-
4
-
-
0003569377
-
-
New York: Hill and Wang
-
Roland Barthes, Mythologies (New York: Hill and Wang, 1972).
-
(1972)
Mythologies
-
-
Barthes, R.1
-
19
-
-
33748145214
-
On museum row: Aesthetics and the politics of exhibition
-
Chon A. Noriega, –On Museum Row: Aesthetics and the Politics of Exhibition,— Daedalus, 1999, 128,57-81
-
(1999)
Daedalus
, vol.128
, pp. 57-81
-
-
Noriega, C.A.1
-
21
-
-
84906471762
-
Between dog and wolf
-
(Brooklyn: Autonomedia
-
–Between Dog and Wolf— in Between Dog and Wolf: Essays on Art and Politics (Brooklyn: Autonomedia, 1999), 133-134.
-
(1999)
Between Dog and Wolf: Essays on Art and Politics
, pp. 133-134
-
-
-
22
-
-
0002162267
-
The story-teller
-
New York: Schocken
-
Walter Benjamin, –The Story-Teller,— in Illuminations (New York: Schocken, 1969), 83-110
-
(1969)
Illuminations
, pp. 83-110
-
-
Benjamin, W.1
-
23
-
-
0347667795
-
Culture and the state in america
-
Michael Kammen, –Culture and the State in America,— Journal of American History, 1996, 791-814.
-
(1996)
Journal of American History
, pp. 791-814
-
-
Kammen, M.1
-
24
-
-
0001307010
-
Human migration and the marginal man
-
Robert E. Park, –Human Migration and the Marginal Man— American Journal of Sociology, 1928,33, 881-93.
-
(1928)
American Journal of Sociology
, vol.33
, pp. 881-893
-
-
Park, R.E.1
-
25
-
-
84906422172
-
Cultural conflict and the marginal man
-
Glen-coe: Free Press
-
Robert E. Park, –Cultural Conflict and the Marginal Man— in Park, Race and Culture (Glen-coe: Free Press, 1950), 376.
-
(1950)
Park, Race and Culture
, pp. 376
-
-
Park, R.E.1
-
27
-
-
11544305852
-
-
México: Universidad Nacional Autónoma de México
-
Angeles Gonzalez Gamio, Manuel Gamio: Una Lucha sin final (México: Universidad Nacional Autónoma de México, 1987), 79-159.
-
(1987)
Manuel Gamio: Una Lucha Sin Final
, pp. 79-159
-
-
Gamio, A.G.1
-
28
-
-
0004025844
-
-
Chicago: University of Chicago Press
-
Paul Ricoeur, Time and Narrative, Vol. 1 (Chicago: University of Chicago Press, 1984).
-
(1984)
Time and Narrative
, vol.1
-
-
Ricoeur, P.1
-
32
-
-
0040449134
-
"towards a 'borderland school' for american urban ethnic studies
-
Philip J. Ethington, "Towards a 'Borderland School' for American Urban Ethnic Studies, American Quarterly, 1996, 48, 344-53
-
(1996)
American Quarterly
, vol.48
, pp. 344-353
-
-
Ethington, P.J.1
-
33
-
-
84937309627
-
The portable border: Site-specificity, art, and the u.s-mexico frontier
-
Claire F. Fox, –The Portable Border: Site-Specificity, Art, and the U.S-Mexico Frontier— Social Text, 1994, 41, 61-82
-
(1994)
Social Text
, vol.41
, pp. 61-82
-
-
Fox, C.F.1
-
34
-
-
24444468111
-
Border culture: A process of negotiation toward utopia
-
Guillermo Gómez-Pena, –Border Culture: A Process of Negotiation Toward Utopia,— La Linea Quebrada, 1986, 1, 1-6
-
(1986)
La Linea Quebrada
, vol.1
, pp. 1-6
-
-
Gómez-Pena, G.1
-
35
-
-
24444468111
-
Border culture and deterritorialization
-
Guillermo Gómez-Pena, –Border Culture and Deterritorialization,— La Linea Quebrada, 1987, 2/2, 1-10
-
(1987)
La Linea Quebrada
, vol.2
, Issue.2
, pp. 1-10
-
-
Gómez-Pena, G.1
-
40
-
-
0003124582
-
U.S. third world feminism: The theory and method of oppositional consciousness in the postmodern world
-
Chela Sandoval, –U.S. Third World Feminism: The Theory and Method of Oppositional Consciousness in the Postmodern World,— Genders, 1991, 10, 1-24.
-
(1991)
Genders
, vol.10
, pp. 1-24
-
-
Sandoval, C.1
-
41
-
-
79957107478
-
-
Sally Yard (ed.), in-Site 94: A Binational Exhibition of Installation and Site-Specific Art/Una Exposición binacional de arte-instalación en sitios especificos, (San Diego: Installation Gallery, 1994), 8. For a history of the inSITE programs by Michael Krichman and Carmen Cuenca
-
Lynda Forsha, –Introduction— in Sally Yard (ed.), in-Site 94: A Binational Exhibition of Installation and Site-Specific Art/Una Exposición binacional de arte-instalación en sitios especificos, (San Diego: Installation Gallery, 1994), 8. For a history of the inSITE programs by Michael Krichman and Carmen Cuenca, http://www.insite2000.org.
-
–Introduction—
-
-
Forsha, L.1
|