The picture of the enemy in stalinist films

Insiders and Outsiders in Russian Cinema

Volumn , Issue , 2008, Pages 96-112

  Kenez, Peter ^a  

^a UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84864710320     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (10)

1. Cinema and Soviet Society, 1917-1953 (Cambridge, UK: Cambridge University Press, 1992).
2. Cinema and Soviet Society: From the Revolution to the Death of Stalin (London: I. B. Tauris, 2001).
3. Abram Terz, The Trial Begins and On Socialist Realism (New York: Vintage, 1960), 148.
4. Katerina Clark, The Soviet Novel: History as Ritual, 3d ed. (Bloomington: Indiana University Press, 2000).
5. Vance Kepley, In the Service of the State: The Cinema of A. Dovzhenko (Madison: University of Wisconsin Press, 1986), 494.
6. I. D. Pyr’ev, Izbrannye proizvedenia (Moscow: Iskusstvo, 1978), vol. 1, 74-84.
7. Denise Youngblood, “Cinema as Social Criticism: The Early Films of Fridrich Ermler,” in Anna Lawton, ed., The Red Screen: Politics, Society, Art in Soviet Cinema (New York: HarperCollins, 1991), 66-89.
8. Denise Youngblood, “A War Remembered: Soviet Films of the Great Patriotic War,” American Historical Review 106, no. 3 (June 2001): 839-56.
9. Norman Naimark, The Russians in Germany: A History of the Soviet Zone of Occupation, 1945-1949 (Cambridge, Mass.: Harvard University Press, 1995), 69-140.
10. G. V. Alexandrov, Epokha i kino (Moscow: Politizdat, 1983), 297-98.