 52:1038-1043.
161. Rahne T., Bockmann M., von Specht H., Sussman E.S. Visual cues can modulate integration and segregation of objects in auditory scene analysis. Brain Research 2007, 1144:127-135.
162. Rasch R.A. The perception of simultaneous notes such as in polyphonic music. Acustica 1978, 40:22-33.
163. Rasch R.A. Timing and synchronization in ensemble performance. Generative processes in music: The psychology of performance, improvisation, and composition 1988, 71-90. Oxford University Press, Oxford, U.K. J.A. Sloboda (Ed.).
164. Rauschecker J.P. Parallel processing in the auditory cortex of primates. Audiology and Neurootology 1998, 3:86-103.
165. Recanzone G.H., Guard D.C., Phan M.L., Su T.K. Correlation between the activity of single auditory cortical neurons and sound localization behavior in the macaque monkey. Journal of Neurophysiology 2000, 83:2723-2739.
166. Recanzone G.H., Sutter M.L. The biological basis of audition. Annual Review of Psychology 2008, 59:119-142.
167. Remijn G.B., Nakajima Y., Tanaka S. Perceptual completion of a sound with a short silent gap. Perception 2007, 36:898-917.
168. Riecke L., Mendelsohn D., Schreiner C., Formisano E. The continuity illusion adapts to the auditory scene. Hearing Research 2009, 247:71-77.
169. Risset J.-C. Pitch control and pitch paradoxes demonstrated with computer-synthesized sounds. Journal of the Acoustical Society of America 1969, 46:88.
170. Risset J.-C. Paradoxes de hauteur: Le concept de hauteur sonore n'est pas le meme pour tout le monde. Proceedings of the Seventh International Congress on Acoustics, Budapest 1971, S10:613-616.
171. Risset, J.-C. (1978). Paradoxes de hauteur (with sound examples). IRCAM Rep. 10 , Paris.
172. Risset J.-C. Pitch and rhythm paradoxes: Comments on "Auditory paradox based on fractal waveform.". Journal of the Acoustical Society of America 1986, 80:961-962.
173. Roberts B., Glasberg B.R., Moore B.C.J. Primitive stream segregation of tone sequences without differences in fundamental frequency or passband. Journal of the Acoustical Society of America 2002, 112:2074-2085.
174. Roberts B., Glasberg B.R., Moore B.C.J. Effects of the build-up and resetting of auditory stream segregation on temporal discrimination. Journal of Experimental Psychology: Human Perception and Performance 2008, 34:992-1006.
175. Rogers W.L., Bregman A.S. An experimental evaluation of three theories of auditory stream regulation. Perception & Psychophysics 1993, 53:179-189.
176. Rogers W.L., Bregman A.S. Cumulation of the tendency to segregate auditory streams: Resetting by changes in location and loudness. Perception & Psychophysics 1998, 60:1216-1227.
177. Ross J., Tervaniemi M., Näätänen R. Neural mechanisms of the octave illusion: electrophysiological evidence for central origin. Neuroreport 1996, 8:303-306.
178. Saffran J.R., Johnson E.K., Aslin R.N., Newport E.L. Statistical learning of tone sequences by human infants and adults. Cognition 1999, 70:27-52.
179. Salzer F. Structural hearing 1962, Dover, New York, NY.
180. Sandell G.J., Darwin C.J. Recognition of concurrently-sounding instruments with different fundamental frequencies. Journal of the Acoustical Society of America 1996, 100:2683.
181. Sasaki T. Sound restoration and temporal localization of noise in speech and music sounds. Tohuku Psychologica Folia 1980, 39:79-88.
182. Saupe K., Koelsch S., Rubsamen R. Spatial selective attention in a complex auditory environment such as polyphonic music. Journal of the Acoustical Society of America 2010, 127:472-480.
183. Scheffers, M. T. M. (1983). Sifting vowels: Auditory pitch analysis and sound segregation (Unpublished doctoral thesis). Groningen University, The Netherlands.
184. Schenker H. Neue musikalische theorien and phantasien: Der freie satz 1956, Universal Edition, Vienna, Austria.
185. Schenker H. Harmony 1973, MIT Press, Cambridge, MA, 0. Jonas, Ed. and annotator; E. M. Borgese, trans.
186. Schroeder M.R. Auditory paradox based on fractal waveform. Journal of the Acoustical Society of America 1986, 79:186-189.
187. Seeba F., Klump G.M. Stimulus familiarity affects perceptual restoration in the European starling (Sturnus vulgaris). PLoS One 2009, 4:e5974.
188. Shamma S.A., Micheyl C. Behind the scenes of auditory perception. Current Opinion in Neurobiology 2010, 20:361-366.
189. Shepard R.N. Circularity in judgments of relative pitch. Journal of the Acoustical Society of America 1964, 36:2345-2353.
190. Singh P. Perceptual organization of complex tone sequences: a tradeoff between pitch and timbre?. Journal of the Acoustical Society of America 1987, 82:886-899.
191. Sloboda J.A. The musical mind 1985, Clarendon (Oxford University Press), New York, NY.
192. Smith J., Hausfield S., Power R.P., Gorta A. Ambiguous musical figures and auditory streaming. Perception & Psychophysics 1982, 32:454-464.
193. Snyder J.S., Alain C., Picton T.W. Effects of attention on neuroelectric correlates of auditory stream segregation. Journal of Cognitive Neuroscience 2006, 18:1-13.
194. Snyder J.S., Carter O.L., Lee S.-K., Hannon E.E., Alain C. Effects of context on auditory stream segregation. Journal of Experimental Psychology: Human Perception and Performance 2008, 34:1007-1016.
