The sociological role of collective singing during intense moments of protest: The disengagement from the Gaza Strip

Sociology

Volumn 46, Issue 2, 2012, Pages 241-257

  Bensimon, Moshe ^a  

^a BAR ILAN UNIVERSITY   (Israel)

Author keywords

Collective singing; Israeli disengagement; Protest songs; Social movements

Indexed keywords

EID: 84859039758     PISSN: 00380385     EISSN: None     Source Type: Journal    
DOI: 10.1177/0038038511416160     Document Type: Article

References (50)

1. Ahmed SThe Cultural Politics of Emotion. New York: Routledge; 2004:.
2. Amir DArt, Therapists, Refugees and Migrants. Dokter D, ed. London: Jessica Kingsley Publishers; 1998:217-235.
3. Balkwill LL,Thompson FW.A cross-cultural investigation of the perception of emotion in music: Psychophysical and cultural cues.Music Perception. 1999;17:43-64.
4. Bensimon M.The dynamic of songs in intergroup conflict and proximity: The case of the Israeli Disengagement from the Gaza Strip.Group Processes and Intergroup Relations. 2009;12:397-412.
5. Bensimon M,Amir D,Wolf Y.Drumming through trauma: Music therapy with post-traumatic soldiers.The Arts in Psychotherapy. 2008;35:34-48.
6. Bodner E,Gilboa A.Emotional communicability on music therapy: Different instruments for different emotions?.Nordic Journal of Music Therapy. 2006;15:3-16.
7. Bruscia KEImprovisational Models of Music Therapy. Springfield, IL: Charles C. Thomas; 1987:.
8. Collins RPassionate Politics: Emotions and Social Movements. Goodwin JJasper JPolletta F, ed. Chicago: The University of Chicago Press; 2001:27-44.
9. Dunaway DKPopular Music and Communication. Lull J, ed. Newbury Park: Sage; 1987:.
10. Durkheim EThe Elementary Forms of the Religious Life. New York: The Free Press; 1995:.
11. EliramT (1995) Shirei Eretz Israel (Songs of the Land of Israel) - The Creation and Meaning of a Popular Music Repertoire at the End of the Twentieth Century. MA thesis, Bar-Ilan University, Ramat-Gan, Israel. (In Hebrew).
12. Ehrenreich BDancing in the Streets. New York: Metropolitan; 2006:.
13. Eyerman R,Jamison AMusic and Social Movements. Cambridge: Cambridge University Press; 1998:.
14. Folkestad GMusical Identities. MacDonald RHargreaves DMiell D, ed. Oxford, New York: Oxford University Press; 2002:.
15. Galili L.10,000 Rally in TA in Support of Pullout.Ha'artz News Paper. 2005;:A3.
16. Gewirtz LBJewish Spirituality: Hope and Redemption. Hoboken: Ktav Publishing House; 1986:.
17. Goodwin J,Jasper J,Jasper F.The return of the repressed: the fall and rise of emotions in social movement theory.Mobilization. 2000;5:65-84.
18. Goodwin J,Pfaff SPassionate Politics: Emotions and Social Movements. Goodwin JJasper JPolletta F, ed. Chicago: The University of Chicago Press; 2001:.
19. Guba EG,Lincoln YSEffective Evaluation. San Francisco: Jossey-Bass Publishers; 1981:.
20. Gurin P,Peng T,Lopez G,Nagda BACultural Divides: Understanding and Overcoming Group Conflict. Prentice DMiller D, ed. New York: Russell Sage Foundation; 1999:.
21. Jasper J.The emotions of protest: Affective and reactive emotions in and around social movements.Sociological Forum. 1998;13:397-424.
22. Jasper JThe Social Movements Reader. Goodwin JJasper J, ed. Malden, MA: Blackwell Publishing; 2003:.
23. Juslin PN.Perceived emotional expression in synthesized performances of a short melody: capturing the listener's judgment policy.Musicae Scientiae. 1997;1:225-256.
24. Juslin PN,Laukka P.Communication of emotion in vocal expression and music performance: different channels, same code?.Psychological Bulletin. 2003;129:770-814.
25. Kemper TDPassionate Politics: Emotions and Social Movements. Goodwin JJasper JPolletta F, ed. Chicago: The University of Chicago Press; 2001:.
26. KleinA (2008) 100,000 Israelis March to Gaza - Massive Protest of Evacuation Kicks Off with Prayer Service. WorldNetDaily. Retrieved July 18, 2005(http://www.wnd.com/news/article.asp?ARTICLE_ID-45329).
27. Kolstø P.National symbols as signs of unity and division.Ethnic and Racial Studies. 2006;29:676-701.
28. Kvale SInterviews: An Introduction to Qualitative Research Interviewing. Thousand Oaks, CA: Sage; 1996:.
29. Lincoln YS,Guba EGNaturalistic Inquiry. London: Sage; 1985:.
30. Lindsey LLGender Roles: A Sociological Perspective. Englewood Cliffs, NJ: Prentice Hall; 1994:.
31. Lockard CADance of Life - Popular Music and Politics in Southeast Asia. Honolulu: University of Hawaii Press; 1998:.
32. McDonald DA.Poetic and the performance of violence in Israel/Palestine.Ethnomusicology. 2009;53:58-85.
33. McMillan DW.Sense of community.Journal of Community Psychology. 1996;4:315-325.
34. Meyer LBEmotions and Meaning in Music. Chicago: University of Chicago Press; 1956:.
35. Morris ADThe Origins of the Civil Rights Movement: Black Communities Organising for Change. New York: Free Press; 1984:.
36. Newman D.From Hitnachalut to Hitnatkut.Israel Studies. 2005;10:192-223.
37. Park REThe Crowd and the Public, and Other Essays. Chicago: University of Chicago Press; 1972:.
38. Samson V.Music protest as a strategy: The example of Tiananmen Square.Pacific Review of Ethnomusicology. 1991;6:35-64.
39. Shechory M,Laufer A.Levels of distress and belief in authorities law in light of geopolitical changes among youth living in Judea & Samaria.Judea and Samaria Research Studies. 2008;17:239-252.
40. Scherer KR,Zentner MRMusic and Emotion: Theory and Research. Juslin PSloboda J, ed. Oxford: Oxford University Press; 2001:.
41. Steglitz C,Wrightsman LS,Cook SWResearch Methods in Social Relations. New York: Holt, Rinehart and Winston; 1976:.
42. Shoham SG.Caravaggio: The violent enlightenment.Journal of Criminal Justice and Popular Culture. 1999;6:67-82.
43. Shoham SGMyth of Tantalus: A Scaffolding for an Ontological Personality Theory. Brighton: Sussex Academic Press; 2005:.
44. Strauss ALQualitative Analysis for Social Scientists. Cambridge: Cambridge University Press; 1987:.
45. Turino TMusic as Social Life. Chicago: The University of Chicago Press; 2008:.
46. VandenBos GRAPA Dictionary of Psychology. Washington, DC: American Psychological Association; 2006:.
47. Wallace BStructural Functions in Music. Toronto, Canada: General Publishing Company; 1987:.
48. Wiltermuth SS,Heath H.Synchrony and cooperation.Psychological Science. 2009;20:1-5.
49. Yaron ZLiving Faiths and Ultimate Foals: Salvation and World Religions. Samartha S, ed. Maryknoll, NY: Orbis Books; 1974:.
50. Young AAn Easy Burden: The Civil Rights Movement and the Transformation of America. New York, NY: HarperCollins; 1996:.