Island mysteries

Art History Versus Aesthetics

Volumn , Issue , 2005, Pages 269-290

  Redfield, Marc ^a  

^a CLAREMONT GRADUATE UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 79959157932     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203959879     Document Type: Chapter

References (11)

1. Politics of Aesthetics: Nationalism, Gender, Romanticism (Stanford, CA: Stanford University Press, 2003), 9-14
2. Phantom Formations: Aesthetic Ideology and the Bildungsroman (Ithaca, NY: Cornell University Press, 1996), 1-12, passim.
3. David Lloyd and Paul Thomas, Culture and the State (London and New York: Routledge, 1998).
4. Walter Benjamin, "On Some Motifs in Baudelaire," in Illuminations: Essays and Reflections, ed. Hannah Arendt, trans. Harry Zohn (New York: Schocken Books, 1969).
5. Samuel Weber, Mass Mediauras: Form,Technics, Media (Stanford, CA: Stanford University Press, 1996).
6. James Elkins, Our Beautiful, Dry, and Distant Texts: Art History as Writing (University Park: Pennsylvania State University Press, 1997), 48.
7. Edmund Burke, A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and the Beautiful, ed. James T. Boulton (Notre Dame, IN: University of Notre Dame Press, 1986).
8. Simon Jarvis, "An Undeleter for Criticism," Diacritics, 32:1 (2002): 12.
9. Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction," in Illuminations. I have discussed the intimacy between aesthetics and technics in The Politics of Aesthetics, 14-22.
10. Peter de Bolla, "Toward the Materiality of Aesthetic Experience," Diacritics 32:1 (2002): 34-35.
11. Philippe Lacoue-Labarthe Poetry as Experience, trans. Andrea Tarnowski (Stanford, CA: Stanford University Press, 1999).