Cinema and the public sphere: The films of Ōshima Nagisa

In Pursuit of Contemporary East Asian Culture

Volumn , Issue , 2019, Pages 139-156

  Dissanayake, Wimal ^a  

^a EAST WEST CENTER   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 80053891959     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780429039997-9     Document Type: Chapter

References (10)

1. Jürgen Habermas, The Structural Transformation of the Public Sphere (Cambridge: MIT Press, 1992).
2. Michael Warner, The Letters of the Republic (Cambridge: Harvard University Press, 1990), x.
3. Habermas, H. Structural Transformation, 398.
4. Benjamin Lee, “Textuality, Mediation, and Public Discourse,” in Habermas and the Public Sphere, ed. Craig Calhoun (Cambridge: MIT Press, 1992), 408.
5. Oskar Negt and Alexander Kluge, The Public Sphere and Experience (Minneapolis: University of Minnesota Press, 1993), 48.
6. Miriam Hansen, “Early Cinema, Late Cinema: Permutations of the Public Sphere,” Screen 34, 3 (autumn 1993), 197-210.
7. Peter Lehman, foreword to Wide Angle 9, 2 (1987), x.
8. Masao Miyoshi, Off Center: Power and Culture Relations Between Japan and the United States (Cambridge: Harvard University Press, 1991), 185.
9. Allen Chun, “An Orientalism: The Logic of Cultural Construction in the Formation of a Nation-State” (typescript, 1989).
10. Tony Rayns, “A City of Sadness,” Viewers’ Guide, Ninth Hawaii International Film Festival, 1989, 35.