Net_Dérive: Conceiving and producing a locative media artwork

Mobile Technologies: From Telecommunications to Media

Volumn , Issue , 2008, Pages 174-186

  Tanaka, Atau ^a   Gemeinboeck, Petra ^b  

^a SONY COMPUTER SCIENCE LABORATORY   (France)

^b UNIVERSITY OF SYDNEY   (Australia)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 84855961414     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203884317     Document Type: Chapter

References (30)

1. Vasilios Koutsiouris, Pavlos Vlachos, and Adam Vrechopoulos, "Developing and Evaluating Mobile Entertainment Applications: The Case of the Music Industry," ed. Matthias Rauterberg, Entertainment Computing-ICEC 2004, Lecture Notes in Computer Science, 3166 (Berlin: Springer, 2004).
2. Per Andersson and Christopher Rosenqvist, "Mobile Music, Customer Value, and Changing Market Needs," The International Journal on Media Management, 8 (2006): 92-103.
3. Tomoyuki Okada, "Youth Culture and the Shaping of Japanese Mobile Media: Personalization and the Keitai Internet as Multimedia," in Personal, Portable, Pedestrian: Mobile Phones in Japanese Life, ed. Mizuko Ito, Daisuke Okabe, and Misa Matsuda (Cambridge: MIT Press, 2005), 41-60.
4. Mark Perry, Kenton O'Hara, Abigail Sellen, Barry Brown, and Richard Harper, "Dealing with Mobility: Understanding Access Anytime, Anywhere," ACM Transactions on Computer-Human Interaction, 8 (2001): 323-47.
5. Paul Du Gay, Doing Cultural Studies: The Story of the Sony Walkman (Berkshire, UK: Open University Press, 1997).
6. Shuhei Hosokawa, "The Walkman Effect," in Popular Music Vol. 4: Performers and Audiences, ed. R. Middleton and D. Horn (Cambridge: Cambridge University Press, 1984), 165-80.
7. Bill Gaver, Tony Dunne, and Elena Pacenti, "Design: Cultural Probes," Interactions, 6(1) (1999): 21-29.
8. Hilary Hutchinson, Wendy Mackay, Bo Westerlund, Benjamin B. Bederson, Allison Druin, Catherine Plaisant, Michel Beaudouin-Lafon, Stéphane Conversy, Helen Evans, Heiko Hansen, Nicolas Roussel, and Björn Eiderbäck, "Technology Probes: Inspiring Design for and with Families," in Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, Ft. Lauderdale, Florida, 2003.
9. Sadie Plant, "On the Mobile: The Effects of Mobiletelephones on Social and Individual Life" (Motorola, 2001 http://www.motorola.com/mot/doc/0/234_MotDoc.pdf).
10. Gerard Goggin, Cell Phone Culture (London: Routledge, 2006).
11. Drew Hemment, "The Mobile Effect," Convergence 11 (2005): 32-39.
12. Michael Bull, Sounding Out the City: Personal Stereos and the Management of Everyday Life (Oxford: Berg, 2000).
13. Christine Satchell, "The Swarm: Facilitating Fluidity and Control in Young People's Use of Mobile Phones," in Proceedings of OzCHI 2003: New Directions in Interaction, Information Environments, Media and Technology, 26-28, November 2003 (Brisbane: Information Environments Program, University of Queensland, 2003).
14. Drew Hemment, "Locative Dystopia 2," in TCM Locative Reader, 2004, http://www.locative.net/tcmreader/index.php?locarts;hemment-dystopia.
15. Irit Rogoff, Terra Infirma: Geography's Visual Culture (London: Routledge, 2000).
16. Homi K. Bhabha, The Location of Culture (London: Routledge, 1994).
17. Marc Tuters, "The Locative Commons: Situating Location-Based Media in Urban Public Space," Futuresonic (2004), http://www.futuresonic.com/futuresonic/pdf/Locative_Commons.pdf.
18. Ian Smith, "Social-Mobile Applications," IEEE Computer 38(4) (2005), 84-85.
19. Anthony LaMarca et al., "Place Lab: Device Positioning Using Radio Beacons in the Wild," Pervasive Computing, Lecture Notes in Computer Science, 3468 (Berlin: Springer, 2005).
20. Layla Gaye, Ramia Mazé, and Lars-Erik Holmquist, "Sonic City: The Urban Environment as a Musical Interface," in Proceedings of NIME03 (2003), 109-15.
21. Giles Lane, "SOCIAL TAPESTRIES: Public Authoring and Civil Society," in Proboscis Cultural Snapshots, 9 (2004), http://research.urbantapestries.net/socialtapestries.html.
22. George Orwell, Nineteen Eighty-Four: A Novel (London: Secker & Warburg, 1949).
23. Robert Gooding-Williams, Reading Rodney King/Reading Urban Uprising (London: Routledge, 1993).
24. BBC, "Concorde: What Went Wrong?" BBC News, September 5, 2000, http://news.bbc.co.uk/2/hi/europe/851864.stm.
25. Anne Galloway and Matt Ward, "Locative Media as Socialising and Spatialising Practice: Learning from Archaeology," Leonardo Electronic Almanac, 14(3-4) (2006), http://leoalmanac.org/journal/Vol_14/lea_v14_ n03-04/gallowayward.asp.
26. Guy Debord, "Theory of the Derive," in Situationist International Anthology, ed. Ken Knabb (Berkeley, CA: Bureau of Public Secrets, 1981), 50-56.
27. Simon Sadler, The Situationist City (Cambridge, MA: MIT Press, 1999).
28. Petra Gemeinboeck, Atau Tanaka, and Andy Dong, "Instant Archaeologies: Digital Lenses to Probe and to Perforate the Urban Fabric," in Proceedings of ACM Multimedia 2006 (New York: ACM Press, 2006), 279-86.
29. Guy Debord, The Society of the Spectacle, trans. Donald Nicholson-Smith (New York: Zone, 1995).
30. Howard Rheingold, "Urban Infomatics Breakout," The Feature: It's All about the Mobile Internet (2004), http://www.thefeaturearchives.com/topic/Culture/Urban_Infomatics_Breakout.html.