Creation and control in the photographic process: Iphones and the emerging fifth moment of photography

Photographies

Volumn 5, Issue 2, 2012, Pages 203-221

  Cruz, Edgar Gómez ^a   Meyer, Eric T ^b  

^a UNIVERSITAT OBERTA DE CATALUNYA   (Spain)

^b UNIVERSITY OF OXFORD   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84867521610     PISSN: 17540763     EISSN: 17540771     Source Type: Journal    
DOI: 10.1080/17540763.2012.702123     Document Type: Article

References (62)

1. Ahern, S., et al. "Over-Exposed? Privacy Patterns and Considerations in Online and Mobile Photo Sharing." Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, 30 April-3 May 2007, San Jose, CA. 357-66.
2. Andrews, J., and L. Chen. "Instant Gratification." American Photo Nov.-Dec. (2009): 56-63.
3. Barthes, R. La Cámara Lúcida. Barcelona: Paidós, 1999.
4. Beaulieu, A., and S. de Rijcke. "Mediated Ethnography and the Study of Networked Images-or How to Study 'Networked Realism' as Visual Knowing." Proceedings of the First International Visual Methods Conference, 15-17 Sept. 2009, Leeds, UK. .
5. Bourdieu, P. Photography: A Middle-Brow Art. Stanford, CA: Stanford UP, 1996.
6. Burgess, J. "Vernacular Creativity and New Media." PhD diss. Queensland U of Technology, 2007.
7. Buse, P. "Polaroid into Digital: Technology, Cultural Form, and the Social Practices of Snapshot Photography." Continuum 24.2 (2010): 215-30.
8. Buse, P. "Surely Fades Away." Photographies 1.2 (2008): 221-38.
9. Chalfen, R. Snapshot Versions of Life. Bowling Green, OH: Bowling Green State U Popular P, 1987.
10. Christopherson, R.W. "From Folk Art to Fine Art: A Transformation in the Meaning of PhotographicWork." Journal of Contemporary Ethnography 2 (1974): 123-57.
11. Coe, B., and P. Gates. The Snapshot Photograph: The Rise of Popular Photography, 1888-1939. London: Ash & Grant, 1977.
12. Cohen, K.R. "What Does the Photoblog Want?" Media, Culture and Society 27.6 (2005): 883-901.
13. de Rijcke, S., and A. Beaulieu. "Image as Interface: Consequences for Users of Museum Knowledge." Library Trends 59.4 (2011): 663-85.
14. Edwards, E., and J. Hart. Photographs, Objects, Histories: On the Materiality of Images. London: Routledge, 2004.
15. Frosh, P. The Image Factory: Consumer Culture, Photography and the Visual Content Industry. Oxford: Berg Publishers, 2003.
16. Gómez Cruz, E. De La Cultura Kodak a la Imagen En red. Una Etnografía sobre Fotografía Digital. Barcelona: UOC P, 2012.
17. Grossman, L. "Invention of the Year: The iPhone." Time Magazine Online 1 Nov. 2007. .
18. Hall, S. Representation: Cultural Representations and Signifying Practices. Thousand Oaks, CA: Sage Publications Ltd, 1997.
19. Hand, M. Making Digital Cultures: Access, Interactivity, and Authenticity. Aldershot, UK: Ashgate Pub. Co., 2008.
20. Hanseth, O., M. Aanestad, and M. Berg. "Actor-Network Theory and Information Systems. What's So Special?" Information Technology and People 17.2 (2004): 116-23.
21. Hirsch, M. Family Frames: Photography, Narrative, and Postmemory. Cambridge, MA: Harvard UP 1997.
22. Jenkins, R.V. "Technology and the Market: George Eastman and the Origins of Mass Amateur Photography." Technology and Culture 16 (1975): 1-19.
23. Kember, S. "The Virtual Life of Photography." Photographies 1.2 (2008): 175-203.
24. Kindberg, T., et al. "How and Why People Use Camera Phones." Consumer Applications and Systems Laboratory, H&P Laboratories Bristol, England, HPL-2004-216, 26 November 2004.
25. Kling, R. "What is Social Informatics andWhy Does it Matter?" D-Lib Magazine 5.1 (1999). .
26. Kling, R., G. McKim, and A. King. "A Bit More to It: Scholarly Communication Forums as Socio-Technical Interaction Networks." Journal of the American Society for Information Science and Technology 54.1 (2003): 47-67.
27. Koskinen, I. "Managing Banality in Mobile Multimedia." The Social Construction and Usage of Communication Technologies: Asian and European Experiences. Ed. Raul Pertierra. Quezon City: U of the Phillipines P, 2007. 60-81.
28. Larsen, J. "Practices and Flows of Digital Photography: An Ethnographic Framework." Mobilities 3.1 (2008): 141-60.
29. Lasén, A., and E. Gómez-Cruz. "Digital Photography and Picture Sharing: Redefining the Public/Private Divide." Knowledge, Technology and Policy 22.3 (2009): 205-15.
30. Latour, B. "Mixing Humans and Nonhumans Together: The Sociology of a Door-Closer." Social Problems 35.3 (1988): 298-310.
31. Latour, B. "Technology Is Society Made Durable." A Sociology of Monsters: Essays on Power, Technology and Domination. Ed. John Law. London: Routledge, 1991. 103-31.
