Vocal synthesis and graphical representation of the phonetic gestures underlying guitar timbre description

Proceedings of the International Conference on Digital Audio Effects, DAFx

Volumn , Issue , 2005, Pages 104-109

  Traube, Caroline ^a   d'alessandro, Nicolus ^b  

^a UNIVERSITÉ DE MONTRÉAL   (Canada)

^b UNIVERSITY OF MONS   (Belgium)

Author keywords

[No Author keywords available]

Indexed keywords

GRAPHIC METHODS; LINGUISTICS; MUSICAL INSTRUMENTS;

COMMON LANGUAGES; COMPUTER TOOLS; GRAPHICAL REPRESENTATIONS; MENTAL IMAGERY; METALLICS; SPEECH SOUNDS;

TEACHING;

EID: 84855962820     PISSN: 24136700     EISSN: 24136689     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (8)

1. Caroline Traube, An Interdisciplinary Study of the Timbre of the Classical Guitar, Phd thesis, Faculty of Music, McGill University, 2004.
2. Caroline Traube and Philippe Depalle, "Phonetic gestures un-derlying guitar timbre description, " in Proc. International Conference on Music Perception and Cognition, Evanston (IL), USA, August 2004.
3. C. Abry, L.-J. Boe, Corsi P., R. Descout, M. Gentil, and P. Graillot, Labialite et phonetique., Universite des langues et lettres de Grenoble, France, 1980.
4. Caroline Traube and Philippe Depalle, "Timbral analogies be-tween vowels and plucked string tones, " in Proc. IEEE Inter-national Conference on Acoustics, Speech, and Signal Pro-cessing, Montreal, Quebec, Canada, May 17-21 2004.
5. Roman Jakobson, C. Gunnar M. Fant, and Morris Halle, Pre-liminaries to Speech Analysis. The distinctive Features and Their Correlates, The MIT Press, Massachusetts Institute of Technology, Cambridge, Massachussets, 1967.
6. Wayne Slawson, Sound Color, University of California Press, Berkeley and Los Angeles, California, 1985.
7. N. Chomsky and M. Halle, The Sound Pattern of English, Harper and Row, New York, 1968.
8. Thierry Dutoit, An Introduction to Text-to-Speech Synthesis, Kluwer Academic Publishers, 1997.