Pokémon 151: Complicating Kawaii

Gaming Cultures and Place in Asia-Pacific

Volumn 9780203875957, Issue , 2009, Pages 158-178

  Surman, David ^a  

^a UNIVERSITY OF GLAMORGAN   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 81155148327     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203875957     Document Type: Chapter

References (26)

1. David Surman, "Pleasure, Spectacle and Reward in Capcom's Street Fighter Series," in Videogame, Player, Text, eds. B. Atkins and T. Krzywinkska (Manchester: Manchester University Press, 2007), 204-21.
2. Koichi Iwabuchi, "How 'Japanese' is Pokémon" in Pikachu's Global Adventure: The Rise and Fall of Pokémon, ed. J. Tobin (London: Duke University Press, 2004), 53-79.
3. Colin Hoskins and Rolf Mirus, "Reasons for the US Dominance of the international trade in television programs," Media, Culture and Society, 10, 1988: 499-515.
4. James Newman, Playing with Videogames (London: Routledge, 2004).
5. Midori Matsui, ed., The Age of Micropop: A New Generation of Japanese Artists (Tokyo: Parco, 2007).
6. Anne Allison, Millennial Monsters: Japanese Toys and the Global Imagination (London: University of California Press, 2006).
7. Christine R. Yano, "Panic Attacks: Anti-Pokémon Voices in Global Markets," in Pikachu's Global Adventure: The Rise and Fall of Pokémon, ed. J. Tobin (London: Duke University Press, 2004), 108-38.
8. J. P. Jackson, Buying and Selling the Souls of our Children (London: Kingsway Publishing, 2000).
9. Joseph Tobin, ed., Pikachu's Global Adventure: The Rise and Fall of Pokémon (London: Duke University Press, 2004).
10. Koichi Iwabuchi, Recentring Globalization: Popular Culture and Japanese Transnationalism (London: Duke University Press, 2002)
11. Joseph S. Nye, Soft Power: The Means to Success in World Politics (New York: Public Affairs, 2004).
12. Roland Barthes, Mythologies (London: Verso, 2000), 159.
13. David Surman, "Style, Consistency and Plausibility in the Fable Gameworld," in Animated 'Worlds,' ed. S. Buchan (London: John Libbey, 2006).
14. David Surman, "Notes on Superflat and Its Expression in Videogames," Refractory: a Journal of Entertainment Media 13 (2008). Retrieved November 10 2008 from http://blogs.arts.unimelb.edu.au/refractory/2008/05/23/notes-on-superflat-and-its-expression-in-videogames-david-surman/
15. Thomas Lamarre, "An Introduction to Otaku Movement" EnterText 4 (1) 2004: 151-187.
16. Philip Brophy, "Ocular excess: a semiotic morphology of cartoon eyes," Art and Design, 12 (3/4) 1997: 29.
17. David Surman, "Animated Caricature: Notes on Superman, 1941-1943," EnterText 4 (1) 2004: 67-96.
18. Stuart Bishop, "Game Freak on Pokémon!" Retrieved September 20, 2008 from http://www.computerandvideogames.com/article.php?id=91965.
19. Junichirō Tanizaki, In Praise of Shadows (London: Vintage Books, 2001), 20.
20. Kat Bailey, "Top 5 Lamest Pokémon." Retrieved September 20, 2008 from http://www.1up.com/do/feature?cId=3169539
21. Richard Williams, The Animator's Survival Kit: A Working Manual of Methods, Principles and Formulas for Computer, Stop-Motion, Games and Classical Animators (London: Faber and Faber, 2001) 57.
22. Gichin Funakoshi, Karate-Dō Kyō-Han (Tokyo: Kodansha, 1973), 246.
23. Marc Steinberg, "Characterising a New Seriality: Murakami Takashi's Dob Project." Parachute 110 (2003): 90-109.
24. Siegfried Kracauer, The Mass Ornament: Weimar Chapters (London: Harvard University Press, 1995), 75-88.
25. Mark J. P. Wolf, The Medium of the Videogame (London: Routledge, 2001), 30.
26. Roland Barthes, The Language of Fashion (Oxford: Berg, 2006), 67.