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1
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18444410872
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(accessed 8/8/12)
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Hardt and Negri, 'Marx's Mole is Dead!' www.eurozine.com/articles/2002-02-13-hardtnegri-en.html (accessed 8/8/12)
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'Marx's Mole is Dead!'
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Hardt1
Negri2
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2
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84860341229
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'Towards the great transformation: (1)Beyond 'the urban revolution'
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Of the five sections (plus an introduction and conclusion), two presented vignettes of contemporary situations (the first consisting of suicidal protests, one of them akin to war, and the second of the intensified marginality of a street trader), another two presented an introduction to Robinson in Ruins linked to recent discussions of materialisms, and the final one introduced the notions of debt and festivity as discussed by David Graeber in the context of five thousand years of history
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'Towards the great transformation: (1)Beyond 'the urban revolution' in City, 16.1-2, pp253-263. Of the five sections (plus an introduction and conclusion), two presented vignettes of contemporary situations (the first consisting of suicidal protests, one of them akin to war, and the second of the intensified marginality of a street trader), another two presented an introduction to Robinson in Ruins linked to recent discussions of materialisms, and the final one introduced the notions of debt and festivity as discussed by David Graeber in the context of five thousand years of history;
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City
, vol.16
, Issue.1-2
, pp. 253-263
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3
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84866884784
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See also Tate Online Research Papers Issue 17 by, (accessed 27/08/12)
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See also Tate Online Research Papers Issue 17 by Susan Daniels, Patrick Keiller, Doreen Massey, Patrick Wright, 'To dispel a Great Malady: Robinson in Ruins, the Future of Landscape and the Moving Image', www.tate.org.uk/research/publications/tate-papers/dispel-great-maladyrobinson-ruins-future-landsc. (accessed 27/08/12)
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'To Dispel a Great Malady: Robinson In Ruins, the Future of Landscape and The Moving Image'
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Daniels, S.1
Keiller, P.2
Massey, D.3
Wright, P.4
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4
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85078548854
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16.1-2, pp257-8.
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, vol.16
, Issue.1-2
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5
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84866851523
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16.4,p493
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, vol.16
, Issue.4
, pp. 493
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6
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68049138065
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'What is critical urban theory?'
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Introductory captions to the film 7 As identified by
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Introductory captions to the film 7 As identified by Neil Brenner in his 'What is critical urban theory?'. City, 13.2-3, pp 198-207.
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City
, vol.13
, Issue.2-3
, pp. 198-207
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Brenner, N.1
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10
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84877038128
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Editorial pp613-7.
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Editorial
, pp. 613-617
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12
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84866884783
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I rely particularly here, and in a subsequent episode, on Jerrold Seigel's sophisticated account in his Marx's Fate: The Shape of a Life, Princeton University Press 1978 and, with a new preface, Pennsylvania UP 1993
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I rely particularly here, and in a subsequent episode, on Jerrold Seigel's sophisticated account in his Marx's Fate: The Shape of a Life, Princeton University Press 1978 and, with a new preface, Pennsylvania UP 1993.
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13
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84866881187
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previously OUP 1976
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Verso 2011(previously OUP 1976)
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(2011)
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Verso1
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14
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0004351430
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in his edition (originally 1984), updated edition Cambridge UP
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R.A. Foakes in his edition (originally 1984) A Midsummer Night's Dream updated edition Cambridge UP, 2003, p 47.
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(2003)
A Midsummer Night's Dream
, pp. 47
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Foakes, R.A.1
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15
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84866857844
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They are brought together particularly effectively in, London: Pluto Press
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They are brought together particularly effectively in Andy Merrifield's Magical Marxism, London: Pluto Press 2011.
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(2011)
Andy Merrifield's Magical Marxism
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17
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84866857840
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As stated in the Press information (26 March, 2012), under List of Works and Wall Texts
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As stated in the Press information (26 March, 2012), under List of Works and Wall Texts
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18
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84866851516
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An eighth, not listed as such, a narrative of the financial crisis, will be taken up in the next episode in this series
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An eighth, not listed as such, a narrative of the financial crisis, will be taken up in the next episode in this series.
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19
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84866851517
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Guardian, 30March, 2012. Following the heading, a one sentence introduction runs: 'Patrick Keiller is our most original geographical and political thinker, as his Tate Britain exhibition confirms
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Guardian, 30March, 2012. Following the heading, a one sentence introduction runs: 'Patrick Keiller is our most original geographical and political thinker, as his Tate Britain exhibition confirms.
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21
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84866857848
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Translation of Daniel Bensai{dotless}̈d's introduction to his book, Featured as: 'The persistence of revolution: The Mole and the locomotive' at, (accessed 8/8/12) Cache
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Translation of Daniel Bensai{dotless}̈d's introduction to his book: Résistances. Essai de taupologie générale, Fayard, Paris 2001. Featured as: 'The persistence of revolution: The Mole and the locomotive' at www.internationalviewpoint.org/spip.php?page=print_article&id_article=117 (accessed 8/8/12) Cache
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Résistances. Essai De Taupologie Générale, Fayard, Paris 2001
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22
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84866858790
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It also extends other significant traditions. Hatherley, as noted in the editorial to this issue, refers specifically to Walter Benjamin and to the work of the documentary film maker, writer and poet Humphrey Jennings. It should be added that Jennings' book Pandemonium was a principal influence on the Olympic opening event. See the account by, the event's writer, Sunday 29' July
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It also extends other significant traditions. Hatherley, as noted in the editorial to this issue, refers specifically to Walter Benjamin and to the work of the documentary film maker, writer and poet Humphrey Jennings. It should be added that Jennings' book Pandemonium was a principal influence on the Olympic opening event. See the account by Frank Cottrell Boyce, the event's writer, 'The night we saw our mad, fantastical dreams come true' www.guardian.co.uk, Sunday 29' July 2012.
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(2012)
'The Night We Saw Our Mad, Fantastical Dreams Come True'
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Boyce, F.C.1
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23
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84866872465
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See also, for some sense of the London Olympics' positive potential legacy, Boyce's, ('After writing the London 2012 Olympic opening ceremony, I was inspired to create this political invitation to change.') The piece is at
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See also, for some sense of the London Olympics' positive potential legacy, Boyce's 'The dangerous conversation - an Olympic-inspired vision' ('After writing the London 2012 Olympic opening ceremony, I was inspired to create this political invitation to change.') The piece is at www.observer.co.uk/commentisfree
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'The Dangerous Conversation - An Olympic-inspired Vision'
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24
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84866881189
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Whether this political invitation, a symbolic counter blow to the neoliberal counterrevolution, can last and be implemented is a matter of socioeconomic trends, a sustaining vision, and a matching praxis
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Whether this political invitation, a symbolic counter blow to the neoliberal counterrevolution, can last and be implemented is a matter of socioeconomic trends, a sustaining vision, and a matching praxis.
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