The loudspeaker as musical instrument

Proceedings of the International Conference on New Interfaces for Musical Expression

Volumn , Issue , 2010, Pages 13-18

  Mulder, Jos ^a  

^a UNIVERSITY OF TECHNOLOGY SYDNEY   (Australia)

Author keywords

Multi modal perception; Musical instruments; Performance practice; Sound technology (amplification)

Indexed keywords

LOUDSPEAKERS; MUSIC;

MULTI MODAL PERCEPTIONS; PERFORMANCE; PERFORMANCE PRACTICE; SOUND AMPLIFICATION; SOUND TECHNOLOGY (AMPLIFICATION); ZOOMING-IN;

MUSICAL INSTRUMENTS;

EID: 79960372542     PISSN: 22204792     EISSN: 22204806     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (16)

1. Auslander, P. Liveness: performance in a mediatized culture. 2nd edition, Routledge, London; New York 2008.
2. Bongers, Bert. Interactivation. Ph.D thesis Vrije Universiteit Amsterdam 2006.
3. Brouwer, Joke and Mulder, Arjen (eds.). Dick Raaymakers, A Monograph.V2, Rotterdam, 2008.
4. Chabade, Joel. Electric Sound. Prentice Hall, New Jersey 1997. P32.
5. Collins, Nicholas. Live electronic music. In Nick Collins and Julio d’Escriván (eds) Electronic Music. Cambridge University Press 2007.
6. Collison, David. The Sound of Theatre. Professional Lighting and Sound Association, London 2008.
7. DiScipio, Agostino. Sound is the Interface: From interactive to ecosystemic signal processing. In Organized Sound 8/3/ (2003) pp 269-77.
8. Emmerson, Simon. Living Electronic Music. Ashgate Publishing Limited, Aldershot, 2007.
9. Green, Owen. Pondering Value in the Performance Ecosystem. In eContact 10 (4), 2008.
10. Hampton, Lionel en Haskins, James. Hamp. New York: Warner Books, 1989.
11. McCarthy, Bob. Sound Systems: Design and Optimization. Focal Press, Burlington, 2007.
12. Mulder, Johannes. Sound Amplification Technology and the Acousmatic Experience. In: Proceedings of the second international conference of students of systematic musicology 2009. IPEM, Ghent 2009.
13. Schaeffer, Pierre. Treaté des Objets Musicaux. Éditions du Seuil, Paris 1966.
14. Schafer, Raymond Murray. The Tuning of the World. Random House, New York, 1977.
15. Smalley, Dennis. Space-form and the acousmatic image. in Organized Sound vol. 12, no.1, 2007, pp. 35-58.
16. Waters, Simon. Performance ecosystems: Ecological approaches to musical interaction. In: Proceedings of Electroacoustic Music Studies Network Conference 2007, 2007.