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Volumn , Issue , 2016, Pages 171-194

Learning art, learning culture: Art, education, and the formation of new artistic identities in arnhem land, australia

Author keywords

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Indexed keywords


EID: 80052004473     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9781315434339-15     Document Type: Chapter
Times cited : (21)

References (38)
  • 3
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    • A living art: The changing inside and outside contexts
    • P. Loveday and P. Cooke (eds.), Darwin: The Australian National University North Australia Research Unit
    • Berndt, R. 1983. ‘A living art: The changing inside and outside contexts’. In P. Loveday and P. Cooke (eds.), Aboriginal Arts and Crafts and the Market, Darwin: The Australian National University North Australia Research Unit, 29-36.
    • (1983) Aboriginal Arts and Crafts and the Market , pp. 29-36
    • Berndt, R.1
  • 7
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    • Aboriginal art from western Arnhem Land
    • P. Loveday and P. Cooke (eds.), Darwin: The Australian National University North Australia Research Unit
    • Carroll, P. 1983. ‘Aboriginal art from western Arnhem Land’. In P. Loveday and P. Cooke (eds.), Aboriginal Arts and Crafts and the Market. Darwin: The Australian National University North Australia Research Unit, 44-49.
    • (1983) Aboriginal Arts and Crafts and the Market , pp. 44-49
    • Carroll, P.1
  • 10
    • 0011771264 scopus 로고
    • Chronological sequence of Arnhem Land plateau rock art
    • R. Jones (ed.), Canberra: Australian National Parks and Wildlife Service
    • Chaloupka, G. 1985. ‘Chronological sequence of Arnhem Land plateau rock art’. In R. Jones (ed.), Archaeological Research in Kakadu National Park. Canberra: Australian National Parks and Wildlife Service, 269-80.
    • (1985) Archaeological Research in Kakadu National Park , pp. 269-280
    • Chaloupka, G.1
  • 12
    • 85106512661 scopus 로고    scopus 로고
    • Strands of time
    • L. Hamby (ed), Melbourne, Museum Victoria
    • Chaloupka, G., and P. Giuliani. 2005. ‘Strands of time’. In L. Hamby (ed). Twined Together. Melbourne, Museum Victoria.
    • (2005) Twined Together
    • Chaloupka, G.1    Giuliani, P.2
  • 19
    • 85106461851 scopus 로고    scopus 로고
    • Kunwinjku artist from Kunbarlanja Recording in possession of Sally K. May, Australian National University, Canberra, 20 October
    • Manakgu, J. 2003. Taped personal correspondence. Kunwinjku artist from Kunbarlanja Recording in possession of Sally K. May, Australian National University, Canberra, 20 October.
    • (2003) Taped personal correspondence
    • Manakgu, J.1
  • 21
    • 85106472244 scopus 로고    scopus 로고
    • Injalak arts and crafts: A brief history
    • L. Hamby (ed), Melbourne: Museum Victoria
    • May, S. K. 2005. ‘Injalak arts and crafts: A brief history’. In L. Hamby (ed). Twined Together. Melbourne: Museum Victoria.
    • (2005) Twined Together
    • May, S.K.1
  • 24
    • 56049083885 scopus 로고
    • Aboriginal fine art: The creation of audiences and the marketing of art
    • P. Loveday and P. Cooke, Darwin: The Australian National University North Australia Research Unit
    • Morphy, H. 1983. ‘Aboriginal fine art: The creation of audiences and the marketing of art’. In P. Loveday and P. Cooke, Aboriginal Arts and Crafts and the Market. Darwin: The Australian National University North Australia Research Unit, 3743.
    • (1983) Aboriginal Arts and Crafts and the Market , pp. 3743
    • Morphy, H.1
  • 26
    • 33751508562 scopus 로고    scopus 로고
    • Aesthetics across time and place: An anthropological perspective on archaeology
    • T. Heyd and J. Clegg, Aldershot, UK: Ashgate Publishing Limited
    • Morphy, H. 2005. ‘Aesthetics across time and place: An anthropological perspective on archaeology’. In T. Heyd and J. Clegg, Aesthetics and Rock Art. Aldershot, UK: Ashgate Publishing Limited, 51-60.
    • (2005) Aesthetics and Rock Art , pp. 51-60
    • Morphy, H.1
  • 27
    • 85106534608 scopus 로고    scopus 로고
    • Feature art centre: Injalak arts and crafts, Oenpelli NT
    • A. Murphy
    • Nagurrgurrba, I. 2002. In A. Murphy, ‘Feature art centre: Injalak arts and crafts, Oenpelli NT’, The Arts Backbone V.2 (May).
    • (2002) The Arts Backbone , vol.2 , Issue.May
    • Nagurrgurrba, I.1
  • 29
    • 0007604605 scopus 로고
    • Optical dating at Deaf Adder Gorge, Northern Territory, indicates human occupation between 53, 000 and 60, 000 years ago
    • Roberts, R. G; R. Jones, and M. A. Smith. 1993. ‘Optical dating at Deaf Adder Gorge, Northern Territory, indicates human occupation between 53, 000 and 60, 000 years ago’, Australian Archaeology 37:58-59.
    • (1993) Australian Archaeology , vol.37 , pp. 58-59
    • Roberts, R.G.1    Jones, R.2    Smith, M.A.3
  • 33
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    • From the “dreamtime” to the present: The changing role of aboriginal rock paintings in western Arnhem Land, Australia
    • Taçon, P. 1989. ‘From the “dreamtime” to the present: The changing role of aboriginal rock paintings in western Arnhem Land, Australia’, The Canadian Journal of Native Studies IX(2):317-39.
    • (1989) The Canadian Journal of Native Studies , vol.IX , Issue.2 , pp. 317-339
    • Taçon, P.1
  • 34
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    • Australia’s ancient warriors: Changing depictions of fighting in the rock art of Arnhem Land, N.T
    • Taçon, P., and C. Chippindale. 1994. ‘Australia’s ancient warriors: Changing depictions of fighting in the rock art of Arnhem Land, N.T’, Cambridge Archaeological Journal 4(2):211-48.
    • (1994) Cambridge Archaeological Journal , vol.4 , Issue.2 , pp. 211-248
    • Taçon, P.1    Chippindale, C.2
  • 35
    • 84860784625 scopus 로고    scopus 로고
    • Transitional traditions: “Port Essington” bark-paintings and the European discovery of aboriginal aesthetics
    • Taçon, P., and S. Davies. 2004. ‘Transitional traditions: “Port Essington” bark-paintings and the European discovery of aboriginal aesthetics’, Australian Aboriginal Studies 2004/2:72-86.
    • (2004) Australian Aboriginal Studies 2004 , vol.2 , pp. 72-86
    • Taçon, P.1    Davies, S.2


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.