Death drives

Hitchcock: Past and Future

Volumn , Issue , 2004, Pages 231-242

  Mulvey, Laura ^a  

^a UNIVERSITY OF LONDON   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 79955261211     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (10)

1. Amy Taubin, "Douglas Gordon, " in Philip Dodd (ed.) Spellbound. Art and Film, London: South Bank Centre, 1996.
2. André Bazin, "The Ontology of the Photographic Image, " in What Is Cinema?, ed. and trans. Hugh Gray, Berkeley: University of California Press, 1967, p. 15.
3. See Charles Barr, English Hitchcock, Moffat, Scotland: Cameron & Hollis, 1999, pp. 148, 185.
4. Peter Wollen, "Hybrid Plots in Psycho, " in Readings and Writings. Semiotic Counter Strategies, London:Verso, 1982, p. 35.
5. Sigmund Freud, "Beyond the Pleasure Principle, " in Standard Edition of the Complete Psychological Works of Sigmund Freud, vol. XVIII, London:The Hogarth Press, 1954-74, p. 38.
6. Peter Brooks, Reading for the Plot. Design and Intention in Narrative, New York:Vintage, 1985, p. 105.
7. Ernst Jentsch, "On the Psychology of the Uncanny, " Angelaki 2: 1, 1995.
8. See Anthony Vidler, The Architectural Uncanny: Essays in the Modern Unhomely, Cambridge, MA: MIT Press, 1992.
9. Sigmund Freud, "The Uncanny, " in Standard Edition, vol. XVII, p. 225.
10. Charles Barr, English Hitchcock, p. 147.