“…And you voted for that guy”: 1980s post-punk and oppositional politics

Journal of Popular Music Studies

Volumn 16, Issue 2, 2004, Pages 142-174

  Martin, Bradford ^a  

^a Bryant College   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 79957919562     PISSN: 15242226     EISSN: 15331598     Source Type: Journal    
DOI: 10.1111/j.0022-4146.2004.00017.x     Document Type: Article

References (60)

1. Arnold, Gina. Route 666: On the Road to Nirvana. New York: St. Martin's, 1993.
2. Azerrad, Michael. Come As You Are: The Story of Nirvana. New York: Doubleday, 1994.
3. Bondi, Vic.“Feeding the Noise Back Into the System: Hardcore, Hip Hop, and Heavy Metal.” New England American Studies Association Conference Paper. May 1993, 2-25.
4. Boon, Dennes. “Themselves.” © New Alliance Music (BMI)/ Administered by BUG (All Rights Reserved. Used by Permission).
5. Carson, Tom. “America's Most Conceptual Bar Band.” Village Voice Nov. 6, 1984: 81.
6. Chapple, Steve and Reebee Garofalo. Rock'n' Roll is Here to Pay: The History and Politics of the Music Industry. Chicago, IL: U of Chicago P, 1977.
7. “The Cramps to Join Mordam Records!” Aug. 29, 2001 .
8. Drozdowski, Ted. “X Marks the Time: How Grunge and Its Champions Worked a Desperate Generation.” Providence Phoenix 2 Feb. 18, 1994, 12-4.
9. Faludi, Susan. Backlash: The Undeclared War Against American Women. New York: Doubleday, 1991.
10. Farley, Christopher John. “Latter-Day Grunge.” Time July 12, 1993, 17.
11. Felder, Rachel. Manic Pop Thrill. Hopewell, NJ: The Ecco, 1993.
12. Flipside. 29 (1981).
13. Flipside. 51 (1986).
14. Flipside. 52 (1987).
15. Flipside. 57 (1988).
16. Foege, Alec. Confusion is Next: The Sonic Youth Story. New York: St. Martin's, 1994.
17. Frith, Simon. Sound Effects: Youth, Leisure, and the Politics of Rock 'n' Roll. New York: Pantheon, 1981.
18. Garelick, Jon. “Rock's Body Politic: The Music is Still Bigger Than the Message”. Providence Phoenix 2 Dec. 9, 1994 16.
19. Garofalo, Reebee. “How Autonomous is Relative: Popular Music, the Social Formation and Cultural Struggle.” Popular Music 6.1 (1987): 77-91.
20. Garofalo, Reebee. Rockin' Out: Popular Music in the U.S.A. 2nd ed. Upper Saddle River, NJ: Prentice Hall, 2002.
21. Gibson, James William. Warrior Dreams: Paramilitary Culture in Post-Vietnam America. New York: Hill and Wang, 1994.
22. Gross, David M. “Proceeding with Caution.” Time July 16, 1990, 56-62.
23. Hebdige, Dick. “Style as Homology and Signifying Practice.” On Record: Rock, Pop, and the Written Word. Ed. Simon Frith and Andrew GoodwinNew York: Pantheon, 1990. 56-65.
24. Heylin, Clinton. From the Velvets to the Voidoids: A Pre-Punk History for a Post-Punk World. New York: Penguin, 1993.
25. Husker Du. Land Speed Record. SST (1981).
26. “Ian MacKaye + Jeff Nelson Interview.” Flipside 29 (1981).
27. Kelley, Robin D.G. Hammer and Hoe: Alabama Communists During the Great Depression. Chapel Hill, NC: U of North Carolina P, 1990.
28. Laing, Dave. One Chord Wonders: Power and Meaning in Punk Rock. Philadelphia, PA: Open UP, 1985.
