메뉴 건너뛰기




Volumn 33, Issue 2, 2011, Pages 146-168

Composition, perception, and schenkerian theory

(1)  Temperley, David a  

a NONE

Author keywords

Counterpoint; Harmony; Music composition; Music perception; Schenkerian theory

Indexed keywords


EID: 80054764820     PISSN: 01956167     EISSN: None     Source Type: Journal    
DOI: 10.1525/mts.2011.33.2.146     Document Type: Article
Times cited : (20)

References (81)
  • 4
    • 80054748623 scopus 로고
    • Schenker's theories: A pedagogical view
    • Ed. David Beach New Haven: Yale University Press
    • Beach, David. 1983. "Schenker's Theories: A Pedagogical View." In Aspects of Schenkerian Theory. Ed. David Beach. 1-38. New Haven: Yale University Press.
    • (1983) Aspects of Schenkerian Theory , pp. 1-38
    • Beach, D.1
  • 5
    • 62449326700 scopus 로고
    • On analysis, Beethoven, and extravagance: A response to Charles J. Smith
    • -. 1987. "On Analysis, Beethoven, and Extravagance: A Response to Charles J. Smith." Music Theory Spectrum 9: 173-85.
    • (1987) Music Theory Spectrum , vol.9 , pp. 173-85
    • Beach, D.1
  • 6
    • 65849219027 scopus 로고
    • Schenker's theory and the future of music
    • Benjamin, William E. 1981. "Schenker's Theory and the Future of Music." Journal of Music Theory 25 (1): 155-73.
    • (1981) Journal of Music Theory , vol.25 , Issue.1 , pp. 155-73
    • Benjamin, W.E.1
  • 8
    • 0033252071 scopus 로고    scopus 로고
    • Perceiving musical tension in long chord sequences
    • Bigand, Emmanuel, and Richard Parncutt. 1999. "Perceiving Musical Tension in Long Chord Sequences." Psychological Research 62 (4): 237-54.
    • (1999) Psychological Research , vol.62 , Issue.4 , pp. 237-54
    • Emmanuel, B.1    Parncutt, R.2
  • 11
    • 61049085209 scopus 로고    scopus 로고
    • The #IV(bV) hypothesis: Testing the limits of Schenker's theory of tonality
    • Brown, Matthew, Douglas Dempster, and Dave Headlam. 1997. "The #IV(bV) Hypothesis: Testing the Limits of Schenker's Theory of Tonality." Music Theory Spectrum 19 (2): 155-83.
    • (1997) Music Theory Spectrum , vol.19 , Issue.2 , pp. 155-83
    • Brown, M.1    Douglas, D.2    Dave, H.3
  • 14
    • 0142036051 scopus 로고
    • Multiple viewpoint systems for music prediction
    • Conklin, Darrell, and Ian Witten. 1995. "Multiple Viewpoint Systems for Music Prediction." Journal of New Music Research 24 (1): 51-73.
    • (1995) Journal of New Music Research , vol.24 , Issue.1 , pp. 51-73
    • Darrell, C.1    Witten, I.2
  • 16
    • 84968285637 scopus 로고
    • The perception of large-scale tonal closure
    • -. 1987b. "The Perception of Large-Scale Tonal Closure." Music Perception 5 (2): 197-206.
    • (1987) Music Perception , vol.5 , Issue.2 , pp. 197-206
    • Cook, N.1
  • 18
    • 0029298643 scopus 로고
    • Expectancies generated by melodic intervals: Perceptual judgments of melodic continuity
    • Cuddy, Lola L., and Carol A. Lunney. 1995. "Expectancies Generated by Melodic Intervals: Perceptual Judgments of Melodic Continuity." Perception and Psychophysics 57 (4): 451-62.
    • (1995) Perception and Psychophysics , vol.57 , Issue.4 , pp. 451-62
    • Cuddy, L.L.1    Carol, A.L.2
  • 19
    • 79953765670 scopus 로고
    • The cognitive reality of hierarchic structure in tonal and atonal music
    • Dibben, Nicola. 1994. "The Cognitive Reality of Hierarchic Structure in Tonal and Atonal Music." Music Perception 12 (1): 1-25.
    • (1994) Music Perception , vol.12 , Issue.1 , pp. 1-25
