Musicking the other: Orientalism in the hindi cinema

Music and Orientalism in the British Empire, 1780s-1940s: Portrayal of the East

Volumn , Issue , 2017, Pages 315-338

  Booth, Gregory D ^a  

^a UNIVERSITY OF AUCKLAND   (New Zealand)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 79960533044     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (19)

1. A. Arnold, Hindi Film Git: On the History of Commercial Indian Popular Music (Dissertation, University of Illinois, 1991): 55.
2. R. Benjamin, 'The Oriental Mirage,' in Orientalism: Delacroix to Klee, ed. R. Benjamin (Sydney: The Art Gallery of New South Wales, 1997): 7.
3. E.W. Said, Orientalism (London: Penguin Books, 1991).
4. C. Small, Musicking: The Meanings of Performing and Listening (Hanover, NH: University Press of New England, 1998).
5. H. Touma, The Music of the Arabs (Portland, OR: Amadeus Press, 1996).
6. G. Booth, 'Traditional Content and Narrative Structure in the Hindi Cinema,' Asian Folklore Studies 54/2 (1995): 169-90.
7. D. Andrew, 'Praying Mantis: Enchantment and Violence in French Cinema of the Exotic,' in Visions of the East: Orientalism in Film, ed. M. Bernstein and G. Studlar (New Brunswick, NJ: Rutgers University Press, 1997): 232.
8. F. Jameson, Signatures of the Visible (New York: Routledge, 1992): 25.
9. S. Chakravarty, National Identity in Indian Popular Cinema, 1947-1987 (Austin: University of Texas Press, 1993)
10. F. Kazmi, The Politics of Conventional Cinema (Delhi: Sage Publications, 1999)
11. M. Prasad, Ideology of the Hindi Film (Delhi: Oxford University Press, 1998).
12. P. Van der Veer, 'The Foreign Hand: Orientalist Discourse in Sociology and Communalism,' in Orientalism and the Postcolonial Predicament, ed. P. Van der Veer and C.A. Breckenridge (Philadelphia: University of Pennsylvania Press, 1993): 23-44.
13. M. Prasad, Ideology of the Hindi Film (Delhi: Oxford University Press, 1998).
14. P. Drake, '"Mortgaged to Music": New Retro Movies in the 1990s Hollywood Cinema,' in Memory and Popular Film, ed. P. Grainge (Manchester: Manchester University Press, 2003): 183-201.
15. C. Flinn, Strains of Utopia: Gender, Nostalgia, andHollywoodFilmMusic (Princeton, NJ: Princeton University Press 1992): 6.
16. M. Kinnear, The Gramophone Company's First Indian Recordings, 1899-1908 (Mumbai: Popular Prakashan, 1994).
17. A. Ranade, Stage Music of Maharasthra (New Delhi: Sangeet Natak Academi, 1986).
18. C. Gorbman, Unheard Melodies: Narrative Film Music (Bloomington, IN: Indiana University Press, 1987): 5.
19. R. Altman, 'The Evolution of Sound Technology,' in Film Sound: Theory and Practice, ed. E. Weis and J. Belton (New York: Columbia University Press, 1985): 46.