Hypermusic and the Sighting of Sound - A Nomadic Studio Report

International Computer Music Conference, ICMC Proceedings

Volumn , Issue , 2001, Pages

  Impett, Jonathan ^b   Bongers, Bert ^a  

^a The Meta Orchestra   (Netherlands)

^b UNIVERSITY OF EAST ANGLIA   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

INTERACTIVE SYSTEM; LABORATORY PERFORMANCE; PERFORMANCE GROUP; PRACTICAL ISSUES;

EID: 79959096241     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (4)

1. Bongers, A. J. 2000. “Physical Interaction in the Electronic Arts: Interaction Theory and Interfacing Techniques for Real-Time Performance”. In: M. Wanderley and M. Battier (eds.)Trends in Gestural Control of Music, IRCAM
2. Bongers, A. J. and J. F. Impett. 2001. “Hypermusic and the Sigthing of Sound”. Project report for the EC, 91 pages
3. Harris, Y. C. and A. J. Bongers. 2001. “The Video-Organ”. Proceedings of the International Computer Music Conference. Havana, Cuba. ICMA
4. Wright, M., and A. Freed. 1997. “OpenSound Control: A New Protocol for Communicating with Sound Synthesizers,” pp. 101-104, Proceedings of the International Computer Music Conference Thessaloniki, Hellas. ICMA.