Generative music systems for live performance

Proceedings of the International Conference on Computational Creativity, ICCC-10

Volumn , Issue , 2010, Pages 290-

  Brown, Andrew R ^a   Gifford, Toby ^a   Wooller, Rene ^a  

^a QUEENSLAND UNIVERSITY OF TECHNOLOGY   (Australia)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84866026866     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (5)

1. Brown, A.R., R. Wooller, and E.R. Miranda, Interactive Evolutionary Composition: Musical morphing as a compositional strategy, in A-Life for Music: Music and Computer Models of Living Systems, E.R. Miranda, Editor. 2010, A-R Editions: Middleton, WI, (in press).
2. Brown, A. R., R. Wooller, and K. Thomas, The Morph Table: A collaborative interface for musical interaction, in Trans: Boundaries/Permeability/ Reification. Australasian Computer Music Conference, A. Riddel and A. Thorogood, Editors. 2007, ACMA: Canberra. p. 34-39.
3. Gifford, T., JamBot. 2008: Brisbane. http://www.dr.offig.com/
4. Gifford, T. and A. R. Brown, Do Androids Dream of Electric Chimera?, in Improvise: The Australasian Computer Music Conference 2009, A. Sorensen and P. McIlwain, Editors. 2009, ACMA: Brisbane.
5. Brown, A. R., T. Gifford, E. Narmour and R. Davidson, Generation in Context: An Exploratory Method for Musical Enquiry in The Second International Conference on Music Communication Science, C. Stevens, et al., Editors. 2009, HCSNet: Sydney. p. 7-10.