Reimagining Jane Austen: The 1940 and 1995 film versions of pride and prejudice

Jane Austen on Screen

Volumn , Issue , 2003, Pages 175-196

  Belton, Ellen ^a  

^a NONE

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[No Author keywords available]

Indexed keywords

EID: 81255124762     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1017/CBO9781139164702.010     Document Type: Chapter

References (20)

1. Dudley Andrew, Concepts in Film Theory (Oxford: Oxford University Press, 1984): 96.
2. George Bluestone, Novels into Film (Baltimore, MD: Johns Hopkins University Press, 1957): 2.
3. Sergei Eisenstein, Film Form, trans. and ed. Jay Leyda (New York: Harcourt, 1949): 195-255.
4. Geoffrey Wagner, The Novel and the Cinema (Rutherford, NJ: Fairleigh Dickinson University Press, 1975): 222-231.
5. Michael Klein and Gillian Parker (eds.), The English Novel and the Movies (New York: Ungar, 1981): 9-10.
6. Sue Birtwistle and Susie Conklin, The Making of “Pride and Prejudice” (London: Penguin, 1995): 53.
7. Helen Jerome, Pride and Prejudice: A Sentimental Comedy (Garden City, NY: Doubleday, 1936).
8. Kenneth Turan, “Pride and Prejudice: An Informal History of the Garson-Olivier Motion Picture,” Persuasions 11 (1989): 140.
9. Rachel M. Brownstein, “Out of the Drawing Room, Onto the Lawn,” in Jane Austen in Hollywood, eds. Linda Troost and Sayre Greenfield (Lexington, KY: University of Kentucky Press, 1998): 13.
10. Kenneth Turan, “Interview with Anne Rutherford (Lydia), Marsha Hunt (Mary), and Karen Morley (Charlotte Lucas),” Persuasions 11 (1989): 147.
11. Bosley Crowther, ““Pride and Prejudice,’ a Delightful Comedy of Manners, Seen at the Music Hall,” New York Times (August 9, 1940): 38.
12. H. Elisabeth Ellington, “A Correct Taste in Landscape,” in Jane Austen in Hollywood, eds. Troost and Greenfield: 104.
13. Andrew Wright, “Jane Austen Adapted,” Nineteenth-Century Fiction 30 (December 1975): 435.
14. George Lellis and H. Philip Bolton, “Pride but No Prejudice,” in English Novel, eds. Klein and Parker: 50.
15. John Oconnor, “An England Where the Heart and Purse Are Romantically United,” New York Times (January 13, 1996): 13, 18.
16. Martin Amis, “Jane's World,” The New Yorker 71 (January 8, 1996): 31-35
17. Christopher Lehmann-Haupt, “A Film that Out-Austens Jane Austen? No, but Almost,” New York Times (February 8, 1997).
18. Cherly Nixon, “Balancing the Courtship Hero,” in Jane Austen in Hollywood, eds. Troost and Greenfield: 31.
19. Gene W. Ruoff, “The Dramatic Dilemma,” in Jane Austen's Pride and Prejudice, ed. Harold Bloom (New York: Chelsea House, 1987): 52.
20. Lisa Hopkins, “Mr. Darcy's Body,” in Jane Austen in Hollywood, eds. Troost and Greenfield: 112.