Flesh or bones? Qualitative and quantitative descriptions of theatre practice

Australasian Drama Studies

Volumn 58, Issue , 2011, Pages 22-40

  Meyrick, Julian ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 79957562571     PISSN: 08104123     EISSN: 08104123     Source Type: Journal    
DOI: None     Document Type: Review

References (13)

1. Bertolt Brecht, 'Helene Weigel: On a Great German Actress', quoted in Eric Bentley, The Theory of the Modern Stage (Harmondsworth: Penguin, 1976) 105.
2. 'The Courage of the Present', Le Monde (13 February 2010).
3. Alain Badiou, L'être et l'événement. Trans. Oliver Feltham. (London: Continuum, 2005) 524.
4. C. Behan McCullagh, The Truth of History (London: Routledge, 1998) 60-1.
5. Justifying Historical Description (Cambridge University Press, 1984),
6. The Logic of History (London: Routledge, 2004)
7. Alan Bennett, Writing Home (London: Faber, 1994) 303-4.
8. Erving Goffman, 'The Interaction Order', American Sociological Review 48.1 (February 1983): 1-17.
9. Pierre Bourdieu, 'Erving Goffman, Discoverer of the Infinitely Small', Theory Culture Society 2 (1983): 112.
10. Clifford Geertz, The Interpretation of Culture: Selected Essays (New York: Basic Books, 1973) 412-53.
11. J. F. Ouellet, M. Savard and F. Colbert, 'The Personality of Performing Arts Venues: Developing a Measurement Scale', International Journal of Arts Management 10.3 (2008): 49-59.
12. 〈http://www.egs.edu/faculty/giorgio-agamben/articles/ what-is-a-paradigm/〉 (accessed 24 November 2010).
13. Alain Badiou, trans. and ed. Oliver Feltham and Justin Clemens, Infinite Thought (London: Continuum, 2003).