TOWARD AN INTEGRATED SOUND ANALYSIS AND PROCESSING FRAMEWORK FOR EXPRESSIVENESS RENDERING

International Computer Music Conference, ICMC Proceedings

Volumn , Issue , 1998, Pages

  Drioli, Carlo ^a   Di Federico, Riccardo ^a  

^a UNIVERSITY OF PADOVA   (Italy)

Author keywords

[No Author keywords available]

Indexed keywords

MUSIC;

ACOUSTIC PARAMETERS; AUDIO PROCESSING; AUDIO RESYNTHESIS; MUSICAL PERFORMANCE; MUSICAL STRUCTURES; PARAMETER STRUCTURE; PERFORMANCE; PERFORMANCES ANALYSIS; SOUND ANALYSIS; SOUND PROCESSING;

AUDIO ACOUSTICS;

EID: 84867592806     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (8)

1. J. L. Arcos et AL, 1997, "SaxEx: a case-based reasoning system for generating expressive musical performances", Proceedings of ICMC97, Thessaloniki, Greece, pp.329-336.
2. S. Canazza et Al. 1998, "A model to add expressiveness to automatic musical performance," to be published in Proceedings ICMC98, Ann Arbour, Michigan.
3. P. Desain et A l, 1997, "Robust Score-Performance Matching: Taking Advantage of Structural Information," Proceedings of ICMC97, Thessaloniki, Greece, pp.337-340.
4. R. Di Federico, 1998, "Waveform Preserving Time Stretching and Pitch Shifting for Sinusoidal Models of Sound," Proceedings of COST-G6 Workshop on Digital Audio Effects (DAFX98), Barcelona (in press).
5. R. Di Federico,, G. Borin, 1998, "An improved pitch synchronous sinusoidal - analysis - synthesis method for voice and quasi harmonic sounds" Proceedings of X I I Colloquium on Musical Informatics, Gorizia (Italy), (in press).
6. R. J. McAulay, T. F. Quatieri, 1986, "Speech Analysis / Synthesis based on a sinusoidal representation," IEEE Trans. ASSP vol. 34 No. 4, August, pp.744-754.
7. X. Serra, 1997, "Musical Sound Modeling with sinusoid plus noise", in Musical Signal Processing, Ed. by C. Roads, S. T. Pope, A. Piccialli and G. De Poli, Swets and Zeitlinger Pubi., pp. 91-122.
8. X. Serra et A L, 1997, "Integrating complementary spectral models in the design of a musical synthesizer", Proceedings of ICMC97, Thessaloniki, Greece, pp. 152-159.