Hawthorne's ghost in James's Italy: Sculptural form, romantic narrative, and the function of sexuality in the marble faun, "Adina", and William Wetmore story and his friends

Roman Holidays: American Writers and Artists in Nineteenth-Century Italy

Volumn , Issue , 2005, Pages 73-106

  Rowe, John Carlos ^a  

^a UNIVERSITY OF CALIFORNIA   (United States)

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[No Author keywords available]

Indexed keywords

EID: 84870885197     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (65)

1. John Carlos Rowe, "Swept Away: Henry James, Margaret Fuller, and 'The Last of the Valerii, "' in Readers in History: Nineteenth-Century American Literature and the Contexts of Response, ed. James L. Machor (Baltimore, Md.: The Johns Hopkins University Press, 1993), 32-53.
2. The Other Henry James (Durham, N. C.: Duke University Press, 1998), 38-55.
3. Henry James, William Wetmore Story and His Friends: From Letters, Diaries, and Recollections, vol. 1 (Boston, Mass.: Houghton, Mifflin and Co., 1903), 5.
4. Rowe, "Swept Away", 37-42
5. Nathaniel Hawthorne, The Marble Faun: Or, The Romance of Monte Beni, vol. 4 of the Centenary Edition of the Works of Nathaniel Hawthorne, ed. William Charvat, Roy Harvey Pearce, and Claude M. Simpson (Columbus: Ohio State University Press, 1968), 464-65.
6. Scott S. Derrick in Monumental Anxieties: Homoerotic Desire and Feminine Influence in 19th-Century U. S. Literature (New Brunswick, N. J.: Rutgers University Press, 1997)
7. Rowe, "Swept Away", 48.
8. Millicent Bell, Hawthorne's View of the Artist (New York: State University of New York Press, 1962);
9. Rita K. Gollin and John L. Idol, Jr., with the assistance of Sterling K. Eisiminger, Prophetic Pictures: Nathaniel Hawthorne's Knowledge and Uses of the Visual Arts, Contributions in American Studies, No. 99, ed. Robert H. Walker (Westport, Conn.: Greenwood Press, 1991);
10. Viola Hopkins Winner, Henry James and the Visual Arts (Charlottesville: University of Virginia Press, 1970);
11. Adeline Tintner, The Museum World of Henry James (Ann Arbor, Mich.: UMI Research Press, 1989).
12. Dolly Sherwood, Harriet Hosmer, American Sculptor, 1830-1908 (Columbia: University of Missouri Press, 1991), 134.
13. Caroline Ticknor, Hawthorne and His Publisher (Boston: Houghton Mifflin Co., 1913), 141.
14. Wayne Craven, Sculpture in America (New York: Thomas Y. Crowell Co., 1968), 327.
15. Sherwood, Harriet Hosmer, 195.
16. T. Walter Herbert, Dearest Beloved: The Hawthornes and the Making of the Middle-Class Family (Berkeley: University of California Press, 1993), 231
17. Robert L. Gale, A Nathaniel Hawthorne Encyclopedia (Westport, Conn.: Greenwood Press, 1989), 272-73.
18. Herbert, Dearest Beloved, 232.
19. Lora Romero, Home Fronts: Domesticity and Its Critics in the Antebellum United States (Durham, N. C.: Duke University Press, 1997), 103.
20. Hawthorne makes this reference to Fanny Fern in his letter to his publisher, Ticknor, February 5, 1855
21. John D'Emilio and Estelle B. Freedman, Intimate Matters: A History of Sexuality in America (New York: Harper and Row, 1988), 157-58
22. Craven, Sculpture in America, 268.
23. Craven, Sculpture in America, 277.
24. Sherwood, Harriet Hosmer, 313.
25. Rowe, "Swept Away", 43-44
26. "Appendix G. Euripides. Sophocles", Woman in the Nineteenth Century (New York: W. W. Norton and Co., Inc., 1971), 197
27. Nathaniel Hawthorne, Passages from the French and Italian Notebooks, vol. 10 of The Complete Works of Nathaniel Hawthorne (Boston, Mass.: Houghton, Mifflin and Co., 1882), 494.
28. Arlin Turner, Nathaniel Hawthorne: A Biography (New York: Oxford University Press, 1980), 339.
29. Italian Notebook (April 25, 1858)
30. (FIN, 181).
31. William Wetmore Story, Graffiti d'Italia, 2d ed. (Edinburgh: William Blackwood and Sons, 1875), 154.
32. Gollin and Idol, Prophetic Pictures, 94.
33. Gollin and Idol, Prophetic Pictures, 185
34. D'Emilio and Freedman, Intimate Matters, 121
35. (W, 2:83).
36. Friedrich Nietzsche's The Birth of Tragedy from the Spirit of Music (1872)
37. (FIN, 215)
38. Pierre Grimal's The Dictionary of Classical Mythology, trans. A. R. Maxwell-Hyslop (Oxford: Basil Blackwell Ltd., 1986), 432-33
39. (Nathalia Wright, "Hawthorne and the Praslin Murder", New England Quarterly 15:1 [March 1942]: 5-14).
40. Derrick, Monumental Anxieties, 36.
41. Craven, Sculpture in America, 117.
42. (MF, 117).
43. Sheila Teahan, "The Story in It: William Wetmore Story and His Intertexts", a paper delivered at the Hawthorne Society meeting in Rome (June 5, 1998)
44. Carol Holly, Intensely Family: The Inheritance of Family Shame and the Autobiographies of Henry James (Madison: University of Wisconsin Press, 1995), 94
45. Henry Adams's famous letter to James (November 18, 1903)
46. (MF, 120).
47. (FIN, 308).
48. Robert L. Gale, A Henry James Encyclopedia (Westport, Conn.: Greenwood Press, 1989), 8.
49. Henry James, "Adina", The Tales of Henry James, ed. Maqbool Aziz, vol. 2:1870-1874 (Oxford: Oxford University Press, 1978), 359.
50. Julius Fuerst and Samuel Davidson, A Hebrew and Chaldee Lexicon to the Old Testament, 5th ed. (London: Williams and Norgate, 1885), 1, 016
51. Felice Romani, who based it on Eugène Scribe's Le philtre. The opera premiered at the Teatro della Canobbiana in Milan on May 12, 1832
52. David Ewen, Encyclopedia of the Opera (New York: A. A. Wyn, Inc., 1955), 134.
53. Pierre Walker, "'Adina': Henry James's Roman Allegory of Power and the Representation of the Foreign", Henry James Review 21:1(Winter 2000):16-20
54. Herbert, Dearest Beloved, 226.
55. Fred Kaplan, Henry James, The Imagination of Genius: A Biography (New York: William Morrow and Co., Inc., 1992), 145.
56. Herbert, Dearest Beloved, 236
57. Henry James, "Roman Rides", in Italian Hours (New York: Horizon Press, 1968), 234.
58. James in the Atlantic Monthly in August 1873
59. Transatlantic Sketches (1875)
60. Italian Hours (1909).
61. William Wetmore Story, Nero (Edinburgh: William Blackwood and Sons, 1875)
62. (A, 373).
63. Gordon Hutner, Secrets and Sympathy: Forms of Disclosure in Hawthorne's Novels (Athens: University of Georgia Press, 1988), 183
64. Derrick, Monumental Anxieties, 29.
65. Lee J. Siegel's omnibus review of recent books in queer theory and gay studies, "The Gay Science: Queer Theory, Literature, and the Sexualization of Everything", New Republic 219:19(November 9, 1998):30-42