Musical autonomy revisited

The Cultural Study of Music: A Critical Introduction

Volumn , Issue , 2013, Pages 159-170

  Clarke, David ^a  

^a NEWCASTLE UNIVERSITY   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 80054134242     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203821015     Document Type: Chapter

References (9)

1. Biddle, Ian D. 1995. Autonomy, ontology and the ideal: Music theory and philosophical aesthetics in early nineteenth-century German thought. Ph.D. thesis, University of Newcastle upon Tyne.
2. Dahlhaus, Carl. 1982. Esthetics of music. Translated by William W. Austin. Cambridge, U.K.: Cambridge Univ. Press.
3. Dahlhaus, Carl. 1989b. The metaphysic of instrumental music. Pp. 88–96 in Nineteenth-century music. Translated by J. Bradford Robinson. Berkeley: Univ. of California Press.
4. Kivy, Peter. 1990. Music alone: Philosophical reflections on the purely musical experience. Ithaca, N.Y.: Cornell Univ. Press.
5. Neubauer, John. 1988. The emancipation of music from language. New Haven, Conn.: Yale Univ. Press.
6. Scruton, Roger. 2001. Absolute music. Pp. 36–37 in The new Grove dictionary of music and musicians. 2d ed. Edited by Stanley Sadie. London: Grove’s Dictionary.
7. Stravinsky, Igor. 1942. Poetics of music: In the form of six lessons. Cambridge, Mass.: Harvard Univ. Press.
8. Treitler, Leo. 1989. Mozart and the idea of absolute music. Pp. 176–214 in Music and the historical imagination. Cambridge, Mass.; London: Harvard Univ. Press.
9. Wolff, Janet. 1987. The ideology of autonomous art. Pp. 1–12 in Music and society: The politics of composition, performance and reception. Edited by Richard Leppert and Susan McClary. Cambridge, U.K.: Cambridge Univ. Press.