Musical durations as mathematical intervals some implications for the theory and analysis of rhythm

Music Analysis

Volumn 16, Issue 1, 1997, Pages 45-75

  Agmon, Eytan ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 79955197524     PISSN: 02625245     EISSN: None     Source Type: Journal    
DOI: 10.2307/854113     Document Type: Article

References (17)

1. Edward T. Cone, Musical Form and Musical Performance (New York: Norton, 1968), p. 12
2. Cont, Musica Form, p. 18
3. Arthur Komar, Theory of Suspensions (Princeton: Princeton University Press, 1971), p. 155.
4. Judy Lochhead, 'The Metaphor of Musical Motion: Is There An Alternative', Theory and Practice, 14/15 (1989/90), pp. 83-103.
5. Carl Schachter, 'Rhythm and Linear Analysis: A Preliminary Study', The Music Forum, 4 (1976), pp. 311-12
6. William Rothstein, Phrase Rhythm in Tonal Music (New York: Schirmer, 1989), p. 58.
7. Cone {Musical Form, p. 12
8. Fred Lerdahl and Ray Jackendoff, A Generative Theory of Tonal Music (Cambridge, MA: MIT Press, 1983), p. 20)
9. Lerdahl and Jackendoff {A Generative Theory of Tonal Music, pp. 38-9),
10. Grosvenor Cooper and Leonard Meyer {The Rhythmic Structure of Music (Chicago: University of Chicago Press, 1960), p. 139)
11. Rothstein, Phrase Rhythm, pp. 3-5.
12. Carl Schachter, 'Rhythm and Linear Analysis: Durational Reduction', The Music Forum, 5 (1980), p. 205;
13. Joel Lester, The Rhythms of Tonal Music (Carbondale: Southern Illinois University Press, 1986), pp. 163-177
14. Kramer, The Time of Music, pp. 84-98.
15. Roger Sessions, Harmonic Practice (New York: Harcourt, Brace and World, 1951), pp. 83-84.
16. Edward Cone, Music: A View From Delft, ed. Robert Morgan (Chicago: University of Chicago Press, 1989), pp. 39-54.
17. Heinrich Christoph Koch, Introductory Essay on Composition, trans. Nancy Kovaleff Baker (New Haven: Yale University Press, 1983), pp. 54-56