Holistic perspectives on the design of experience

Product Experience

Volumn , Issue , 2008, Pages 241-255

  Cupchik, Gerald C ^a   Hilscher, Michelle C ^a  

^a UNIVERSITY OF TORONTO   (Canada)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84867182925     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1016/B978-008045089-6.50012-5     Document Type: Chapter

References (42)

1. Ash M.G. Gestalt psychology in German culture, 1890-1967: Holism and the quest for objectivity 1995, Cambridge University Press, New York.
2. Ash M.G. Gestalt psychology in German culture, 1890-1967: Holism and the guest for objectivity 1998, Cambridge University Press, New York.
3. The Cambridge dictionary of philosophy 1995, Cambridge University Press, New York. R. Audi (Ed.).
4. Arnheim R. Art and visual perception: A psychology of the creative eye 1971, University of California Press, Berkeley, CA, (Original work published 1954.).
5. Avital T. Art versus nonart: Art out of mind 2003, Cambridge University Press, New York.
6. Benjamin W. The work of art in the age of mechanical reproduction. Illuminations 1967, 217-251. Shocken Books, New York. H. Arendt (Ed.).
7. Bergson H. Essai sur les donnée immédiates de la conscience 1920, Alcan, Paris. 19th Ed.
8. Binswanger L. The existential analysis school of thought. Existence 1958, 191-213. Basic Books, New York, [E. Angel, Trans.]. R. May, E. Angel, H.F. Ellenberger (Eds.).
9. Black M. More about metaphor. Metaphor and thought 1993, 19-41. Cambridge University Press, New York. A. Ortony (Ed.).
10. Braun I., Cupchik G.C. Phenomenological and quantitative analyses of absorption in literary passages. Empirical Studies of the Arts 2001, 19(1):85-109.
11. Burwick F. Illusion and the drama: Critical theory of the Enlightenment and Romantic era 1991, Pennsylvania State University, University Park, PA.
12. Carlson R. Experienced cognition 1997, Lawrence Erlbaum Associates, New York.
13. Casey E.S. Imagining: A phenomenological study 1976, Indiana University Press, Bloomington, IN.
14. Cupchik G.C. Observing the social world. Canadian Psychology 1993, 34(2):166-175.
15. Cupchik G.C. The 'interanimation' of worlds: Creative metaphors in art and design. The Design Journal 2003, 6(2):14-28.
16. Cupchik G.C. A critical reflection on Arnheim's Gestalt theory of aesthetics. Psychology of aesthetics, creativity, and the arts 2007, 1(1):16-24.
17. Cupchik G.C., Hilscher M.C. The roots of life-narratives in personal and evolutionary contexts. Journal of Cultural and Evolutionary Psychology 2004, 2(3-4):321-336.
18. Cupchik G.C., Shereck L. Generating and receiving contextualized interpretations of sculptures. Visual Arts Research 1998, 16(2):179-191.
19. de Rivera J. Field theory as human-science 1976, Gardner Press, New York.
20. Dewey J. Experience and nature 1929, Norton, New York.
21. Dewey J. Human nature and conduct 1957, Random House, New York.
22. Dewey J. Art as experience. Philosophy of art and aesthetics 1969, 352-369. Harper and Row, New York, (Original work published 1934.). F.A. Tillman, S.M. Cahn (Eds.).
23. Dufrenne M. The phenomenology of aesthetic experience 1973, Trans., Northwestern University Press, Evanston, IL, (Original work published 1953.). E.S. Casey, A.A. Anderson, W. Domingo, L. Jacobson (Eds.).
24. Ellenberger H. A clinical introduction to psychiatric phenomenology and existential analysis. Existence 1958, 92-124. Basic Books, New York. R. May, E. Angel, H.F. Ellenberger (Eds.).
25. Forlizzi J., Ford S. The building blocks of experience: An early framework for interaction designers. DIS 2000 Conference Proceedings 2000, 419-423. ACM.
26. Fraisse P. The psychology of time 1963, Harper and Row, New York.
27. Gibson J.J. The ecological approach to visual perception 1979, Houghton Mifflin, Boston.
28. Hausman C.R. Metaphor and art 1989, Cambridge University Press, New York.
29. Hekkert P.P.M., van Dijk M. Designing from context: Foundations and applications of the ViP approach. Designing in context: Proceedings of design and thinking research symposium 5 2001, Delft, The Netherlands, 18-20 December. P. Lloyd, H. Christiaans (Eds.).
30. Hilscher M.C., Cupchik G.C. From the page to the stage: Poetry writing, performance, and reception. Spiel 2003, 22(2):187-207.
31. Hummels C., Overbeeke K. Actions speak louder than words: Shifting from buttons and icons to aesthetics of interaction in design plus research. Proceedings of the Politechnico di Milano Conference 2000, 284-290. Milan, Italy.
32. Husserl E. Phenomenology and anthropology. Realism and the background of phenomenology 1960, 129-142. [R.G. Schmitt, Trans.], The Free Press, Glencoe, IL, (Original work published 1931.). R.M. Chisholm (Ed.).
33. Kreitler H., Kreitler S. The psychology of the arts 1972, Duke University Press, Durham, NC.
34. Lewin K. Constructs in field theory. Field theory in social science: Selected theoretical papers by Kurt Lewin 1951, 30-42. Harper and Row, New York, (Original work published 1944.). D. Cartwright (Ed.).
35. Lockhart R.S., Craik F.I.M. Levels of processing: a retrospective commentary on a framework for memory research. Canadian Journal of Psychology 1990, 44:87-112.
36. Lockhart R.S., Craik F.I.M., Jacoby L.L. Depth of processing in recognition and recall: some aspects of a general memory system. Recognition and recall 1976, 75-102. Wiley, London. J. Brown (Ed.).
37. Ortony A. Metaphor and thought 1979, Cambridge University Press, New York.
38. Webster's unabridged dictionary 2001, Random House, based on the second printed edition, newly revised and updated. CD-ROM 3rd Ed.
39. Shank R.C. Tell me a story: Narrative and intelligence 1990, Northwestern University Press, Evanston, IL.
40. Shapiro M. Style. Aesthetics today 1968, 80-113. Meridian, New York, (Original work published 1953). M. Philipson (Ed.).
41. Sparshott F.E. The structure of aesthetics 1963, University of Toronto Press, Toronto, ON.
42. Spielberg H. The phenomenological movement: A historical introduction 1971, Martinus Nijhoff, The Hague. 2nd Ed.