29. Leland, John. “A Woodstock for Post-Punks: Lollapalooza Tests Out a Freaky-Deaky World Order.” Newsweek Aug. 17, 1992, 55.
30. Macnie, Jim. “Riffs: Sonic Youth.” Down Beat Mar. 1987, 14.
31. Marcus, Greil. Ranters & Crowd Pleasers: Punk in Pop Music, 1977-92. New York: Doubleday, 1993.
32. Margolis, Maxine L. Little Brazil: An Ethnography of Brazilian Immigrants in New York City. Princeton, NJ: Princeton UP, 1994.
33. Martin, Bradford. “Noise From the Underground: Post-Punk Music as Oppositional Culture.” Unpublished M.A. Thesis, U of Massachusetts/Boston, 1995.
34. Maximum Rock'n'Roll 23 (1985).
35. Maximum Rock'n'Roll 33 (1986).
36. Maximum Rock'n'Roll 34 (1986).
37. Maximum Rock'n'Roll 40 (1986).
38. Maximum Rock'n'Roll 58 (1988).
39. Maximum Rock'n'Roll 62 (1988).
40. McRobbie, Angela. “Settling Accounts With Subcultures.” On Record: Rock, Pop, and the Written Word. Ed. Simon Frith and Andrew Goodwin. New York: Pantheon, 1990. 66-80.
41. Minutemen. Ballot Result. SST, (1986).
42. Palmer, Robert. “Hot Band: Sonic Youth's Thrash Pop May Be the Sound of Young America in the Nineties.” Rolling Stone May 18, 1989, 97-100.
43. Pareles, Jon. “Is Lollapalooza Losing Its Outsider Status?” New York Times June 27, 1993, 26.
44. Pareles, Jon. “Lollapalooza '94 Opens in Las Vegas.” New York Times July 9, 1994, 13+.
45. Pareles, Jon. “Lollapalooza, a Day Full of Sound and Fury.” New York Times Aug. 11, 1992, C11-2.
46. Pareles, Jon. “Lollapalooza, Tattoos and All.” New York Times June 21, 1993, C13+.
47. Passantino, Rosemary. “Sonic Youth '85.” Village Voice June 11, 1985, 78.
48. Pond, Steve. “The Trick Is to Be Loved but Not Embraced.” New York Times June 26, 1994, 28.
49. Savage, Jon. England's Dreaming: Anarchy, Sex Pistols, Punk Rock, and Beyond. New York: St. Martin's, 1992.
50. Schwartz, Ruth.“What Th' What Th' Fuck.” Maximum Rock 'n' Roll 34 (1986).
51. Seidenberg, Robert. “Revolt Into Convention.” Village Voice June 4, 1985, 74.
52. Shank, Barry.Dissonant Identities: The Rock 'n' Roll Scene in Austin, Texas. Hanover, NH: Wesleyan UP/UP of New England, 1994.
53. Sinker, Daniel, ed. We Owe You Nothing: Punk Planet: The Collected Interviews. New York: Akashic, 2001, 109-18.
54. Strauss, Neil. “Exploding Tickets: Pearl Jam Wage an Anti-Trust War Against Ticketmaster on Capitol Hill.” Rolling Stone Aug. 11, 1994, 30.
55. Sullivan, John. “Alternative to What? From Beer to Cars to Radio, Angst-Rock Surfs the Latest Wave to the Mainstream.” Boston Globe B1, Apr. 2, 1995, 26-27.
56. Walser, Robert. Running With the Devil: Power, Gender, and Madness in Heavy Metal Music. Hanover, NH: UP of New England, 1993.
57. Watrous, Peter. “Good Things Happen to Lollapalooza.” New York Times Aug. 5, 1992, C13-5.
58. Watrous, Peter. “Sonic Youth: California Dreaming.” Village Voice, July 1, 1986, 85.
59. “What th' fuck!!!” Maximum Rock 'n' Roll 33 (1986).
60. Wood, Joe, ed.“Malcolm X and the New Blackness.” Malcolm X: In Our Own Image. New York: St. Martin's, 1992. 14.