    • Dibben, N.1
  • 20
    • 0002741897 scopus 로고
    • Observation reconsidered
    • Fodor, Jerry. 1984. "Observation Reconsidered." Philosophy of Science 51 (1): 23-43.
    • (1984) Philosophy of Science , vol.51 , Issue.1 , pp. 23-43
    • Fodor, J.1
  • 21
    • 79954640615 scopus 로고
    • Schenker's conception of musical structure
    • Ed. Maury Yeston New Haven: Yale University Press
    • Forte, Allen. 1977. "Schenker's Conception of Musical Structure." In Readings in Schenker Analysis and Other Approaches. Ed. Maury Yeston. 3-37. New Haven: Yale University Press.
    • (1977) Readings in Schenker Analysis and Other Approaches , pp. 3-37
    • Forte, A.1
  • 23
    • 40649098160 scopus 로고
    • The study of counterpoint from Johann Joseph Fux's
    • 1725 Trans. and ed. Alfred Mann. New York: W. W. Norton. Originally published as Steps to Parnassus: The Study of Counterpoint
    • Fux, Johann Joseph. [1725] 1971. The Study of Counterpoint from Johann Joseph Fux's "Gradus ad Parnassum." Trans. and ed. Alfred Mann. New York: W. W. Norton. Originally published as Steps to Parnassus: The Study of Counterpoint.
    • (1971) Gradus Ad Parnassum
    • Fux, J.J.1
  • 24
    • 0004127389 scopus 로고
    • Cambridge: Cambridge University Press
    • Garman, Michael. 1990. Psycholinguistics. Cambridge: Cambridge University Press.
    • (1990) Psycholinguistics
    • Garman, M.1
  • 28
    • 0041065977 scopus 로고    scopus 로고
    • Tone and voice: A derivation of the rules of voice-leading from perceptual principles
    • Huron, David. 2001. "Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles." Music Perception 19: 1-64.
    • (2001) Music Perception , vol.19 , pp. 1-64
    • Huron, D.1
  • 30
    • 84968136061 scopus 로고
    • Modal types and Ut, Re, Mi tonalities: Tonal coherence in sacred vocal polyphony from about 1500
    • Judd, Cristle Collins. 1992. "Modal Types and Ut, Re, Mi Tonalities: Tonal Coherence in Sacred Vocal Polyphony from About 1500." Journal of the American Musicological Society 45 (3): 428-67.
    • (1992) Journal of the American Musicological Society , vol.45 , Issue.3 , pp. 428-67
    • Judd, C.C.1
  • 31
    • 5644237212 scopus 로고
    • Explication of the middleground of Schenker's theory of tonality
    • Kassler, Michael. 1977. "Explication of the Middleground of Schenker's Theory of Tonality." Miscellanea Musicologica 9: 72-81.
    • (1977) Miscellanea Musicologica , vol.9 , pp. 72-81
    • Kassler, M.1
  • 32
    • 61449214501 scopus 로고
    • The empiricist illusion: Narmour's beyond Schenkerism
    • Keiler, Allan. 1978. "The Empiricist Illusion: Narmour's Beyond Schenkerism." Perspectives of New Music 17 (1): 161-95.
    • (1978) Perspectives of New Music , vol.17 , Issue.1 , pp. 161-95
    • Keiler, A.1
  • 38
    • 33750040189 scopus 로고    scopus 로고
    • The problem of prolongation in tonal music: Terminology, perception, and expressive meaning
    • Larson, Steve. 1997. "The Problem of Prolongation in Tonal Music: Terminology, Perception, and Expressive Meaning." Journal of Music Theory 41: 101-36.
    • (1997) Journal of Music Theory , vol.41 , pp. 101-36
    • Larson, S.1
  • 39
    • 33847106289 scopus 로고    scopus 로고
    • Musical forces and melodic patterns
    • -. 1997-98. "Musical Forces and Melodic Patterns." Theory and Practice 22-23: 55-71.
    • (1997) Theory and Practice , vol.22-23 , pp. 55-71
    • Larson, S.1
  • 40
