Meaning in music and language: Three key differences. Comment on "Towards a neural basis of processing musical semantics" by Stefan Koelsch

Physics of Life Reviews

Volumn 8, Issue 2, 2011, Pages 110-111

  Slevc, L Robert ^a   Patel, Aniruddh D ^b  

^a UNIVERSITY OF MARYLAND   (United States)

^b NEUROSCIENCES INSTITUTE   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

AUDITORY STIMULATION; HUMAN; METHODOLOGY; MUSIC; NEUROSCIENCE; NOTE; SEMANTICS;

ACOUSTIC STIMULATION; HUMANS; MUSIC; NEUROSCIENCES; SEMANTICS;

EID: 79959853683     PISSN: 15710645     EISSN: None     Source Type: Journal    
DOI: 10.1016/j.plrev.2011.05.003     Document Type: Note

References (6)

1. Antović M. Towards the semantics of music: The twentieth century. Language and History 2009, 52:119-129.
2. Cross I. Music and meaning, ambiguity and evolution. Musical communication 2005, 27-43. Oxford University Press. D. Miell, R. MacDonald, D. Hargreaves (Eds.).
3. Kivy P. Introduction to a philosophy of music 2002, Oxford University Press.
4. Koelsch S. Towards a neural basis of processing musical semantics. Physics of Life Reviews 2011, 8(2):89-105. [in this issue].
5. Lau E., Phillips C., Poeppel D. A cortical network for semantics: (de)constructing the N400. Nature Reviews Neuroscience 2008, 9(12):920-933.
6. Steinbeis N., Koelsch S. Shared neural resources between music and language indicate semantic processing of musical tension-resolution patterns. Cerebral Cortex 2008, 18:1169-1178.