What NMSAT says about sonification

AI and Society

Volumn 27, Issue 2, 2012, Pages 233-244

  Joy, Jerome ^a  

^a Locus Sonus École Nationale Supérieure d'Art de Bourges   (France)

Author keywords

Audio art; Database; Distance listening; Networked music; Networks; Sonification history; Timeline

Indexed keywords

EID: 84860218048     PISSN: 09515666     EISSN: 14355655     Source Type: Journal    
DOI: 10.1007/s00146-011-0343-5     Document Type: Article

References (7)

1. Joy J (2003-2005, 2010). Télémusique-organologie de la musique en réseau. (Part of a PhD research), Retrieved October 30, 2010, from http://www. fr. wikipedia. org/wiki/Musique_en_réseau.
2. Joy J (2009) Une Époque Circuitée. Paper presented at Metamedia Symposium, Mois Multi, Avatar Québec, 2007.
3. Joy J (2009) Networked music & soundart timeline (NMSAT) excerpts of part one: ancient and modern history, anticipatory literature, and technical developments references. par Jérôme Joy, In revue Contemporary Music Review, "Network Performance", vol. 28, Nos 4/5, p. 449-490, Taylor & Francis Group, Oxford, 2009.
4. Joy J (2010) Une Époque Circuitée-Réflexion sur l'organologie des arts en réseau: le passage de l'Internet à un état musical. In Revue Intermédialités-April, 2010, No. 13-Programmer, pp 57-76, CRI Université de Montréal (QC), 2010.
5. Joy J (2010) La Musique Étendue-« En Plein Air » (Extended Music-Out in the Open). In: Yang Yeung (ed) Around, catalog of the sound festival, Soundpocket, Hong Kong (HK), 2010.
6. Joy J, Sinclair P (2008) Les Espaces Sonores en Réseau (Networked Sonic Spaces). In: GlobalWare Corporation (ed) Roots/Routes, International Computer Music Conference ICMC'08 (Panel: Networking Performance) (pp. 553-555). Belfast: SARC, Sonic Art Research Center, Queens University, & International Computer Music Association ICMA (Publishers).
7. Joy J, Sinclair P (2009) Networked music & soundart timeline (NMSAT): a panoramic view of practices and techniques related to sound transmission and distance listening. In: Contemporary music review, "Network Performance", vol 28, Nos 4/5, pp 351-361, Taylor & Francis Group, Oxford.