Collecting new-media art: Just like anything else, only different

Collecting the New: Museums and Contemporary Art

Volumn , Issue , 2013, Pages 85-101

  Dietz, Steve ^a  

^a Zeroone: The Art and Technology Network   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 79960515801     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (30)

1. Susan Morris, Museums and New Media Art: A Research Report Commissioned by the Rockefeller Foundation, October 2001, 4. Available for download at http:// www.rockfound.org/Documents/528/Museums_and_New_Media_Art.pdf (accessed 30 August 2004).
2. the Variable Media Network website at http://www.guggenheim.org/variablemedia/ (accessed 30 August 2004).
3. Kit Galloway and Sherrie Rabinowitz, "Satellite Arts Project," 1977, http://www .ecafe.com/getty/SA/index.html (accessed 30 August 2004).
4. The Rhizome Artbase is accessible to members at http://www.rhizome.org/artbase/ (accessed 30 August 2004).
5. The Ars Electronica archives for the Prix Ars Electronica are accessible online at http://www.aec.at/en/archives/prix_einstieg.asp (accessed 30 August 2004).
6. David Antin, "Video: The Distinctive Features of the Medium," in Video Art, ed. Ira Schneider and Beryl Korot (New York:Harcourt Brace Jovanovich, 1976), 174.
7. "Beyond Interface: net art and Art on the Net II," 1998, for further analysis of the idea of distinctive features in relation to new media, http://www.yproductions.com/writing/archives/000190.html (accessed 30 August 2004).
8. Rosalind Krauss, A Voyage on the North Sea: Art In the Age of the Post-Medium Condition (New York: Thames and Hudson, 2000), 7.
9. Jim Campbell, "Formula for Computer Art," 1996/2003, http://www.jimcampbell.tv (accessed 30 August 2004).
10. Gregory Bateson, Steps to an Ecology of Mind (Chicago: University of Chicago Press, 2000), 457.
11. Melinda Rackham, 17 April 2002,"[-empyre-] Forward from ippolito re gift economy vs art market #1," [-empyre-] listserv, http://lists.cofa.unsw.edu.au/pipermail/empyre/2002-April/000379.html (accessed 30 August 2004).
12. Stelarc, "Ping Body," 10 April 1996, http://www.stelarc.va.com.au/pingbody/ (accessed 30 August 2004).
13. Sol Lewitt, "Four Geometric Figures in a Room," 1968, http://collections.walkerart.org/item/object/245 (accessed 30 August 2004).
14. Lisa Jevbratt, "A Stillman Project for the Walker Art Center," 1998, http://www.walkerart .org/gallery9/jevbratt/ (accessed 30 August 2004).
15. Calvin Tomkins, The Bride and the Bachelors: Five Masters of the Avant-Garde (New York: Viking Press, 1965), 113-14.
16. Jana Sterbak, "Vanitas: Flesh Dress for an Albino Anorectic," 1987, http://collections .walkerart.org./item/object/957 (accessed 30 August 2004).
17. Yoko Ono, "Voice Piece for Soprano," 2001, http://sonicflux.walkerart.org/ono/index.html (accessed 30 August 2004).
18. Linda Nochlin, "Why Have There Been No Great Women Artists?" Artnews (January 1971): 22-39.
19. Steve Dietz, "Why Have There Been No Great Net Artists?" 1999, http://www.yproductions.com/writing/archives/000189.html (accessed 30 August 2004).
20. Leo Steinberg, "Other Criteria," in Other Criteria: Confrontations with Twentieth-Century Art (New York: Oxford University Press, 1972), 63.
21. Jodi website, nd, http://404.jodi.org/bcd/ (accessed 30 August 2004).
22. http://amsterdam.nettime.org/Lists-Archives/nettime-bold-0204/msg00403.html (accessed 30 August 2004).
23. National Information Standards Organization, "A Framework of Guidance for Building Good Digital Collections," 6 November 2001, http://www.niso.org/framework/forumframework.html (accessed 30 August 2004).
24. Jon Ippolito, "Ten Myths about Internet Art," 2002, http://www.guggenheim.org/internetart/internetart_index.html (accessed 30 August 2004).
25. Richard Rinehart, "The Straw That Broke the Museum's Back? Collecting and Preserving Digital Media Art Works for the Next Century," posted 14 June 2000, http://switch.sjsu.edu/nextswitch/switch_engine/front/front.php?artc=233 (accessed 30 August 2004);
26. Howard Besser,"Longevity of Electronic Art," submitted to International Cultural Heritage Informatics Meeting, 2001, written February 2001, http://sunsite.berkeley.edu/Longevity/ (accessed 30 August 2004);
27. Peter Lyman, "Archiving the World Wide Web," in Building a National Strategy for Preservation: Issues in Digital Media Archiving; Library of Congress, April 2002, http://www.clir.org/pubs/reports/pub106/web.html (accessed 30 August 2004).
28. Jeff Rothenberg, "Avoiding Technological Quicksand: Finding a Viable Technical Foundation for Digital Preservation," January 1998, http://www.clir.org/pubs/reports/rothenberg/contents.html (accessed 30 August 2004).
29. "Archiving the Avant-Garde:Documenting and Preserving Digital/Variable Media Art," http://www.bampfa.berkeley.edu/about_bampfa/avantgarde.html (accessed 30 August 2004).
30. Barbara Kirshenblatt-Gimblett in "Museums of Tomorrow: An Internet Conference," 2003, sponsored by the Georgia O'Keeffe Museum, http://www.okeeffemuseum.org/cgi-local/ultimatebb.cgi?ubb=next_topic&f=2&t=000019&go=newer (accessed 30 August 2004).