Artificial creative systems and the evolution of language

Proceedings of the 2nd International Conference on Computational Creativity, ICCC 2011

Volumn , Issue , 2011, Pages 36-41

  Saunders, Rob ^a  

^a UNIVERSITY OF SYDNEY   (Australia)

Author keywords

[No Author keywords available]

Indexed keywords

COMPUTATIONAL MODEL; CREATIVE SYSTEMS; CULTURAL ASPECTS; DOMAIN SPECIFIC LANGUAGES; EXTENDED MODEL; HUMAN CREATIVITY; SOCIAL CREATIVITY;

COMPUTATIONAL METHODS;

EID: 84866007084     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (35)

1. Axelrod, R. 1997. The dissemination of culture: A model with local convergence and global polarization. The Journal of Conflict Resolution 41(2):203-226.
2. Berlyne, D. E. 1960. Conflict, Arousal and Curiosity. New York: McGraw-Hill.
3. Boden, M. A. 1990. The Creative Mind: Myths and Mechanisms. London: Cardinal.
4. Clark, A. 1996. Being There: Putting Brain, Body, and World Together Again. Cambridge, MA, USA: MIT Press, 1st edition.
5. Colton, S.; Bundy, A.; and Walsh, T. 2000. Agent based cooperative theory formation in pure mathematics. In Proceedings of the AISB'00 Symposium on Creative and Cultural Aspects and Applications of AI and Cognitive Science.
6. Csikszentmihalyi, M. 1988. Society, culture and person: a systems view of creativity. In Sternberg, R. J., ed., The Nature of Creativity: Contemporary Psychological Perspectives. Cambridge: Cambridge University Press. 325-339.
7. de Boer, B. 2000. Emergence of vowel systems through self-organisation. AI Communications 13:27-39.
8. Dong, A. 2009. The Language of Design. London: Springer.
9. Gabora, L. 1995. Meme and variations: A computer model of cultural evolution. In Nadel, L., and Stein, D. L., eds., 1993 Lectures in Complex Systems. Addison Wesley. 471-486.
10. Gardner, H. 1993. Creating Minds. New York: Basic Books.
11. Gemeinboeck, P., and Dong, A. 2006. Discourses of intervention: A language for art & science collaboration. In Proceedings of International Conference: New Constellations: Art, Science and Society.
12. Gero, J. S., and Sosa, R. 2002. Creative design situations: Artificial creativity in communities of design agents. In CAADRIA.
13. Gruber, H. E. 1974. Darwin on Man. Chicago: University of Chicago Press.
14. Hofstadter, D. 1979. Godel, Escher, Bach: An Eternal Golden Braid. New York, NY.: Basic Books.
15. Hofstadter, D. R. 1995. Fluid Concepts and Creative Analogies: Computer Models of the Fundamental Mechanisms of Thought. New York, NY.: Basic Books.
16. Koestler, A. 1964. The Act of Creation. New York, NY.: Macmillan.
17. Langley, P.; Simon, H. A.; Bradshaw, G. L.; and Zytkow, J. M. 1987. Scientific Discovery: Computational Explorations of the Creative Processes. Cambridge, MA.: MIT Press.
18. Liu, Y. T. 2000. Creativity or novelty? Design Studies 21(3):261-276.
19. Martindale, C. 1990. The Clockwork Muse. New York, NY.: Basic Books.
20. Miranda, E. R.; Kirby, S.; and Todd, P. M. 2003. On computational models of the evolution of music: From the origins of musical taste to the emergence of grammars. Contemporary Music Review 22(3):91-111.
21. Newell, A.; Shaw, J. C.; and Simon, H. A. 1958. Elements of a theory of human problem solving. Psychological Review 65(3):151-166.
22. Partridge, D., and Rowe, J. 1994. Computers and Creativity. Oxford, UK: Intellect Books.
23. Policastro, E., and Gardner, H. 1999. From case studies to robust generalizations: An approach to the study of creativity. In Sternberg, R. J., ed., Handbook of Creativity. Cambridge: Cambridge University Press. chapter 11, 213-225.
24. Saunders, R., and Gero, J. S. 2001. Artificial creativity: A synthetic approach to the study of creative behaviour. In Gero, J. S., ed., Computational and Cognitive Models of Creative Design V, 113-139. Sydney, Australia: University of Sydney.
25. Saunders, R., and Grace, K. 2008. Towards a computational model of creative cultures. In Proceedings of AAAI Spring Symposium on Creative Intelligent Systems.
26. Saunders, R. 2002. Curious Design Agents and Artificial Creativity. Ph.D. Dissertation, University of Sydney.
27. Simonton, D. K. 1984. Genius, Creativity, and Leadership: Historiometric Inquiries. Cambridge, MA.: Harvard University Press.
28. Steels, L. 1995. A self-organizing spatial vocabulary. Artificial Life 2(3):319-332.
29. Steels, L. 1996a. Perceptually grounded meaning creation. In Tokoro, M., ed., ICMAS96. AAAI Press.
30. Steels, L. 1996b. The spontaneous self-organization of an adaptive language. In Muggleton, S., ed., Machine Intelligence 15. Oxford University Press, Oxford.
31. Steels, L. 1998. The origins of syntax in visually grounded robotic agents. Artificial Intelligence 103(12):133-156.
32. Taylor, C. W. 1988. Various approaches to the definition of creativity. In Sternberg, R. J., ed., The Nature of Creativity: Contemporary Psychological Perspectives. Cambridge, UK: Cambridge University Press. 99-124.
33. Vogt, P. 2003. Thsim v3.2: The talking heads simulation tool. In Banzhaf, W.; Christaller, T.; Dittrich, P.; Kim, J. T.; and Ziegler, J., eds., Proceedings of the 7th European Conference on Artificial Life, ECAL 2003.
34. Weenink, D. 1997. Category art: A variation on adaptive resonance theory neural networks. In Proceedings of the Institute of Phonetic Sciences, volume 21, 117 - 129.
35. Wittgenstein, L. 1953. Philosophical Investigations. Blackwell Publishing.