The musicology of record production

Twentieth-Century Music

Volumn 4, Issue 2, 2007, Pages 189-207

  Zagorski Thomas, Simon ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 79954609518     PISSN: 14785722     EISSN: 14785730     Source Type: Journal    
DOI: 10.1017/S1478572208000509     Document Type: Article

References (29)

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2. Cunningham, Mark. Good Vibrations: a History of Record Production. London: Sanctuary, 1998.
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4. Daniel, Eric D., C. Denis Mee, and Mark H. Clark, eds. Magnetic Recording: the First 100 Years. New York: IEEE Press, 1999.
5. Diamond, Beverley. 'Media as Social Action: Native American Musicians in the Recording Studio', in Wired for Sound, ed. Greene and Porcello. 118-37.
6. Eisenberg, Evan. The Recording Angel: Music, Records and Culture from Aristotle to Zappa, 2nd edn. New Haven, CT, and London: Yale University Press, 2005 (1st edn 1987).
7. Gracyk, Theodore. Rhythm and Noise: an Aesthetics of Rock. Durham, NC: Duke University Press, 1996.
8. Greene, Paul D., and Thomas Porcello, eds. Wired for Sound: Engineering and Technologies in Sonic Cultures. Middletown, CT: Wesleyan University Press, 2005.
9. Iyer, Vijay. 'Microstructures of Feel, Macrostructures of Sound: Embodied Cognition in West African and African-American Musics'. PhD diss., University of California at Berkeley, 1998. Available at (accessed 8 October 2007).
10. Kealy, Edward R. 'From Craft to Art: the Case of Sound Mixers and Popular Music', in On Record: Rock, Pop, and the Written Word, ed. Simon Frith and Andrew Goodwin. London: Routledge, 1990. 207-20.
11. Keep, Andy. 'Does "Creative Abuse" Drive Developments in Record Production?'. Paper presented at the Art of Record Production Conference 2005 (see above).
12. Lacasse, Serge. 'Listen to my Voice: the Evocative Power of Vocal Staging in Recorded Rock Music and Other Forms of Vocal Expression'. PhD diss., University of Liverpool, 2000. Available at (accessed 8 October 2007).
13. Lakoff, George, and Mark Johnson. Philosophy in the Flesh: the Embodied Mind and its Challenge to Western Thought. New York: Basic Books, 1999.
14. McClary, Susan. Feminine Endings: Music, Gender, and Sexuality. Minneapolis: University of Minnesota Press, 1991.
15. Meintjes, Louise. Sound of Africa! Making Music Zulu in a South African Studio. Durham, NC: Duke University Press, 2003.
16. Moehn, Frederick J. "'The Disc Is Not the Avenue": Schismogenetic Mimesis in Samba Recording', in Wired for Sound, ed. Greene and Porcello. 47-83.
17. Moore, Allan. 'Beyond a Musicology of Production'. Paper presented at the Art of Record Production Conference 2005 (see above).
18. Moylan, William. The Art of Recording: the Creative Resources of Music Production and Audio, 1st edn. New York: Van Nostrand Reinhold, 1992. 2nd edn, The Art of Recording: Understanding and Crafting the Mix. Amsterdam and London: Focal Press, 2002.
19. 'The Musical Performance on Record' discussion list (MUS-PERF- REC@JISCMAIL.AC.UK). Thread entitled 'Simulating 78s', December 2004. Archives at .
20. Owsinski, Bobby. The Mixing Engineer's Handbook. Vallejo, CA: Mix Books, 1999.
21. Porcello, Thomas. 'Speaking of Sound: Language and the Professionalization of Sound-Recording Engineers'. Social Studies of Science 34/5 (2004), 733-58.
22. Smalley, Denis. 'Spectro-Morphology and Structuring Processes', in The Language of Electroacoustic Music, ed. Simon Emmerson. London: Macmillan, 1986. 61-93.
23. Taylor, Timothy D. Strange Sounds: Music, Technology and Culture. New York: Routledge, 2001.
24. Théberge, Paul. Any Sound You Can Imagine: Making Music/Consuming Technology. Hanover, NH: Wesleyan University Press, 1997.
25. Tingen, Paul. 'U2 & Robbie Adams: Recording in Mysterious Ways'. Sound on Sound Magazine (March 1994). (accessed 8 October 2007).
26. Wallach, Jeremy. 'Engineering Techno-Hybrid Grooves inTwo Indonesian Sound Studios', in Wired for Sound, ed. Greene and Porcello. 138-55.
27. Wishart, Trevor. 'Sound Symbols and Landscapes', in The Language of Electroacoustic Music, ed. Simon Emmerson. London: Macmillan, 1986. 41-60.
28. Zagorski-Thomas, Simon. 'The USvs. the UKSound: Meaningin Music Production inthe 1970s'. Paper presented at the Art of Record Production Conference 2005 (see above).
29. Zak, Albin J. The Poetics of Rock: Cutting Tracks, Making Records. Berkeley, CA, and London: University of California Press, 2001.