Intersubjective, embodied, evaluative perception: A phenomenological approach to the ethics of film

Quarterly Review of Film and Video

Volumn 19, Issue 3, 2002, Pages 237-248

  Stadler, Jane ^a  

^a MURDOCH UNIVERSITY   (Australia)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84858048158     PISSN: 10509208     EISSN: 15435326     Source Type: Journal    
DOI: 10.1080/10509200214843     Document Type: Note

References (15)

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2. Baudry, Jean-Louis. 1986. "Ideological Effects of the Basic Cinematographic Apparatus" ”. In Narrative, Apparatus, Ideology: A Film Theory Reader, Edited by: Rosen, Philip. 286–298. Columbia UP: New York.
3. 1992. "The Apparatus: Metapsychological Approaches to the Impression of Reality in Cinema" ”. In Film Theory and Criticism, Edited by: Mast, Cohen and Braudy. 690–724. Oxford UP: New York.
4. Casebier, Allan. 1991. Film and Phenomenology: Towards a Realist Theory of Cinematic Representation, Cambridge: Cambridge UP.
5. Keller, K., and Grontkowski, C., 1983. "The Mind's Eye" ”. In Discovering Reality: Feminist Perspectives on Epistemology, Metaphysics, Methodology and Philosophy of Science, Edited by: Harding and Hintikka. 207–224. Boston: Reidel Publishing Company.
6. Maclntyre, Alasdair. 1977. "Epistemological Crisis, Dramatic Narrative and the Philosophy of Science,". Monist, 60: 453–472.
7. Merleau-Ponty, Maurice. 1964. The Primacy of Perception, Evanston, Illinois: Northwestern UP.
8. Metz, Christian. 1982. The Imaginary Signifier: Psychoanalysis and the Cinema, Edited by: Britton, Celia, Williams, Annwyl, Brewster, Ben, and Guzzetti, Alfred. Bloomington: Indiana UP.
9. Newton, Adam Z., 1997. Narrative Ethics, Harvard JP: Cambridge.
10. Prejean, Helen. 1993. C.SJ. Dead Man Walking: An Eyewitness Account of the Death Penalty in the United States, Random House: New York.
11. Rascaroli, Laura. 1997. "Steel in the Gaze: on POV and the Discourse of Vision in Kathryn Bigelow's Cinema". Screen, 38 (3): 232–246.
12. Sobchack, Vivian. 1990. "Active Eye: Optical Movement: Transformations of Attention,". Quarterly Review of Film and Video, 12.3: 21–36.
13. 1992. The Address of the Eye: A Phenomenology of Film Experience, Princeton UP: New Jersey.
14. Studlar, Gayln. 1990. "Reconciling Feminism and Phenomenology: Notes on Problems and Possibilities, Texts and Contexts,". Quarterly Review of Film and Video, 12.3: 69–78.
15. Taylor, Charles. 1989. Sources of the Self, Harvard UP: Massachusetts.