Quantifying metrical ambiguity

ISMIR 2008 - 9th International Conference on Music Information Retrieval

Volumn , Issue , 2008, Pages 635-640

  Flanagan, Patrick ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

DESCRIPTORS; GINI COEFFICIENTS; INCOME INEQUALITY;

INFORMATION RETRIEVAL; POPULATION STATISTICS;

DISPERSIONS;

EID: 84870940787     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (17)

1. R. Cohn, "Transpositional Combination of Beat-Class Sets in Steve Reich's Phase-Shifting Music," Perspectives of New Music, Vol. 30, no. 2, pp. 146-177, 1992.
2. D. Eck, "A Positive-Evidence Model for Rhythmical Beat Induction," Journal of New Music Research, Vol. 30, no. 2, pp. 187-200, 2001.
3. P. Essens, "Structuring temporal sequences: Comparison of models and factors of complexity," Perception & Psychophysics, Vol. 57, no. 4, pp. 519-532, 1995.
4. F. Gomez, A. Melvin, D. Rappaport, and G. Toussaint, "Mathematical Measures of Syncopation," Proc. BRIDGES: Mathematical Connections in Art, Music and Science, pp. 73-84, 2005.
5. S. Handel, Listening. MIT Press Cambridge, Mass, 1989.
6. F. Lerdahl and R. Jackendoff, A Generative Theory of Tonal Music. MIT Press, 1996.
7. D. Locke, Drum Gahu!: A Systematic Method for an African Percussion Piece. White Cliffs Media Co., 1987.
8. H. Longuet-Higgins and C. Lee, "The rhythmic interpretation of monophonic music," Music Perception, Vol. 1, no. 4, pp. 424-441, 1984.
9. J. McAuley and P. Semple, "The effect of tempo and musical experience on perceived beat," Australian Journal of Psychology, Vol. 51, no. 3, pp. 176-187, 1999.
10. R. Parncutt, "A perceptual model of pulse salience and metrical accent in musical rhythms," Music Perception, Vol. 11, no. 4, pp. 409-464, 1994.
11. D. Povel and P. Essens, "Perception of temporal patterns," Music Perception, Vol. 2, no. 4, pp. 411-440, 1985.
12. D. Povel and H. Okkerman, "Accents in equitone sequences.," Perception and Psychophysics, Vol. 30, no. 6, pp. 565-72, 1981.
13. J. Pressing, "Cognitive complexity and the structure of musical patterns," Proceedings of the 4th Conference of the Australasian Cognitive Science Society, Newcastle, Australia, 1997.
14. E. Thul and G. T. Toussaint, "On the relation between rhythm complexity measures and human rhythmic performance," in C3S2E '08: Proceedings of the 2008 C3S2E conference. New York, NY, USA: ACM, 2008, pp. 199-204.
15. G. Toussaint, "Mathematical features for recognizing preference in Sub-Saharan African traditional rhythm timelines," Proceedings of the 3rd International Conference on Advances in Pattern Recognition, pp. 18-27, 2005.
16. - -, "A mathematical analysis of African, Brazilian, and Cuban clave rhythms," Proceedings of BRIDGES: Mathematical Connections in Art, Music and Science, pp. 157-168, 2002.
17. S. Wilson, "Pattern perception and temporality in the music of Steve Reich: An interdisciplinary approach," Ph.D. dissertation, University of New South Wales, 1999.