Simultaneous processing of sound source separation and musical instrument identification using Bayesian spectral modeling

ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings

Volumn , Issue , 2011, Pages 3816-3819

  Itoyama, Katsutoshi ^a,b   Goto, Masataka ^c   Komatani, Kazunori ^a   Ogata, Tetsuya ^a   Okuno, Hiroshi G ^a  

^a KYOTO UNIVERSITY   (Japan)

^b JSPS Research Fellowship for Young Scientists (DC1)   (Japan)

^c NATIONAL INSTITUTE OF ADVANCED INDUSTRIAL SCIENCE AND TECHNOLOGY AIST   (Japan)

Author keywords

Bayesian methods; instrument identification; Source separation; spectrogram

Indexed keywords

BAYESIAN INFERENCE; BAYESIAN METHODS; INSTRUMENT IDENTIFICATION; INTEGRATED MODELS; MUSICAL INSTRUMENT IDENTIFICATION; PARAMETER DISTRIBUTIONS; SOUND SOURCE; SOUND SOURCE SEPARATION; SOURCE SEPARATION; SPECTRAL MODELING; SPECTROGRAMS;

AUDIO ACOUSTICS; BAYESIAN NETWORKS; INFERENCE ENGINES; INSTRUMENTS; MUSICAL INSTRUMENTS; SPECTROGRAPHS; SPEECH COMMUNICATION;

AUDIO SIGNAL PROCESSING;

EID: 80051622215     PISSN: 15206149     EISSN: None     Source Type: Conference Proceeding    
DOI: 10.1109/ICASSP.2011.5947183     Document Type: Conference Paper

References (15)

1. T. Kitahara, Computational Musical Instrument Recognition and Its Application to Content-based Music Information Retrieval, Ph.D. thesis, Kyoto University, 2007.
2. H. Kameoka et al., "A multipitch analyzer based on harmonic temporal structured clustering," IEEE Trans. Audio, Speech and Lang. Process., vol. 15, no. 3, pp. 982-994, 2007.
3. K. Kashino, Computational Auditory Scene Analysis for Music Signals, Ph.D. thesis, University of Tokyo, 1994.
4. M. Goto, "A real-time music-scene-analysis system: Predominant-F0 estimation for detecting melody and bass lines in real-world audio signals," Speech Communication, vol. 43, no. 4, pp. 311-329, 2004.
5. A. Klapuri, "Multipitch analysis of polyphonic music and speech signals using an auditory model," IEEE Trans. Audio, Speech and Lang. Process., vol. 16, no. 2, pp. 255-266, 2008.
6. M. Goto, "An audio-based real-time beat tracking system for music with or without drum-sounds," J. New Music Res., vol. 30, no. 2, pp. 159-171, 2001.
7. S. Dixon, "Automatic extraction of tempo and beat from expressive performances," J. New Music Res., vol. 30, no. 1, pp. 39-58, 2001.
8. M. E. P. Davies and M. D. Plumbley, "Context-dependent beat tracking of musical audio," IEEE Trans. Audio, Speech and Lang. Process., vol. 15, no. 3, pp. 1009-1020, 2007.
9. J.Woodruff et al., "Remixing stereo music with score-informed source separation," in ISMIR2006, pp. 314-319.
10. H. Viste and G. Evangelista, "A method for separation of overlapping partials based on similarity of temporal envelopes in multichannel mixtures," IEEE Trans. Audio, Speech and Lang. Process., vol. 14, no. 3, pp. 1051-1061, 2006.
11. M. A. Casey and A. Westner, "Separation of mixed audio sources by independent subspace analysis," in ICMC2000, pp. 154-161.
12. K. Yoshii et al., "Drum sound recognition for polyphonic audio signals by adaptation and matching of spectrogram templates with harmonic structure suppression," IEEE Trans. Audio, Speech and Lang. Process., vol. 15, no. 1, pp. 333-345, 2007.
13. H. Saruwatari et al., "Blind source separation combining independent component analysis and beamforming," EURASIP Journal on Applied Signal Processing, vol. 2003, no. 11, pp. 1135-1146, 2003.
14. K. Itoyama et al., "Integration and adaptation of harmonic and inharmonic models for separating polyphonic musical signals," in ICASSP2006, pp. 57-60.
15. M. Goto et al., "RWC music database: Music genre database and musical instrument sound database," in ISMIR2003, pp. 229-230.