“Everything done for effect”: Georgic, gothic and picturesque in anne lister's self-production

Women's Writing

Volumn 7, Issue 1, 2000, Pages 89-104

  Rowanchild, Anira ^a  

^a NONE   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 79958021141     PISSN: 09699082     EISSN: 17475848     Source Type: Journal    
DOI: 10.1080/09699080000200091     Document Type: Article

References (17)

1. Helena Whitbread (ed.), I Know My Own Heart: The Diaries of Anne Lister 1791-1840 (London: Virago, 1988), p. 142.
2. Helena Whitbread (ed.), No Priest But Love: The Journals of Anne Lister 1824-1826 (Otley: Smith Settle, 1992), p. 49.
3. Michel Foucault, The History of Sexuality: Volume 1: An Introduction (Harmondsworth: Penguin, 1979), p. 43.
4. Jill Liddington, Female Fortune: Land, Gender and Authority: The Anne Lister Diaries and Other writings, 1833-36 (London: Rivers Oram, 1998), p. 143
5. Jill Liddington, Presenting the Past: Anne Lister of Halifax 1791-1840 (Hebden Bridge: Pennine Pens, 1994), p. 31.
6. Muriel Green, Miss Lister of Shibden Hall: Selected Letters (1800-1840) (Sussex: The Book Guild, 1992), p. 28.
7. Ghislaine McDayter, “‘Consuming the Sublime’: Gothic Pleasure and the Construction of Identity”, Women’s Writing, 2 (1995), pp. 55-75
8. John Porter, The Making of the Central Pennines (Broughton Gifford, Wiltshire: Ashgrove Books, 1993), p. 72.
9. Peter Brears, “John Harper at Shibden-a gothick lady and her architect”, York Historian, 2 (1978), pp. 56-64
10. Mark Girouard, A Country House Companion (London: Century, 1987), p. 23.
11. Colin Cunningham, “‘An Italian house is my lady’: Some Aspects of the Definition of Women’s Role in the Architecture of Robert Adam”, in Femininity and Masculinity in Eighteenth-Century Art and Culture, eds Gill Perry & Michael Rossington (Manchester: Manchester University Press, 1994), pp. 69-70.
12. Elizabeth Mavor, The Ladies of Llangollen: A Sudy in Romantic Friendship (Harmondsworth: Penguin, 1973), p. 74.
13. Terry Castle, The Apparitional Lesbian: Female Homosexuality and Modern Culture (New York: Columbia University Press, 1993), p. 93.
14. Jill H. Casid, “Queer(y)ing Georgic: Utility, Pleasure, and Marie Antoinette’s Ornamented Farm”, Eighteenth-Century Studies, 3 (1997), pp. 304-318
15. Emma Donoghue, Passions between Women: British Lesbian Culture 1668-1801 (London: Scarlet Press, 1993), p. 265.
16. John Wilton-Ely, “Beckford, Fonthill Abbey and the Picturesque”, in The Picturesque in Late Georgian England: Papers given at the Georgian Symposium 22 October 1994, ed. Dana Arnold (London: The Georgian Group, 1995), p. 35.
17. Jacqueline M. Labbe, Romantic Visualities: Landscape, Gender and Romanticism (London: Macmillan, 1998), p. 53.