Diaspora aesthetics and visual culture

Black Cultural Traffic: Crossroads in Global Performance and Popular Culture

Volumn , Issue , 2005, Pages 141-161

  Mercer, Kobena ^a  

^a MIDDLESEX UNIVERSITY   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 79954656578     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (20)

1. Michele Wallace, "Modernism, Post-modernism, and the Problem of the Visual in Afro-American Culture, " in Out There: Marginalization and Contemporary Culture, ed. Russell Ferguson, Martha Gever, Trin T. Minh-ha, and Cornel West (New York: New Museum of Contemporary Art; Cambridge: MIT Press, 1990).
2. James Clifford, "Traveling Cultures, " in Cultural Studies, ed. Lawrence Grossberg, Cary Nelson, and Paula Trichler (New York: Routledge, 1992).
3. James Clifford, Routes: Travel and Translation in the Late Twentieth Century (Cambridge: Harvard University Press, 1997).
4. Kobena Mercer, "Art That Is Ethnic in Inverted Commas, " Frieze 25 (November-December 1995): 40.
5. Yinka Shonibare, "Fabric and the Irony of Authenticity, " in Mixed Belongings and Unspecified Destinations: INIVA Annotations 1, ed. Nikos Paperstergiadis (London: Institute of International Visual Arts, 1996), 40.
6. Ike Ude, "Artist's Statement, " Sight: African Photographers, 1940 to the Present, ed. Clare Bell, Okwui Enwezor, Olu Oguibe, and Octavio Zaya (New York: Guggenheim Museum, distributed by H. N. Abrams, 1996), 296.
7. Paul Gilroy, "Wearing Your Art on Your Sleeve: Notes towards a Diaspora History of Black Ephemera, " in Small Acts: Thoughts on the Politics of Black Cultures (London: Serpents Tail, 1993).
8. "Black Hair/Style Politics" in Kobena Mercer, Welcome to the Jungle: New Positions in Black Cultural Studies (New York: Routledge, 1994).
9. Manthia Diawara, "Afro-Kitsch, " in Black Popular Culture, ed. Michele Wallace (Seattle: Bay Press/Dia Center for the Arts, 1992).
10. Ralph Ellison, "The Art of Romare Bearden, " in Going to the Territory (New York: Random House, 1986).
11. Henry Louis Gates Jr., The Signifying Monkey: A Theory of Afro American Literary Criticism (New York: Oxford University Press, 1988).
12. Albert Boime, The Art of Exclusion: Representing Blacks in the Nineteenth Century (London: Thames and Hudson, 1990).
13. W. E. B. DuBois, "Criteria of Negro Art, " in Selections from "The Crisis" (New York: Kraus-Thompson, 1983), 444-50;.
14. Alain Locke, "The Legacy of the Ancestral Arts, " in The New Negro: An Interpretation (New York: Atheneum, 1983), 266-67.
15. Larry Neale, "The Black Arts Movement, " and Amiri Baraka, "The Changing Same (R&B and New Black Music), " in The Black Aesthetic, ed. Addison Gayle (New York: Doubleday, 1971).
16. Ralph Ellison, Invisible Man (New York: Random House, 1952);.
17. Frantz Fanon, Black Skin, White Masks, trans. Charles Lam Markmann (New York: Grove Press, 1967).
18. Robert Farris Thompson, Flash of the Spirit: African and Afro-American Art and Philosophy (New York: Vintage, 1983);.
19. Theophus Smith, Conjuring Culture: Biblical Formations of Afro-America (New York: Oxford University Press, 1994).
20. Herman Gray, Watching Race: Television and the Struggle for Blackness (Minneapolis: University of Minnesota, 1995), 230.