Improving orchestral conducting in public spaces: Examining the temporal and characteristics and conceptual models of conducting gestures

Conference on Human Factors in Computing Systems - Proceedings

Volumn , Issue , 2005, Pages 731-740

  Lee, Eric ^a   Wolf, Marius ^a   Borchers, Jan ^a  

^a RWTH AACHEN UNIVERSITY   (Germany)

Author keywords

Conceptual models; Conducting; Empirical study; Exhibits; Gestures; Music interfaces

Indexed keywords

COMPUTER MUSIC; GESTURE RECOGNITION; MATHEMATICAL MODELS;

CONCEPTUAL MODELS; CONDUCTING; EMPIRICAL STUDY; EXHIBITS; GESTURES; MUSIC INTERFACES;

USER INTERFACES;

EID: 80051468987     PISSN: 02749696     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (25)

1. Apple Computer. Motion. http://www.apple.com/motion/.
2. Horchers, J. WorldBeat: designing a baton-based interface for an interactive music exhibit, Proc. CHI 1997. ACM, 1997, 131-138.
3. Horchers, J., Lee, E., Samminger, W., and Mühlhäuser, M. Personal Orchestra: A real-time audio/video system for interactive conducting. ACM Multimedia Systems Journal Special Issue on Multimedia Software Engineering 9, 5 (2004), 458-465. Errata published in next issue.
4. Boyle, J. D., and Radocy, R. E. Measurement and Evaluation of Musical Experiences. Schirmer Books, New York, 1987.
5. Buchla, D. Lightning II MIDI controller. http://www.buchla.com/.
6. Clarke, D. J. MIT grad directs Spielberg in the science of moviemaking. MIT Tech Talk 47, 1 (2002).
7. Desain, P., and Honing, H. Computational models of beat induction: The rule-based approach. Journal of New Music Research 28, 1 (1999), 29-42.
8. Edwards, A. D. N., Challis, B. P., Hankinson, J. C. K., and Pirie, F. L. Development of a standard test of musical ability for participants in auditory interface testing. International Conference on Auditory Display. 2000.
9. Flohr, J. W., and Rose, E. Young children's ability to perform a steady beat. Music Educators National Conference Convention. 1996.
10. Harrer, G. Grundlagen der Musiktherapie und Musikpsychologie. Gustav Fischer Verlag, Stuttgart, 1975.
11. Ilmonen, T., and Takala, T. Conductor following with artificial neural networks. Proc. ICMC 1999. ICMA, 1999, 367-370.
12. Kube, G. Kind und Musik. Psychologische Voraussetzungen des Musikunterrichts in der Volksschule. Kösel, München, 1958.
13. Lee, E., Nakra, T. M., and Borchers, J. You're the Conductor: A realistic interactive conducting system for children. NIME 2004. 2004, 68-73.
14. Lee, M., Garnett, G., and Wessel, D. An adaptive conductor follower. Proc. ICMC 1992. ICMA, 1992, 454-455.
15. Lehman, P. R. Tests and Measurements in Music. Prentice-Hall, Englewood Cliffs, New Jersey, 1968.
16. Lionhead Studios. Black & White, http://www.bwgame.com/.
17. Marrin Nakra, T. Inside the Conductor's Jacket: Analysis, interpretation and musical synthesis of expressive gesture. PhD thesis, Massachusetts Institute of Technology, 2000.
18. Mathews, M. V. Current Directions in Computer Music Research. MIT Press, Cambridge, 1991, ch. The Conductor Program and Mechanical Baton, 263-282.
19. Morita, H., Hashimoto, S., and Ohteru, S. A computer music system that follows a human conductor. IEEE Computer 24, 7 (1991), 44-53.
20. Murphy, D., Andersen, T. H., and Jensen, K. Conducting audio files via computer vision. Gesture Workshop 2003. Springer (2004), vol. 2915 of Lecture Notes in Computer Science, 2004, 529-540.
21. Myers, B. A. A brief history of human computer interaction technology. ACM interactions 5, 2 (1998), 44-54.
22. Palmer, C., and Krumhansl, C. L. Mental representations for musical meter. Journal of Experimental Psychology - Human Perception and Performance 16, 4 (1990), 728-741.
23. Usa, S., and Mochida, Y. A conducting recognition system on the model of musicians' process. Journal of the Acoustical Society of Japan 19, 4 (1998).
24. Usa, S., and Mochida, Y. A multi-modal conducting simulator.Proc. ICMC 1998. ICMA, 1998, 25-32.
25. Wing, H. D. Tests of musical ability and appreciation. Cambridge University Press, Cambridge, 1968.