    • 60949422319 scopus 로고    scopus 로고
    • Schenkerian analysis of Modern Jazz: Questions about method
    • -. 1998. "Schenkerian Analysis of Modern Jazz: Questions about Method." Music Theory Spectrum 20 (2): 209-41.
    • (1998) Music Theory Spectrum , vol.20 , Issue.2 , pp. 209-41
    • Larson, S.1
  • 41
    • 33244456384 scopus 로고    scopus 로고
    • Musical forces and melodic expectations: Comparing computer models and experimental results
    • -. 2004. "Musical Forces and Melodic Expectations: Comparing Computer Models and Experimental Results." Music Perception 21 (4): 457-98.
    • (2004) Music Perception , vol.21 , Issue.4 , pp. 457-98
    • Larson, S.1
  • 42
    • 84919774094 scopus 로고    scopus 로고
    • New York: Oxford University Press
    • Lerdahl, Fred. 2001. Tonal Pitch Space. New York: Oxford University Press.
    • (2001) Tonal Pitch Space
    • Lerdahl, F.1
  • 43
    • 34047235257 scopus 로고    scopus 로고
    • Modeling tonal tension
    • Lerdahl, Fred, and Carol L. Krumhansl. 2007. "Modeling Tonal Tension." Music Perception 24 (4): 329-66.
    • (2007) Music Perception , vol.24 , Issue.4 , pp. 329-66
    • Lerdahl, F.1    Carol, L.K.2
  • 45
    • 79958886228 scopus 로고    scopus 로고
    • Voice leading as Drama in 'Wozzeck
    • Ed. Carl Schachter and Hedi Siegel Cambridge: Cambridge University Press
    • Maisel, Arthur. 1999. "Voice Leading as Drama in 'Wozzeck.' " In Schenker Studies 2. Ed. Carl Schachter and Hedi Siegel. 160-91. Cambridge: Cambridge University Press.
    • (1999) Schenker Studies , vol.2 , pp. 160-191
    • Maisel, A.1
  • 47
    • 80054753769 scopus 로고
    • Inciting transformational insights
    • Marion, Gregory J. 1995. "Inciting Transformational Insights." Intégral 9: 1-32.
    • (1995) Intégral , vol.9 , pp. 1-32
    • Marion, G.J.1
  • 48
    • 78249271418 scopus 로고    scopus 로고
    • Schenkerian analysis by computer: A proof of concept
    • Marsden, Alan. 2010. "Schenkerian Analysis by Computer: A Proof of Concept." Journal of New Music Research 3: 269-89.
    • (2010) Journal of New Music Research , vol.3 , pp. 269-89
    • Marsden, A.1
  • 49
    • 77952936271 scopus 로고    scopus 로고
    • A hidden Markov model of melody production in Greek Church Chant
    • Mavromatis, Panayotis. 2005. "A Hidden Markov Model of Melody Production in Greek Church Chant." Computing in Musicology 14: 93-112.
    • (2005) Computing in Musicology , vol.14 , pp. 93-112
    • Mavromatis, P.1
  • 56
    • 59549106633 scopus 로고
    • Review of a generative theory of tonal music by Fred Lerdahl and Ray Jackendoff
    • Peel, John, and Wayne Slawson. 1984. Review of A Generative Theory of Tonal Music by Fred Lerdahl and Ray Jackendoff. Journal of Music Theory 28 (2): 271-94.
    • (1984) Journal of Music Theory , vol.28 , Issue.2 , pp. 271-94
    • Peel, J.1    Wayne, S.2
  • 59
    • 80054769386 scopus 로고
    • Strict counterpoint and tonal theory
    • Rothgeb, John. 1975. "Strict Counterpoint and Tonal Theory." Journal of Music Theory 19 (2): 260-84.
    • (1975) Journal of Music Theory , vol.19 , Issue.2 , pp. 260-84
    • Rothgeb, J.1
  • 61
    • 49949104927 scopus 로고
    • Rhythm and linear analysis: A preliminary study
    • Schachter, Carl. 1976. "Rhythm and Linear Analysis: A Preliminary Study." The Music Forum 4: 281-334
    • (1976) The Music Forum , vol.4 , pp. 281-334
    • Schachter, C.1
  • 63
    • 65849166551 scopus 로고
    • A commentary on Schenker's Free composition
