On not remembering her

Feminist Theology

Volumn 7, Issue 19, 1998, Pages 63-83

  Hampson, Daphne ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 79957604984     PISSN: 09667350     EISSN: 17455189     Source Type: Journal    
DOI: 10.1177/096673509800701905     Document Type: Article

References (28)

1. New York: Crossroad; London: SCM Press, 1983
2. New Blackfriars 68 (1987) and republished as a pamphlet.
3. 'Early Christian Women and their Cultural Context: Issues of Method in Historical Reconstruction', in Adela Yarbro Collins (ed.), Feminist Perspectives on Biblical Scholarship (Society of Biblical Literature Centennial Publications, 10: Chico, CA: Scholars Press, 1985), pp. 82-83.
4. Memory, p. xiv.
5. Boston: Beacon Press, 1984, p. 115.
6. Memory, p. 31.
7. Memory, pp. xiv, xix, 350.
8. Three Guineas (New York: Harcourt, Brace Jovanovich, 1966 [1938]), pp.12,18.
9. A Room of One's Own (London: Grafton Books, 1977 [1929]).
10. Three Guineas, p. 60.
11. A Room, p. 9.
12. Memory, p. xix.
13. The Female Experience and the Nature of the Divine (Bloomington, IN: Indiana University Press, 1981).
14. Memory, pp. xviii-xix.
15. Memory, p. xv.
16. Bread not Stone, p. 35.
17. Memory, p. xix.
18. Memory, p. 34.
19. Laughter of Aphrodite (San Francisco: Harper & Row, 1987).
20. Every Two Minutes: Battered Women and Feminist Interpretation', in L. Russell (ed.), Feminist Interpretation of the Bible (Philadelphia: Westminster Press; Oxford: Basil Blackwell, 1985), pp. 96-107.
21. Memory, p. xviii.
22. I explore these points in Theology and Feminism (Oxford: Basil Blackwell, 1990).
23. Memory, p. 27.
24. A Room, p. 107.
25. Helene Cixous's 'The Laugh of the Medusa', in E. Marks and I. de Courtivron (eds.), New French Feminisms: An Anthology (Amherst, MA: The University of Massachusetts Press, 1980)
26. Luce Irigaray's This Sex Which is Not One would be the best known examples of writing which might well be held to be essentialist.
27. 'The Laugh of the Medusa', p. 245.
28. Quoted by Verena Andermatt Conley, Writing the Feminine (Lincoln: University of Nebraska Press, 1984)