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Volumn , Issue , 2006, Pages 446-463

Black performance studies: Genealogies, politics, futures

Author keywords

[No Author keywords available]

Indexed keywords


EID: 79954857436     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4135/9781412976145.n25     Document Type: Chapter
Times cited : (24)

References (49)
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  • 2
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    • The gospel musical and its place in the black American theatre
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    • Burdine, W. B.(1999). The gospel musical and its place in the black American theatre. In A. Bean (Ed.), A sourcebook of African-American performance: Plays, people, movements (pp. 190-203). New York: Routledge.
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    • Burdine, W.B.1
  • 7
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    • Rethinking elocution: The trope of the talking book and other figures of speech
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    • (2000) Text and Performance Quarterly , vol.20 , Issue.4 , pp. 325-341
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  • 14
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    • The device of race: An introduction
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    • Elam, H. J.(2001). The device of race: An introduction. In H. J. Elam & D. Krasner (Eds.), African American performance and theater history: A critical reader (pp. 3-16). Oxford, England: Oxford University Press.
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    • Elam, H.J.1
  • 18
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    • The chitlin circuit
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  • 19
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    • What is this "black" in black popular culture?
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  • 20
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    • Black theatre in the African continuum: Word/song as method
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    • (1989) Totem voices: Plays from the black world repertory , pp. xi-lxiii
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  • 21
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    • Performance practice as a site of opposition
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    • Hooks, B.(1995). Performance practice as a site of opposition. In C. Ugwu (Ed.), Let's get it on: The politics of black performance (pp. 210-221). Seattle: Bay Press.
    • (1995) Let's get it on: The politics of black performance , pp. 210-221
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  • 24
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    • New York: Hawthorne Books
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    • Disciplining theater and drama in the English department: Some reflections on 'performance' and institutional history
    • Lee, J. Disciplining theater and drama in the English department: Some reflections on 'performance' and institutional history. Text and Performance Quarterly 19 (2) (1999). 145-158. doi:10.1080/10462939909366256 http://dx.doi.org/10.1080/10462939909366256
    • (1999) Text and Performance Quarterly , vol.19 , Issue.2 , pp. 145-158
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  • 29
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    • That was my occupation: Oral narrative, performance, and black feminist thought
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    • Madison, D. S.(1998). That was my occupation: Oral narrative, performance, and black feminist thought. In D. Pollock (Ed.), Exceptional spaces: Essays in performance & history (pp. 319-342). Chapel Hill: University of North Carolina Press.
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  • 30
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    • Modern dance, negro dance, and Katherine Dunham
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    • (2001) Textual Practice , vol.15 , Issue.3 , pp. 487-506
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  • 35
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  • 36
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    • Black gay men and white gay men: A less than perfect union
    • C. L. Dews & C. L. Law (Eds.),. Philadelphia: Temple University Press
    • Nero, C. I.(2001). Black gay men and white gay men: A less than perfect union. In C. L. Dews & C. L. Law (Eds.), Out in the south (pp. 115-126). Philadelphia: Temple University Press.
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  • 38
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    • Writing the absent potential: Drama, performance, and the canon of African-American
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    • Richards, S.(1995). Writing the absent potential: Drama, performance, and the canon of African-American. In A. Parker & E. Sedgwick (Eds.), Performativity and performance (pp. 64-88). New York: Routledge.
    • (1995) Performativity and performance , pp. 64-88
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  • 41
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  • 47
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    • A review of "ethnopoetics."
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    • (1983) Symposium of the whole: A range of discourse toward an ethnopoetics , pp. 338-342
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