    • -. 1981. "A Commentary on Schenker's Free Composition." Journal of Music Theory 25 (1): 115-42
    • (1981) Journal of Music Theory , vol.25 , Issue.1 , pp. 115-42
    • Straus, J.N.1
  • 64
    • 79953526501 scopus 로고
    • Analysis by Key: Another look at modulation
    • -. 1987. "Analysis by Key: Another Look at Modulation." Music Analysis 6 (3): 289-318
    • (1987) Music Analysis , vol.6 , Issue.3 , pp. 289-318
    • Straus, J.N.1
  • 65
    • 0029683190 scopus 로고    scopus 로고
    • Expectancy in melody: Tests of the implication-realization model
    • Schellenberg, E. Glenn. 1996. "Expectancy in Melody: Tests of the Implication-Realization Model." Cognition 58 (1): 75-125.
    • (1996) Cognition , vol.58 , Issue.1 , pp. 75-125
    • Glenn, S.E.1
  • 71
    • 84968081876 scopus 로고
    • Expectation and music: Investigation of melodic and harmonic processes
    • Schmuckler, Mark A. 1989. "Expectation and Music: Investigation of Melodic and Harmonic Processes." Music Perception 7 (2): 109-50.
    • (1989) Music Perception , vol.7 , Issue.2 , pp. 109-50
    • Schmuckler Mark, A.1
  • 72
    • 0004033083 scopus 로고
    • 1954 Rev. ed. Ed. Leonard Stein. New York: W. W. Norton
    • Schoenberg, Arnold. [1954] 1969. Structural Functions of Harmony. Rev. ed. Ed. Leonard Stein. New York: W. W. Norton.
    • (1969) Structural Functions of Harmony
    • Arnold, S.1
  • 73
    • 84968171459 scopus 로고
    • The cognitive reality of hierarchic structure in music
    • Serafine, Mary Louise, Noah Glassman, and Cornell Overbeeke. 1989. "The Cognitive Reality of Hierarchic Structure in Music." Music Perception 6 (4): 397-430.
    • (1989) Music Perception , vol.6 , Issue.4 , pp. 397-430
    • Mary Louise, S.1    Glassman, N.2    Overbeeke, C.3
  • 74
    • 84963092245 scopus 로고
    • The functional extravagance of chromatic chords
    • Smith, Charles J. 1986. "The Functional Extravagance of Chromatic Chords." Music Theory Spectrum 8: 94-139.
    • (1986) Music Theory Spectrum , vol.8 , pp. 94-139
    • Smith Charles, J.1
  • 75
    • 65849332995 scopus 로고    scopus 로고
    • The question of purpose in music theory: Description, suggestion, and explanation
    • Temperley, David. 1999. "The Question of Purpose in Music Theory: Description, Suggestion, and Explanation." Current Musicology 66: 66-85.
    • (1999) Current Musicology , vol.66 , pp. 66-85
    • Temperley, D.1
  • 79
    • 77952903275 scopus 로고    scopus 로고
    • Modeling common-practice rhythm
    • -. 2010. "Modeling Common-Practice Rhythm." Music Perception 27 (5): 355-76.
    • (2010) Music Perception , vol.27 , Issue.5 , pp. 355-76
    • Temperley, D.1
  • 80
    • 0039878827 scopus 로고    scopus 로고
    • Redefning pitch proximity: Tessitura and mobility as constraints on melodic intervals
    • Von Hippel, Paul. 2000. "Redefning Pitch Proximity: Tessitura and Mobility as Constraints on Melodic Intervals." Music Perception 17 (3): 315-27.
    • (2000) Music Perception , vol.17 , Issue.3 , pp. 315-27
    • Von H, P.1
  • 81
    • 33646748926 scopus 로고    scopus 로고
    • Why do skips precede reversals? the effect of tessitura on melodic structure
    • Von Hippel, Paul, and David Huron. 2000. "Why Do Skips Precede Reversals? The Effect of Tessitura on Melodic Structure." Music Perception 18 (1): 59-85.
    • (2000) Music Perception , vol.18 , Issue.1 , pp. 59-85
    • Von Hippel Paul1    Huron, D.2


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.