The museum as semiotic frame: “Degenerate art” in the thirties and the nineties

Semiotics of the Media: State of the Art, Projects, and Perspectives

Volumn , Issue , 2016, Pages 629-638

  von der Horst, Frauke ^a  

^a NONE

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EID: 79954762973     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1515/9783110803617-047     Document Type: Chapter

References (8)

1. Barthes, Roland 1977 [1985] Image - music - text. Translated by Stephen Heath. New York: Hill and Wang.
2. Barron, Stephanie (ed.) 1991 Degenerate art: The fate of the avant-garde in Nazi Germany. Los Angeles County Museum of Art, Feb. 17-May 12, 1991. Los Angeles: Exhibition Catalogue.
3. Derrida, Jacques 1967 [1980] Of grammatology. Translated by G. C. Spivak. Baltimore: Johns Hopkins Univ. Press.
4. Eco, Umberto 1985 La guerre du faux. Translated from Italian by Miriam Tanant. Paris: Bernard Grasset.
5. Grasskamp, Walter 1994 "‘Degenerate art’ and Documenta I: Modernism ostracized and disarmed”, in: Sherman, Daniel J. and Irit Rogoff (eds.), Museum culture, 163-194. Minneapolis: Univ. of Minnesota Press.
6. Schuster, Peter-Klaus (ed.) 1987 Die ‘Kunststadt’ München 1937: Nationalsozialismus und ‘Entartete Kunst '. München: Prestel Verlag.
7. Veltruský, Jiři 1942 [1986] “Basic features of dramatic dialogue”, in: Matejka, Ladislav and Irwin R. Titunik (eds.), Semiotics of arts 128-133. Cambridge, MA: MTT Press.
8. von der Horst, Frauke 1992 “Die ‘entartete Kunst’ im Los Angeles County Museum of Art”, in: Entartete Kunst 29-43. Oldenburg: Bibliotheksund Informationssystem der Universität.