Antiphon: Notes on the people's microphone

Journal of Popular Music Studies

Volumn 24, Issue 2, 2012, Pages 238-246

  King, Homay ^a  

^a BRYN MAWR COLLEGE   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84863332904     PISSN: 15242226     EISSN: 15331598     Source Type: Journal    
DOI: 10.1111/j.1533-1598.2012.01327.x     Document Type: Article

References (11)

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2. Brecht, Bertolt,. Alienation Effects in Chinese Acting. Brecht on Theatre. Ed. and, Trans. John Willett,. New York: Hill and Wang, 1977. 91-99.
3. Caillois, Roger,. Man and the Sacred., Trans. Meyer Barash,. Urbana: U of Illinois P, 2001.
4. Caillois, Roger,. Man, Play, and Games., Trans. Meyer Barash,. Urbana: U of Illinois P, 2001.
5. Deleuze, Gilles,. Cinema 2: The Time-image., Trans. Hugh Tomlinson, and, Robert Galeta,. Minneapolis: U of Minnesota P, 1989.
6. " Greek Chorus. Wikipedia. Web. 22 March 2012.
7. Kim, Richard,. The Audacity of Occupy Wall Street. The Nation. 21 November 21 2011. Web. March 2012.
8. Kim, Richard,. We Are All Human Microphones Now. The Nation Blogs 3 October 2011. Web. 22 March 2012.
9. Livingston, Ira,. Darth Vader and Occupy Wall Street: A Twitteressay. Bully Bloggers: The Queer Bully Pulpit You Never Dreamed Of â€∥ 13 November 2011. Web. 22 March 2012.
10. Remski, Matthew,. Mic Check: How the Occupy Movement Creates Empathy Through Communication. Tikkun Daily Blog. 18 October 2011. Web. 22 March, 2012.
11. " The Ultra-Red, Mission Statement.". Web. 2 April 2012. I thank David Buuck for the reference.