A history of sampling

Organised Sound

Volumn 1, Issue 1, 1996, Pages 3-

  Davies, Hugh ^a  

^a NONE   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 80054468634     PISSN: 13557718     EISSN: 14698153     Source Type: Journal    
DOI: 10.1017/S135577189600012X     Document Type: Article

References (25)

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3. Carson, B. 1995. Vintage RMI: the world's first digital sample-playback synthesizers. Keyboard (March): 38–46.
4. Cutler, C. 1994. Plunderphonia. Musicworks 60(Fall): 6-19; 1995.
5. Reprinted as Plunderphonics in Resonance 3(2) & 4(1) (Summer & Winter): 3–10 & 2–7.
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11. Gilby, P. 1987. The Sound On Sound guide to samplers. Sound On Sound (November): 34–40.
12. Kean, D. 1994. History of the Chamberlin and Mellotron. Michael Pinder Presents Mellotron: The Mellotron Archives CD-ROM Collection of Mellotron and Cham
13. Invision Interactive, Palo Alto, CA. 1994. Michael Pinder presents Mellotron: The Mellotron Archives CD-ROM Collection of Mellotron and Chamberlin Sounds (for Akai 51000 series; 17 full-range sets of samples for 3 Mellotron models and 11 sets for the Chamberlin).
14. Propeller Island, U.S.A. 1995. The Legendary M400 (for Akai, Emu, ASR systems; also on audio CD).
15. Universal Sound Bank, USA. 1995. Vintage Sounds (2 CD-ROMs for Akai; includes Mellotron samples). berlin Sounds. Palo Alto, CA: In vision Interactive (20 page booklet included with CD-ROM for Akai 51000 series).
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21. Schaeffer, P. 1952. A la recherche d'une musique concrete, pp. 15–16 especially. Paris: Editions du Seuil.
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