32. Latour, B. "Visualisation and Cognition: Drawing Things Together." Representation in Scientific Practice. Ed. Michael Lynch and SteveWoolgar. Cambridge,MA: MIT P, 1990. 19-68.
33. Lister, M. "A Sack in the Sand: Photography in the Age of Information." Convergence 13.3 (2007): 251-74.
34. Marien, M.W. Photography: A Cultural History. London: Laurence King Publishing, 2002.
35. Maynard, P. The Engine of Visualization: Thinking through Photography. Ithaca, NY: Cornell UP, 2000.
36. Meyer, E.T. "Digital Photography." Handbook of Research on Computer Mediated Communication, Volume I. Ed. Sigrid Kelsey and Kirk St. Amant. New York: Information Science Reference, 2008. 791-803.
37. Meyer, E.T. "Framing the Photographs: Understanding Digital Photography as a Computerization Movement." Computerization Movements and Technology Diffusion: From Mainframes to Ubiquitous Computing. Ed. Margaret S. Elliot and Kenneth L. Kraemer. Silver Spring, MD: American Society for Information Science and Technology, 2008. 173-99.
38. Meyer, E.T. "Socio-Technical Interaction Networks: A Discussion of the Strengths, Weaknesses and Future of Kling's STIN Model." Social Informatics: An Information Society for All? In Remembrance of Rob Kling. Ed. Jacques Berleur, Markku I. Nurminen and John Impagliazzo. New York: IFIP-The International Federation for Information Processing, 2006. 37-48.
39. Meyer, E.T. "Socio-Technical Perspectives on Digital Photography: Scientific Digital Photography Use by Marine Mammal Researchers." Doctoral diss. Indiana U, 2007.
40. Munir, K.A. "The Social Construction of Events: A Study of Institutional Change in the Photographic Field." Organization Studies 26.1 (2005): 93-112.
41. Munir, K.A., and N. Phillips. "'The Birth of The Kodak Moment': Institutional Entrepreneurship and the Adoption of New Technologies." Organization Studies 26.11 (2005): 1665-87.
42. Murray, Susan. "Digital Images, Photo-Sharing, and Our Shifting Notions of Everyday Aesthetics." Journal of Visual Culture 7.2 (2008): 147-63.
43. Okabe, D., and M. Ito. "Camera Phones Changing the Definition of Picture-Worthy." Japan Media Review 29 (2003). .
44. Olivier, M. "George Eastman's Modern Stone-Age Family: Snapshot Photography and the Brownie." Technology and Culture 48.1 (2007): 1-19.
45. Oudshoorn, N., and T. Pinch, eds. How Users Matter: The Co-Construction of Users and Technology. Cambridge, MA: MIT P, 2003.
46. Petersen, S.M. "Common Banality: The Affective Character of Photo Sharing, Everyday Life and Produsage Cultures." PhD diss. U of Copenhagen, 2008.
47. Poe, E.A. "The Daguerreotype". Classic Essays On Photography. Ed. Alan Trachtenberg. New Haven, CT: Leete's Island Books, 1980. 37-38.
48. Ritchin, F. After Photography. New York: Norton & Company, 2008.
49. Robinson, M., and D. Picard, eds. The Framed World: Tourism, Tourists and Photography. Aldershot: Ashgate 2009.
50. Schatzki, T.R., K. Knorr-Cetina, and E. Von Savigny. The Practice Turn in Contemporary Theory. London: Routledge, 2001.
51. Schwartz, D. "Camera Clubs and Fine Art Photography: The Social Construction of an Elite Code." Journal of Contemporary Ethnography 15.2 (1986): 165-95.
52. Slater, D. "Marketing Mass Photography." Visual Culture: The Reader. Ed. Jessica Evans and Stuart Hall. London: Sage Publications, 1999. 289-306.
53. Sontag, S. On Photography. New York: Picador USA, 2001.
54. Star, Susan Leigh. "Introduction: The Sociology of Science and Technology." Social Problems 35.3 (1988): 197-205.
55. Tagg, J. The Burden of Representation. Minneapolis: U of Minnesota P, 1988.
56. Talbot, W.H.F. "A Brief Historical Sketch of the Invention of the Art." Classic Essays on Photography. Ed. A Trachtenberg. New Haven, CT: Leete's Island Books, 1980. 27-30.
57. Trachtenberg, A. Classic Essays on Photography. New Haven: Leete's Island Books, 1980.
58. Tsai, Shu-pei. "Integrated Marketing as Management of Holistic Consumer Experience." Business Horizons 48.5 (2005): 431-41.
59. Urry, J. The Tourist Gaze. London: Sage, 2002.
60. Van House, N.A., et al. "The Uses of Personal Networked Digital Imaging: An Empirical Study of Cameraphone Photos and Sharing. Paper presented at the CHI '05." Portland, OR: Extended Abstracts on Human Factors in Computing Systems, 2005.
61. Wajcman, J. Feminism Confronts Technology. University Park, PA: Pennsylvania State UP, 1991.
62. Zittrain, J. The Future of the Internet-and How to Stop It. New Haven, CT: Yale UP, 2008.