Photographic landscapes: Time stilled, place transposed

Representing Landscape Architecture

Volumn , Issue , 2007, Pages 188-203

  Treib, Marc ^a  

^a UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 79959515318     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203412817     Document Type: Chapter

References (15)

1. Susan Sontag, On Photography, New York: Farrar, Straus and Giroux, 1977, p. 7.
2. William Ivins, Prints and Visual Communication, Cambridge, MA: MIT Press, 1953/1969.
3. John Berger, Ways of Seeing, Harmondsworth: Penguin Books, 1972.
4. Jonathan Crary, Techniques of the Observer: On Vision and Modernity in the Nineteenth Century, Cambridge, MA: MIT Press, 1992.
5. Michael Podro, Depiction, New Haven, CT: Yale University Press, 1998, p. 17.
6. Marc Treib, "Inflected Landscapes," Places, 1 (2), 1984
7. Marc Treib, Settings and Stray Paths: Writings on Landscapes and Gardens, London: Routledge, 2005, pp. 52-73.
8. Marc Treib, "Aspects of Regionality and the Modern(ist) Garden in California," in Therese O'Malley and Marc Treib (eds), Regional Garden Design in the United States, Washington, DC: Dumbarton Oaks, 1995, pp. 5-42.
9. Michael Heizer, Double Negative, Los Angeles: Museum of Contemporary Art, and New York: Rizzoli, 1991.
10. Sigfried Giedion, The Eternal Present: The Beginnings of Architecture, New York: Pantheon Books, 1964.
11. André Malraux, The Voices of Silence, Princeton, NJ: Princeton University Press, 1978.
12. John Beardsley, A Landscape for Modern Sculpture: Storm King Art Center, New York: Abbeville Press, 1985.
13. Hal Foster (ed.), Vision and Visuality, New York: Dia Art Foundation, and Seattle: Bay Press, 1988, especially p. 11
14. Donald M. Lowe, History of Bourgeois Perception, Chicago: University of Chicago Press, 1982.
15. Guy Debord, Society of the Spectacle, Detroit: Black and Red, 1967/1983