Analytical investigation on Renaissance Venetian enamelled glasses from the Louvre collections

Journal of Archaeological Science

Volumn 39, Issue 8, 2012, Pages 2706-2713

  Biron, Isabelle ^a   Verità, Marco ^b  

^a CENTRE DE RECHERCHE ET DE RESTAURATION DES MUSÉES DE FRANCE   (France)

^b UNIVERSITY IUAV OF VENICE   (Italy)

Author keywords

Authentication; Enamels; Glass; PIXE and PIGE analysis; Venetian

Indexed keywords

ARCHAEOLOGICAL EVIDENCE; ARCHAEOLOGY; ENAMEL; GLASS; IDENTIFICATION METHOD; MANUFACTURING; TECHNOLOGY;

ITALY; VENETO; VENEZIA [VENETO]; VENICE;

EID: 84862226402     PISSN: 03054403     EISSN: 10959238     Source Type: Journal    
DOI: 10.1016/j.jas.2012.03.014     Document Type: Article

References (25)

1. Biron I. Regards croisés sur l'émail peint; le regard du physicien. Catalogue de l'Exposition, La Rencontre des Héros Musée Municipal de l'Evêché 2002, Limoges, 22-33.
2. Biron I., Beauchoux S. Ion beam analysis of Mosan enamels. Meas. Sci. Technol. 2003, 14:1564-1578.
3. Barrera J., Velde B. A study of French medieval glass composition. Archéologie Médiévale 1989, XIX:81-127.
4. De Raedt I., Janssens K., Veeckman J. Compositional distinctions between 16th century façon de Venise and Venetian glass veszsels excavated in Antwerp, Belgium. J. Anal. At. Spectrom. 1999, 14:493-498.
5. De Raedt I., Janssens K., Veeckman J. On the distinction between 16th and 17th century Venetian and façon de Venise glass. The Transfer of Technology in the 16th-early 17th Century 2002, 95-121. Antwerp. J. Veeckman (Ed.).
6. Freestone I.C., Bimson M. Early Venetian enamelling on glass: technology and origins. Material Issues in Art and Archaeology IV. Mater. Res. Soc. Symp. Proc 1995, vol. 352:415-431.
7. Freestone I.C., Stapleton C.P. Composition and technology of Islamic enamelled glass of the thirteenth and fourteenth centuries. Gilded and Enamelled Glass from the Middle East 1998, vol. 1:122-128. British Musem Press, London.
8. Freestone I.C., Tatton-Brown V., 2003. The Bonus Eventus plaque: changing materials, changing perceptions, Proceedings of the 16th AIHV Congress, London, pp. 391-395.
9. Gratuze B., Soulier I., Blet M., Vallauri L. De l'origine du cobalt: du verre à la ceramique. Revue d'Archéométrie 1996, 20:77-94.
10. Moretti C. Ricette vetrarie muranesi. Quaderno anonimo del 1847. J. Glass Stud. 1982, 24:65-81.
11. Moretti C., Toninato T. Ricette vetrarie del Rinascimento. Trascrizione da un Manoscritto Anonimo Veneziano, Marsilio 2001, Venice.
12. Moretti C., Salerno C.S., Tommasi Ferroni S. Ricette vetrarie muranesi. Gasparo Brunoro e il Manoscritto di Danzica 2004, Nardini, Florence.
13. Röhrs, S., Biron, I., Stege, H., 2009. About Limoges painted enamels - chronological evolution of the glass chemical composition. Annales du 17e congrès de l'AIHV, Anvers, 500-509.
14. Verità M. L'invenzione del cristallo muranese: una verifica analitica delle fonti storiche. Rivista Stazione Sperimentale del Vetro 1985, 15:17-29.
15. Verità M. Analytical investigation of European enamelled beakers of the 13th and 14th centuries. J. Glass Stud. 1995, 37:83-98.
16. Verità M. Analyses of early enamelled Venetian glass: a comparison with Islamic glass. Gilded and Enamelled Glass from Middle East 1998, British Museum Press, London, 29-134; 212. R. Ward (Ed.).
17. Verità M., Zecchin S. Scientific investigation of a Venetian polychrome goblet of the 16th century. J. Glass Stud. 2008, 50:105-115.
18. Verità M., Zecchin S. Thousand years of Venetian glass: the evolution of chemical composition from the origins to the 18th century. Annales of the 17th AIHV Congress, 2006, Antwerp 2009, 602-613. University Press, Antwerp. K. Janssens, P. Degryse, P. Cosyns, J. Caen, L. Van't dack (Eds.).
19. Verità M., Santopadre P. Analysis of gold-colored Ruby glass Tesserae in Roman church mosaics of the fourth to 12th centuries. J. Glass Stud. 2010, 52:1-14.
20. Wypyski M.T. Renaissance Enameled Jewelry and 19th Century Renaissance Revival: Characterization of Enamel Compositions. Mat. Res. Soc. Symp. Proc. 2002, vol. 712. Materials Research Society, pp. II6.6.1-II6.6.11.
21. Wypyski M.T. Technical study of Renaissance Venetian enamelled glass. Annales of the 17th Congress of the AIHV, Antwerp 2006 2009, 529-535. University Press, Antwerp. K. Janssens, P. Degryse, P. Cosyns, J. Caen, L. Van't Dack (Eds.).
22. Zecchin L. Il Ricettario Darduin, un Codice Vetrario Delseicento Trascritto e Commentato 1986, Arsenale, Venice.
23. Zecchin L. Le Ricette Vetrarie di Montpellier, Vetro e Vetrai di Murano 1987, vol. I. Arsenale, Venice, pp. 247-276.
24. Zecchin L. Vetro e Vetrai di Murano 1990, vol. III. Arsenale, Venice, pp. 110-130.
25. Zucchiatti A., Bouquillon A., Katona I., D'Alessandro A. The Della Robbia blue: a case study for the use of cobalt pigments in ceramics during the Italian Renaissance. Archaeometry 2006, 48:131-152.