195. Sonnadara R.R., Trainor L.J. Perceived intensity effects in the octave illusion. Perception & Psychophysics 2005, 67:648-658.
196. Subirana A. The prognosis in aphasia in relation to cerebral dominance and handedness. Brain 1958, 81:415-425.
197. Suga N., Ma X. Multiparametric corticofugal modulation and plasticity in the auditory system. Neuroscience 2003, 4:783-794.
198. Sugita Y. Neuronal correlates of auditory induction in the cat cortex. Neuroreport 1997, 8:1155-1159.
199. Sussman E., Gomes H., Manette J., Nousak K., Ritter W., Vaughan H.G. Feature conjunctions in auditory sensory memory. Brain Research 1998, 793:95-102.
200. Sussman E., Ritter W., Vaughan J.H.G. An investigation of auditory streaming effect using event-related brain potentials. Psychophysiology 1999, 36:22-34.
201. Sussman E., Horvath J., Winkler I., Orr M. The role of attention in the formation of auditory streams. Perception & Psychophysics 2007, 69:136-152.
202. Takegata R., Huotilainen M., Rinne T., Näätänen R., Winkler I. Changes in acoustic features and their conjunctions are processed by separate neuronal populations. Neuroreport 2001, 12:525-529.
203. Tan N., Aiello R., Bever T.G. Harmonic structure as a determinant of melodic organization. Memory and Cognition 1981, 9:533-539.
204. Temperley D. The cognition of basic musical structures. Cambridge, MA: 2001, MIT Press.
205. Tenny J., Polansky L. Temporal Gestalt perception in music. Journal of Music Theory 1980, 24:205-241.
206. Teranishi R. Endlessly ascending/descending chords performable on a piano. Reports of the Acoustical Society of Japan, H 1982, 62-68.
207. Thomson W. Tonality in music: A general theory 1999, Everett Books, San Marino, CA.
208. Thompson W.F., Hall M.D., Pressing J. Illusory conjunctions of pitch and duration in unfamiliar tone sequences. Journal of Experimental Psychology: Human Perception and Performance 2001, 27:128-140.
209. Tian B., Reser D., Durham A., Kustov A., Rauschecker J.P. Functional specialization in rhesus monkey auditory cortex. Science 2001, 292:290-293.
210. Tougas Y., Bregman A.S. Crossing of auditory streams. Journal of Experimental Psychology: Human Perception and Performance 1985, 11:788-798.
211. Tougas Y., Bregman A.S. Auditory streaming and the continuity illusion. Perception & Psychophysics 1990, 47:121-126.
212. Treisman A., Gelade A. A feature integration theory of attention. Cognitive Psychology 1980, 12:97-136.
213. Van Noorden, L. P. A. S. (1975). Temporal coherence in the perception of tone sequences (Unpublished doctoral dissertation). Technische Hogeschoel Eindhoven, The Netherlands.
214. Vicario G. L'effetto tunnel acustico. Revista di Psicologia 1960, 54:41-52.
215. Vicario G. Tempo Psicologia ed Eventi 1973, C.-E Giunti-G. Barbera, Florence, Italy.
216. Vicario G. Some observations in the auditory field. Organization and representation in perception 1982, 269-283. Erlbaum, Hillsdale, NJ. J. Beck (Ed.).
217. Vliegen J., Moore B.C.J., Oxenham A.J. The role of spectral and periodicity cues in auditory stream segregation, measured using a temporal discrimination task. Journal of the Acoustical Society of America 1999, 106:938-945.
218. Vliegen J., Oxenham A.J. Sequential stream segregation in the absence of spectral cues. Journal of the Acoustical Society of America 1999, 105:339-346.
219. Warren J.D., Uppenkamp S., Patterson R.D., Griffiths T.D. Separating pitch chroma and pitch height in the human brain. Proceedings of the National Academy of Sciences USA 2003, 100:10038-10042.
220. Warren R.M. Auditory illusions and their relation to mechanisms normally enhancing accuracy of perception. Journal of the Audio Engineering Society 1983, 31:623-629.
221. Warren R.M., Obusek C.J., Ackroff J.M. Auditory induction: perceptual synthesis of absent sounds. Science 1972, 176:1149-1151.
222. Warren R.M., Obusek C.J., Farmer R.M., Warren R.P. Auditory sequence: Confusions of patterns other than speech or music. Science 1969, 164:586-587.
223. Wertheimer M. Untersuchung zur Lehre von der Gestalt II. Psychologische Forschung 1923, 4:30l-350.
224. Wessel D.L. Timbre space as a musical control structure. Computer Music Journal 1979, 3:45-52.
225. Wilson E.C., Melcher J.R., Micheyl C., Gutschalk A., Oxenham A.J. Cortical fMRI activation to sequences of tones alternating in frequency: relationship to perceived rate and streaming. Journal of Neurophysiology 2007, 97:2230-2238.
226. Winer J.A. Decoding the auditory corticofugal systems. Hearing Research 2006, 212:1-8.
227. Winkler I., Czigler I., Sussman E., Horváth J., Balazs L. Preattentive binding of auditory and visual stimulus features. Journal of Cognitive Neuroscience 2005, 17:320-339.
228. Winkler I., Kushnerenko E., Horváth J., Ceponiene R., Fellman V., Huotilainen M., et al. Newborn infants can organize the auditory world. Proceedings of the National Academy of Sciences 2003, 100:11812-11815.
229. Zwicker T. Experimente zur dichotischen Oktav- Tauschung [Experiments on the dichotic octave illusion]. Acustica 1984, 55:128-136.