Keepin' it real: Disidentification and its discontents

Black Cultural Traffic: Crossroads in Global Performance and Popular Culture

Volumn , Issue , 2005, Pages 162-184

  West, Tim'm T ^a  

^a NONE

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EID: 84864355790     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (15)

1. http://sugartruck.tripod.com.
2. José Esteban Muñoz, Disidentifications: Queers of Color and the Performance of Politics (Minneapolis: University of Minnesota Press, 1999).
3. http://www.thegayrapper.com.
4. http://www.trustlife.net.
5. Nick Ellis, "Homo Hop, " Hip Hop Connection: The World's Original Rap Monthly, September 2001, 40.
6. Étienne Balibar, in Race, Nation, Class: Ambiguous Identities, by Étienne Balibar and Immanuel Wallerstein (New York: Verso, 1994), 93-94.
7. Anne McClintock, Imperial Leather: Race, Gender, and Sexuality in the Colonial Contest (New York: Routledge, 1995), 353.
8. In their introduction to Between Woman and Nation: Nationalisms, Transnational Feminisms, and the State, ed. Caren Kaplan, Norma Alarcón, and Minoo Moallem (Durham, N.C.: Duke University Press, 1999).
9. Benedict Anderson, Imagined Communities, 2nd ed. (London: Verso, 1991), 6.
10. http://www.deepdickollective.com/ddc.html.
11. Tricia Rose, Black Noise: Rap Music and Black Culture in Contemporary America (Hanover, N.H.: Wesleyan University Press, 1994), 3.
12. Russell A. Potter, "L'Objet X: Performing Race in a Postmodern World, " Literature and Psychology 41 (1995): 18.
13. Jamarhl Crawford, "Will You Stand Up for Hip Hop or Bend Over?" Elemental Magazine, November 2000, http://www.elementalmag.com.
14. http://www.pradahblack.blakout.net/?about=1.
15. Mekado Murphy, "Rapper's Delight, Queer Emcee Tim'm Leads the Homo Hop Revolution, " Dallas Voice, August 2, 2002, 41.