Composer attribution by quantifying compositional strategies

ISMIR 2006 - 7th International Conference on Music Information Retrieval

Volumn , Issue , 2006, Pages 375-376

  Van Kranenburg, Peter ^a  

^a UTRECHT UNIVERSITY   (Netherlands)

Author keywords

Classical music; Composer attribution; Johann Sebastian Bach; Musical style; Pattern recognition

Indexed keywords

CLASSICAL MUSIC; COMPOSER ATTRIBUTION; COMPOSITIONAL STRATEGIES; MUSICAL STYLE; SEBASTIAN; STATISTICAL PATTERN RECOGNITION;

INFORMATION RETRIEVAL;

PATTERN RECOGNITION;

EID: 79958086951     PISSN: None     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (9)

1. E. Backer and P. van Kranenburg, "On musical stylometry - a pattern recognition approach", in Pattern Recognition Letters, 26 (2005), 299-309.
2. W. Breig, "Versuch einer Theorie der Bachschen Orgelfuge", in Die Musikforschung 48 (1995), 14-52.
3. P. Dirksen, "Het auteurschap van Praeludium en fuga in f (BWV 534)", in Het Orgel 96 (2000), nr. 5, 5-14.
4. D. Humphreys, "A Bach Polyglot - the A major Prelude & Fugue BWV 536", in The Organ Yearbook XX (1989), 72-87.
5. L.B. Meyer, Style and Music - Theory, History, and Ideology, Chicago, 1989.
6. J. O'Donnell, "Mattheson, Krebs and the Fantasia & Fugue in C minor BWV 537", in The Organ Yearbook XX (1989), 88-95.
7. W. Schmieder, Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach. BachWerke-Verzeichnis - 2. überarbeitete und erweiterte Aus-2 gabe, Wiesbaden, 1990. 2
8. A. Webb, Statistical Pattern Recognition, Chichester, 2002.
9. P. Williams, "BWV 565: a toccata in D minor for organ by J. S. Bach?", Early Music 9 (1981), 330-337.